The Devil’s Queen. Jeanne Kalogridis

Lorenzo’s father,” I said. “And beside him, his father, Cosimo the Old.” They had been shrewdest, most powerful men Florence had known, until Lorenzo il Magnifico supplanted them both.

      Clarice stepped forward to gesture at a small face near Lorenzo’s, almost lost in the crowd. “And here is Giuliano, his brother. He was murdered in the cathedral, you know. They tried to murder Lorenzo, too. He was wounded and bleeding, but he wouldn’t leave his brother. His friends dragged him away as he shouted Giuliano’s name. No one was more loyal to those he loved.

      “There are those who aren’t there beside him but should have been,” she continued. “Ghosts, of whom you have not heard enough. My mother should be there—your grandmother Alfonsina. She married Lorenzo’s eldest son, an idiot who promptly alienated the people and was banished. But she had a son—your father—and educated him in the subject of politics, so that when we Medici returned to Florence, he ruled it well enough. When your father went away to war, Alfonsina governed quite capably. And now…we have lost the city again.” She sighed. “No matter how brightly we shine, we Medici women are doomed to be eclipsed by our men.”

      “I won’t let it happen to me,” I said.

      She turned her head sharply to look down at me. “Won’t you?” she asked slowly. In her eyes I saw an idea being birthed, one that caused the recent worry there to vanish.

      “I can be strong,” I said, “like Lorenzo. Please, I would like to touch him. Just once, before we go.”

      She was not a large woman, but I was not a large child. She lifted me with effort, trying to spare her injured wrist, just high enough so that I could touch Lorenzo’s cheek. Silly child, I had expected the contours and warmth of flesh, and was surprised to find the surface beneath my fingertips flat and cold.

      “He was no fool,” she said, when she had lowered me. “He knew when to love, and when to hate.

      “When his brother was murdered—when he saw the House of Medici was in danger—he struck out.” She looked pointedly at me.

      “Do you understand that it is possible to be good yet destroy one’s enemies, Caterina? That sometimes, to protect one’s own blood, it is necessary to let the blood of others?”

      I shook my head, shocked.

      “If a man came to our door,” Clarice persisted, “and wanted to murder me, to murder Piero and you, could you do what was necessary to stop him?”

      I looked away for an instant, summoning the scene in my imagination. “Yes,” I answered. “I could.”

      “You are like me,” Clarice said approvingly, “and Lorenzo: sensitive, yet able to do what needs to be done. The House of Medici must survive, and you, Caterina, are its only hope.”

      She smiled darkly at me and, with her bandaged hand, reached into the folds of her skirt to draw out something slender and shining and very, very sharp.

      We returned to Clarice’s quarters, where Paola waited, and spent the next hour twisting silk scarves around jewels and gold florins. With Paola’s help, my aunt tied four heavy makeshift belts around her waist, beneath her gown. A pair of emerald earrings and a large diamond went into her bodice. Clarice helped Paola secure two of the belts on her person, then set aside one gold florin.

      Then we sat for half an hour, with only Clarice knowing what awaited us. Prompted by a signal known only to her, Clarice picked up the gold florin and handed it to Paola.

      “Take this to the boy,” she said. “Tell him to ready a horse and lead it through the stables and out the back, then wait there. Then you come to us at the main entry.”

      Paola left. Aunt Clarice took my hand and led me downstairs to stand with her by the front door. When the servant returned, Clarice caught her shoulders.

      “Be calm,” she said, “and listen carefully to me. Caterina and I are going to the stables. Stay here. The instant we leave, count to twenty—then open this door.”

      Paola’s arms thrashed to free herself from Clarice’s grasp; she began to cry out, but my aunt silenced her with a harsh shake.

      “Listen,” Clarice snarled. “You must scream loudly to get everyone’s attention. Say that the heirs are upstairs, that they are escaping. Repeat it until everyone rushes into the house. Then you can run out and lose yourself in the crowd.” She paused. “The jewels are yours. If I don’t see you again, I wish you well.” She drew back and gave the servant a piercing look. “Before God Almighty, will you do it?”

      Paola trembled mightily but whispered: “I’ll do it.”

      “May He keep you, then.”

      Clarice gripped my hand. Together we ran the length of the palazzo, through the corridors and courtyard and garden until we were in sight of the stables. She stopped abruptly in the shelter of a tall hedge and peered past it at the now-unlocked iron gate.

      I peered with her. On the other side of the black bars, bored rebel soldiers kept watch in front of a milling crowd.

      Then I heard them, high and shrill: Paola’s screams. Clarice stooped down and pulled off her slippers; I did the same. She waited while all the men turned toward the source of the noise—then, when they all surged to the east, away from the gate, she drew in a long breath and ran west, dragging me with her.

      We kicked up clouds of dust as we dashed past the heirs’ waiting carriage, past our own; the harnessed horses whinnied in protest. We came alongside the stables, then veered behind them, past the spot where I had lain after I learned Piero would leave me. There, next to the high stone wall, stood a saddled mount and an astonished boy—a wiry Ethiopian not much older than I, with a cloud of feather-light hair. Bits of straw clung to his hair and clothes. Like the horse’s, his eyes were wide and worried and white. The massive roan shied, but the boy reined it in with ease.

      “Help me up!” Clarice demanded; the shouting out in the street had grown so loud he could barely hear her.

      My aunt wasted no time with modesty. She hiked up her skirts, exposing white legs, and placed her bare foot in the stirrup. The horse was tall and she could not bring her leg over its withers; the boy gave her rump a mighty shove, which allowed her to scramble up into the saddle. She sat astride it, taking the reins in her good hand, and maneuvered the horse sidelong to the wall until her leg was pressed between the animal’s barrel and the stone. Then she pierced our young rescuer with her gaze.

      “You swore on your life that you would tell the rebels nothing,” she said. It was an accusation.

      “Yes, yes,” he responded anxiously. “I will say nothing, Madonna.”

      “Only those who know a secret promise to keep it,” she said. “And there is only one secret the rebels would want to hear today. What might it be? They would not care about an absent stable master and his murdered grooms.”

      His mouth fell open; he looked as though he wanted to cry.

      “Look at you, covered in straw,” Clarice told him. “You hid because, like the others, you had heard too much, and they were going to kill you, too. You know where the heirs have gone, don’t you?”

      Owl-eyed, he dropped his head and stared hard at the grass. “No, Madonna, no …”

      “You lie,” Clarice said. “And I don’t blame you. I would be frightened, too.”

      His face contorted as he began to weep. “Please, Donna Clarice, don’t be angry, please…. Before God, I swear I will not tell anyone…. I could have gone to the rebels, run to the gate and told them everything, but I stayed. I have always been loyal, I will be loyal still. Only do not be angry.”

      “I’m not angry,” she soothed. “We’ll take you with us. Lord knows, if we don’t, the rebels will torture you until you speak. I’ll give you another florin if you tell me where Ser Ippolito and the others have gone. But first, hand me the girl.” She leaned down