Название | The Glass Palace |
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Автор произведения | Amitav Ghosh |
Жанр | Классическая проза |
Серия | |
Издательство | Классическая проза |
Год выпуска | 0 |
isbn | 9780007383283 |
‘The first part of the operation went well, but just as the log sprang free the young oo-si lost his footing and was stranded directly in the path of the rolling, two-ton log. The inevitable happened: he was crushed. His body was unscarred when it was recovered, but every bone in it was smashed, pulverised.
‘This young oo-si, as it happened, was much loved, both by his peers and by his mount, a gentle and good-natured cow by the name of Shwe Doke. She had been trained in the company’s aunging herds and had been in his charge for several years.
‘Those who know them well claim to be able to detect many shades of emotion in elephants – anger, pleasure, jealousy, sorrow. Shwe Doke was utterly disconsolate at the loss of her handler. No less saddened was the hsin-ouq, who was quite crushed with guilt and self-reproach.
‘But worse was still to come. That evening, after the body had been prepared for burial, the hsin-ouq took the customary letter of release to McKay-thakin and asked for his signature.
‘By this time McKay-thakin was not in his right mind. He had emptied a bottle of whisky and his fever had returned. The hsin-ouq’s entreaties made no impression on him. He was no longer capable of understanding what was being asked of him.
‘In vain did the hsin-ouq explain that the interment could not be deferred, that the body would not keep, that the man must have his release before his last rites. He pleaded, he begged, in his desperation he even attempted to climb up the ladder and force his way into the tai. But McKay-thakin saw him coming and came striding out, with a glass in one hand and a heavy-bored hunting rifle in the other. Emptying one barrel into the sky, he shouted: “For pity’s sake can you not leave me alone just this one night?”
‘The hsin-ouq gave up and decided to go ahead with the burial. The dead man’s body was interred as darkness was gathering.
‘I was staying the night, as always, in the hsin-ouq’s hut. We ate a sparse meal and afterwards I stepped outside to smoke a cheroot. Usually a camp is full and bustling at that time of day: from the kitchen there issues a great banging of tin plates and metal pots and the darkness is everywhere pierced by the glowing tips of cheroots, where the oo-sis sit beside their huts, savouring their last smoke of the day and chewing a final quid of betel. But now I saw, to my astonishment, that there was no one about; I could hear nothing but frogs and owls and the feathery flapping of great jungle moths. Absent also was that most familiar and reassuring of a camp’s sounds, the tinkling of elephants’ bells. Evidently, no sooner had the soil been tamped down on the dead man’s grave than the other oo-sis had begun to flee the camp, taking their elephants with them.
‘The only elephant that was still in the camp’s vicinity was Shwe Doke, the dead man’s mount. The hsin-ouq had taken charge of his nephew’s riderless elephant after the accident. She was restless, he said, and nervous, frequently flapping her ears and clawing the air with the tip of her trunk. This was neither uncommon nor unexpected, for the elephant is, above all, a creature of habit and routine. So pronounced an upheaval as the absence of a long-familiar handler can put even the gentlest of elephants out of temper, often dangerously so.
‘This being the case, the hsin-ouq had decided not to allow Shwe Doke to forage through the night, as was the rule. Instead he had led her to a clearing, some half-mile’s distance from the camp and supplied her with a great pile of succulent treetop branches. Then he had tethered her securely between two immense and immovable trees. To be doubly sure of keeping her bound he had used, not the usual lightweight fetters with which elephants are shackled at night, but the heavy iron towing chains that are employed in the harnessing of logs. This, he said, was a precaution.
‘“A precaution against what?” I asked. By this time his eyes were dulled by opium. He gave me a sidelong glance and said, in a soft, slippery voice: “Just a precaution.”
‘There now remained in the camp only the hsin-ouq and me and of course, McKay-thakin in his tai. The tai was brightly lit, with lamps shining in all its windows, and it seemed very high, perched on its tall, teakwood stilts. The hsin-ouq’s hut was small in comparison and much closer to the ground, so that standing on its platform I had to tilt my head back to look up at McKay-thakin’s glowing windows. As I sat staring, a low, reedy wail came wafting out of the lamplit windows. It was the sound of a clarinet, an instrument the thakin sometimes played of an evening to while away the time. How strange it was to hear that plaintive, melancholy music issuing forth from those shining windows, the notes hanging in the air until they became indistinguishable from the jungle’s nightly noise. Just so, I thought, must a great liner look to the oarsmen of a palm-trunk canoe as it bears down on them out of the night, with the sounds of its ballroom trailing in its wake.
‘It had not rained much through the day, but with the approach of evening clouds had begun to mass in the sky, and by the time I blew my lamp out and rolled out my mat there was not a star to be seen. Soon the storm broke. Rain came pouring down and thunder went pealing back and forth across the valleys, echoing between the slopes. I had been asleep perhaps an hour or two when I was woken by a trickle of water, leaking through the bamboo roof. Rising to move my mat to a dry corner of the hut, I happened to glance across the camp. Suddenly the tai sprang out of the darkness, illuminated by a flash of lightning: its lamps had gone out.
‘I was almost asleep again when, through the chatter of the rain I heard a tiny, fragile sound, a distant tinkling. It was far away but approaching steadily, and as it drew nearer I recognised the unmistakable ringing of an elephant’s bell. Soon, in the subtle tensing of the hut’s bamboo beams, I could feel the animal’s heavy, hurrying tread.
‘“Do you hear that?” I whispered to the hsin-ouq. “What is it?”
‘“It is the cow, Shwe Doke.”
‘An oo-si knows an elephant by its bell: it is by following that sound that he locates his mount every morning after its night-long foraging in the forest. To do his job well a hsin-ouq must know the sound of every animal in his herd; he must, if the need arises, be able to determine the position of all his elephants simply by concentrating on the ringing of their bells. My host was a hsin-ouq of great ability and experience. There was not, I knew, the slightest likelihood of his being mistaken in his identification of the approaching bell.
‘“Perhaps,” I ventured, “Shwe Doke was panicked by the storm; perhaps she managed to break loose of her fetters.”
‘“If she had broken loose,” the hsin-ouq said, “the chains would still be dragging on her feet.” He paused to listen. “But I hear no chains. No. She has been freed by a human hand.”
‘“But whose could that hand be?” I asked.
‘He silenced me abruptly, with a raised hand. The bell was very close now and the hut was shivering to the elephant’s tread.
‘I started to move towards the ladder but the hsin-ouq pulled me back. “No,” he said. “Stay here.”
‘The next moment the sky was split by lightning. In the momentary glare of that flat sheet of light, I saw Shwe Doke, directly ahead, moving towards the tai, with her head lowered and her trunk curled under her lip.
‘I jumped to my feet and began to shout in warning: “Thakin; McKay-thakin …”
‘McKay-thakin had already heard the bells, felt the tremor of the elephant’s approaching weight. A flame flickered in one of the tai’s windows and the young man appeared on the veranda, naked, with a lantern in one hand and his hunting rifle in the other.
‘Ten feet from the tai Shwe Doke came to a standstill. She lowered her head as though she were examining the structure. She was an old elephant, trained in the ways of the aunging herd. Such animals are skilled in the arts of demolition. It takes them no more than a glance to size up a dam of snagged wood and pick a point of attack.
‘McKay-thakin fired just as Shwe Doke began her charge. She was so close now that he could not miss: he hit her exactly where