Painting Mona Lisa. Jeanne Kalogridis

specks of blood there – and on her jerking head, which I now held fast in my lap, so I was startled into fright when a stranger beside us began praying loudly, also in Latin.

      I glanced up to see the black-frocked priest who had been tending the altar. He alternated between sprinkling my mother with liquid from a small vial and making the sign of the cross over her while he prayed.

      At last the time came when my mother gave her final wrenching groan, then fell limp; her eyelids fluttered shut.

      Beside me, the priest – a young red-haired man with florid, pock-marked skin – rose. ‘She is like the woman from whom Jesus cast out nine devils,’ he said with authority. ‘She is possessed.’

      Sore and halting from the struggle, Zalumma nonetheless rose to her full height – a hand’s breadth taller than the priest – and glared at him. ‘It is a sickness,’ she said, ‘of which you know nothing.’

      The young priest shrank, his tone now only faintly insistent. ‘It is the Devil.’

      I glanced from the priest’s face to Zalumma’s stern expression. I was mature for my age and knew responsibility: my mother’s delicate health had forced me to act as mistress of the household many times, playing hostess to guests, accompanying my father in her place on social occasions, and for the last three years I had gone with Zalumma to the market in my mother’s place. But I was young in terms of my knowledge of the world, and of God. I was still undecided as to whether God was punishing her for some early sin, and whether her fits were indeed of sinister origin. But I knew only that I loved her, pitied her, and disliked the priest’s condescension.

      Zalumma’s white cheeks turned shell pink. I knew her well: a scathing reply had formed in her mind, and teetered upon her rouged lips, but she checked it. She had need of the priest.

      Her manner turned abruptly unctuous. ‘I am a poor slave, with no right to contradict a learned man, Father. Here, we must get my mistress to the carriage. Will you help us?’

      The priest looked on her with justifiable suspicion, but he could not refuse. And so I ran to find our driver; when he had brought the carriage round to the front of the cathedral, he and the priest carried my mother to it.

      Exhausted, she slept with her head cradled in Zalumma’s lap; I held her legs. We rode home directly back over the Ponte Santa Trinita, a homely stone bridge which housed no shops.

      Our palazzo on the Via Maggio was neither large nor ostentatious, though my father could have afforded to adorn the house more. It had been built a century before by his great-great-grandfather from plain pietra serena, an expensive, but subtle grey stone. My father had made no additions, added no statuary, nor replaced the plain, worn floors or the scarred doors; he eschewed unnecessary adornment. We rode inside the gate, then Zalumma and the driver lifted my mother from the carriage.

      To our horror, my father Antonio stood watching in the loggia.

       XII

      My father had returned early. Dressed in his usual dark farsetto, a crimson mantle and black leggings, he stood with his arms crossed at the entry to the loggia so that he would not miss us. He was a sharp-featured man, with golden brown hair that grew in darker at the crown, a narrow hooked nose, and thunderous eyebrows above pale amber eyes. His disregard for fashion showed in his face; he wore a full beard and moustache at a time when it was common for men to be clean-shaven or wear a neat goatee.

      Yet, ironically, no one knew more about Florence’s current styles and cravings. My father owned a bottega in the Santa Croce district, near the ancient Wool Guild, the Arte de Lana. He specialized in supplying the very finest wools to the city’s wealthiest families. He often went to the Medici palazzo on the Via Larga, his carriage heavy with plush fabrics coloured with chermisi, the most expensive of dyes made from the dried carcasses of lice, which produced the most exquisite crimson, and alessandrino, a costly and beautiful deep blue.

      Sometimes I rode with my father and waited in the carriage while he met with his most important clients at their palazzi. I enjoyed the rides, and he seemed to enjoy sharing the details of his business, speaking to me as if I were his equal; at times, I felt guilty because I was not a son who could take over the family trade. I was his sole heir, and a girl. God had frowned upon my parents, and it was taken for granted that my mother and her fits were to blame.

      And now there was no hiding the fact that our secret escapade had just caused her to suffer another one.

      My father was, for the most part, a self-possessed man. But certain things goaded him – my mother’s condition was one of them – and it could induce an uncontrollable rage. As I crawled from the carriage to walk behind Zalumma and the others, I saw the danger in his eye and looked guiltily away.

      For the moment, love of my mother took precedence over my father’s anger. He ran to us and took Zalumma’s place, catching hold of my mother tenderly. Together, he and the driver carried her into the house; as they did, he glanced over his shoulder at Zalumma and me. He kept his tone low so it would not distress my semi-conscious mother, but I could hear the anger coiled in it, waiting to lash out.

      ‘You women will see her to bed, then I will have words with you.’

      This was the worst possible outcome. Had my mother not succumbed to a fit, we could have argued that she had been too long housebound, and deserved the outing. But I was overwhelmed by a sense of responsibility for all that had happened, and was ready to submit to a well-deserved tirade. My mother had taken me into the city because she delighted in me, and wished to please me by showing me the city’s treasures. My father could never be bothered; he scorned the Duomo, calling it ‘ill-conceived’, and said that our church at Santo Spirito was good enough for us.

      So my father carried Mother up to her bed. I closed the shutters to block out the sun, then helped Zalumma undress her down to her camicia, made of embroidered white silk, so fine and thin it could scarce be called cloth. Once that was done, and Zalumma was certain my mother was sleeping comfortably, we stepped quietly out into her antechamber and closed the door behind us.

      My father was waiting for us. His arms were again folded against his chest, his lightly freckled cheeks flushed; his gaze could have withered the freshest rose.

      Zalumma did not cower. She faced him directly, her manner courteous but not servile, and waited for him to speak first.

      His tone was low but faintly atremble. ‘You knew of the danger to her. You knew, and yet you let her leave the house. What kind of loyalty is this? What shall we do if she dies?’

      Zalumma’s tone was perfectly calm, her manner respectful. ‘She will not die, Ser Antonio; the fit has passed and she is sleeping. But you are right; I am at fault. Without my help, she could not have gone.’

      ‘I shall sell you!’ My father’s tone slowly rose. ‘Sell you, and buy a more responsible slave!’

      Zalumma lowered her eyelids; I saw the muscles in her jaw clench with the effort of holding words back. I could imagine what they were. I am the lady’s slave, from her father’s household; I was hers before we ever set eyes on you, and hers alone to sell. But she said nothing. We all knew that my father loved my mother, and my mother loved Zalumma. He would never sell her.

      ‘Go,’ my father said. ‘Get downstairs.’

      Zalumma hesitated an instant; she did not want to leave my mother alone, but the master had spoken. She passed by us, her skirts sweeping against the stone floor. My father and I were alone.

      I lifted my chin, instinctively defiant. I had been born so; my father and I were evenly matched in terms of temper.

      ‘You were behind this,’ he said; his cheeks grew even more crimson. ‘You, with your notions. Your mother did this to please you.’

      ‘Yes, I was behind it.’ My own voice trembled, which annoyed me; I fought to steady it. ‘Mother did this