The Glass Palace. Amitav Ghosh

carved deep into the wood at a height of four feet and six inches off the ground (teak being ruled, despite the wildness of its terrain, by imperial stricture in every tiny detail).

      The assassinated trees were left to die where they stood, sometimes for three years or even more. It was only after they had been judged dry enough to float that they were marked for felling. That was when the axemen came, shouldering their weapons, squinting along the blades to judge their victims’ angles of descent.

      Dead though they were, the trees would sound great tocsins of protest as they fell, unloosing thunderclap explosions that could be heard miles away, bringing down everything in their path, rafts of saplings, looped nets of rattan. Thick stands of bamboo were flattened in moments, thousands of jointed limbs exploding simultaneously in deadly splinter blasts, throwing up mushroom clouds of debris.

      Then teams of elephants would go to work, guided by their handlers, their oo-sis and pe-sis, butting, prodding, levering with their trunks. Belts of wooden rollers would be laid on the ground, and quick-fingered pa-kyeiks, specialised in the tying of chains, would dart between the elephants’ legs, fastening steel harnesses. When finally the logs began to move such was the friction of their passage that water-carriers would have to run beside them, dousing the smoking rollers with tilted buckets.

      Dragged to the banks of chaungs, the logs were piled into stacks and left to await the day when the chaungs would awaken from the hibernation of the hot season. With the first rains, the puddles along the streams’ beds would stir and stretch and join hands, rising slowly to the task of clearing away the debris accumulated over the long months of dessication. Then, in a matter of days, with the rains pouring down, they would rear up in their beds, growing hundreds-fold in height: where a week before they had wilted under the weight of twigs and leaves, they would now throw two-ton logs downstream like feathered darts.

      Thus would begin the logs’ journey to the timberyards of Rangoon: with elephants nudging them over the slopes into the frothing waters of the chaungs below. Following the lie of the land they would make their way from feeder-streams to tributaries, until they debouched finally into the engorged rivers of the plains.

      In years of bad rain, when the chaungs were too feeble to heft these great weights, the timber companies’ profits plummeted. But even in good years they were jealous, punishing taskmasters – these mountain streams. At the height of the season a single snagged tree could result in a pile-up of five thousand logs or even more. The servicing of these white waters was a science unto itself, with its own cadre of adepts, special teams of oo-sis and elephants who spent the monsoon months ceaselessly patrolling the forest: these were the famed aunging herds, skilled in the difficult and dangerous arts of clearing chaungs.

      Once, while sheltering beside a dying and girdled trunk of teak, Saya John gave Rajkumar a mint leaf to hold in one hand and a fallen leaf from the tree in the other. Feel them, he said, rub them between your fingers.

      Teak is a relative of mint, tectona grandis, born of the same genus of flowering plant, but of a distaff branch, presided over by that most soothing of herbs, verbena. It counts among its close kin many other fragrant and familiar herbs – sage, savoury, thyme, lavender, rosemary and most remarkably holy basil, with its many descendants, green and purple, smooth-leaved and coarse, pungent and fragrant, bitter and sweet.

      There was a teak tree in Pegu once, with a trunk that measured one hundred and six feet from the ground to its first branch. Imagine what a mint’s leaf would be like if it were to grow upon a plant that rose more than a hundred feet into the air, straight up from the ground, without tapering or deviation, its stem as straight as a plumb-line, its first leaves appearing almost at the top, clustered close together and outspread, like the hands of a surfacing diver.

      The mint leaf was the size of Rajkumar’s thumb while the other would have covered an elephant’s footprint; one was a weed that served to flavour soup while the other came from a tree that had felled dynasties, caused invasions, created fortunes, brought a new way of life into being. Yet even Rajkumar, who was in no way inclined to indulge the far-fetched or the fanciful, had to admit that between the faint hairiness of the one and the bristling, coarse-textured fur of the other, there was an unmistakable kinship, a palpably familial link.

      

      It was by the bells of their elephants that teak camps made themselves known. Even when muted by rain or distance, the sound could always be counted on to produce a magical effect on a line of porters, lengthening their pace and freshening their step.

      No matter how long he had walked or how tired he was Rajkumar would feel a surging in his heart when a camp loomed suddenly into view – a forest clearing with a few thatch-roofed huts clustered around a tai, an elongated wooden house on stilts.

      Teak camps were always the same and yet they were all different, no two camps ever being built in the same place, from one season to the next. The initial felling of the forest was done by elephants with the result that the clearings were invariably scarred with upturned trees and ragged pits.

      A tai stood at the centre of each campsite and it was occupied always by the forest Assistant, the company officer in charge of the camp. To Rajkumar’s eye these tais were structures of incomparable elegance: they were built on wooden platforms, raised some six feet off the ground on teakwood posts. Each was endowed with several large rooms, one leading into another, and ending finally in a wide veranda, always so oriented as to command the best possible view. In a camp where the forest Assistant was served by an industrious luga-lei, the veranda of the tai would be sheltered by a canopy of flowering vines, with blooms that glowed like embers against the bamboo matting. Here would sit the Assistant of an evening, with a glass of whisky in one hand and a pipe in another, watching the sun go down across the valley and dreaming of his faraway Home.

      They were distant, brooding men, these Assistants. Before going to see them Saya John would always change into European clothes, a white shirt, duck trousers. Rajkumar would watch from a distance as Saya John approached the tai to call out a greeting, with one hand resting deferentially on the bottom rung of the ladder. If invited up he would climb the ladder slowly, placing one foot carefully after the other. There would follow a flurry of smiles, bows, greetings. Sometimes he would be back in a matter of minutes; sometimes the Assistant would offer him a whisky and ask him to stay to dinner.

      As a rule the Assistants were always very correct in their manner. But there was a time once when an Assistant began to berate Saya John, accusing him of having forgotten something he had ordered. ‘Take that grinning face out of here …,’ the Englishman shouted, ‘I’ll see you in hell, Johnny Chinaman.’

      At the time Rajkumar knew very little English but there was no mistaking the anger and contempt in the Assistant’s voice. For an instant Rajkumar saw Saya John through the Assistant’s eyes: small, eccentric and erratically dressed, in his ill-fitting European clothes, his portliness accentuated by the patched duck trousers that hung in thick folds around his ankles, with his scuffed sola topee perched precariously on his head.

      Rajkumar had been in Saya John’s service three years and had come to look up to him as his guide in all things. He found himself growing hot with indignation on his mentor’s behalf. He ran across the clearing to the tai, fully intending to haul himself up the ladder to confront the Assistant on his own veranda.

      But just then Saya John came hurrying down, grim-faced and sombre.

      ‘Sayagyi! Shall I go up …?’

      ‘Go up where?’

      ‘To the tai. To show that bastard …’

      ‘Don’t be a fool, Rajkumar. Go and find something useful to do.’ With a snort of annoyance, Saya John turned his back on Rajkumar.

      They were staying the night with the hsin-ouq, the leader of the camp’s oo-sis. The huts where the timbermen lived were well to the rear of the tai, so placed as not to interrupt the Assistant’s view. These structures were small, stilt-supported dwellings of one or two rooms, each with a balcony-like platform in front. The oo-sis built the huts with their own hands, and while they were living in a camp, they would tend