Mr Golightly’s Holiday. Salley Vickers

which had been torn asunder…?

       6

      IT WAS THURSDAY, AND CONSEQUENTLY THE YEW tree was not a safe hiding place for Johnny Spence. The Reverend Meredith Fisher was at home and would be back and forth, sticking her nose into other people’s business or attending to her parish duties, depending on your point of view. Johnny’s attitude was laissez-faire: he didn’t mind what the lady vicar did so long as she didn’t interfere with his use of the churchyard.

      The concept of sanctuary is an old one and in using the environs of the Lord for this purpose Johnny followed a long and venerable tradition. But he was not the first to be ousted from safe-hiding by one of the Lord’s appointed. Who can say how far the Lord Himself, were He to be consulted, would sanction the attitudes of those who undertake to speak on His behalf? As it was, Johnny had to look for an alternative place of concealment.

      Great Calne’s church, with its square Norman tower, stood flanked on one side by the rectory and on the other by the Post Office Stores. A little way down the hill, on the opposite side of the road, lay Spring Cottage where only the previous day Johnny had watched the arrival of Mr Golightly.

      Johnny had practised being invisible since his mum took up with his stepdad. Like all early training, this stood him in sound stead. At school his absences were so regular as to be generally overlooked and often his name was omitted entirely from any official register. A conviction that one is nothing acts as a powerful charm against being perceived, but Johnny was experienced enough in the ways of the world to know that you mustn’t take anything for granted. Despite the fact that, to the authorities, he didn’t exist, that didn’t mean he should be careless. Like a young tomcat, he whipped down the street and inside the gateway of Spring Cottage. He felt cautiously well disposed towards the bloke he had spied on and he wanted, anyway, to get a closer look at the Traveller.

      The sky had turned indigo and the sun set up at once a contesting sheet of light. A cloud of rooks, with the mysterious concordance of flocking birds, rose, hovered in the petrol-coloured sky, gathered together again, then, as suddenly, parted into factions to flutter like confetti from some Satanic wedding on to the fields, or settle in the stands of reddening beech. Splashes of sunlight on the birds’ plumage made fitful, darting gleams. And now the sky, as if surrendering to an eloquent seducer, cleared rapidly again, stretches of blue wash appeared and scraps of cloud, as picturesquely puffed as any on a painted Italian ceiling, began to scud wantonly across the renewing sky.

      Mr Golightly, sitting before his laptop, watched this drama. It was amazing what could be accomplished if you simply left a system to run itself. This was the policy he tried to operate in his business. In the early days, he had held the reins more tightly, managing everything more or less single-handed. But that was before the catastrophe which had changed everything. These days, as the office knew, delegation was his watchword. And it was precisely this which made it possible for him to take this holiday and rewrite his great work into the soap opera, which he had decided to call – he was a little proud of the title – That’s How Life Is.

      But, how, in God’s name, to begin?

      For a start he needed the cast of characters. Until recently, he would have written these down in a small, leather-bound notebook, which he still carried about with him in case he should wish to jot down a passing thought or useful saying. But now that he had the services of a computer he supposed he’d best adopt new practices…

      He opened a file, as Mike had shown him, and ‘saved’ it as ‘THLI’. Then, typing slowly, he spelled out ‘Cast of Characters’ and paused, debating whether that didn’t belong better in a file marked ‘Prelims’ – a piece of technical advice about organising his material which he had picked up at the office, from Muriel in Accounts.

      Muriel was less in the forefront of office affairs than Mike, or Bill. She was a retiring soul, who kept herself to herself, but she’d been part of the firm since its inception. Muriel had a capacious memory. If Mr Golightly wasn’t one hundred per cent sure how a word was spelled, he would check with Muriel. Thinking of her, he remembered he must rescue his Oxford English Dictionary, which he had jammed under the passenger seat of the Traveller. Bill had suggested that Mike could load on to the laptop a CD-ROM of the OED, which would apparently furnish every word in the English language anyone could wish to check. But in Mr Golightly’s view, a computer screen was no substitute for a solid book you could get your hands around. It was his habit to read the dictionary in bed, an activity which he suspected neither Mike nor Bill would fully understand. Slightly evasively – he didn’t like to have to defend his preferences – he had stuffed the two volumes of the Shorter OED into the Traveller at the last moment of departure.

      The office could tell you that when the boss got his dander up he could spit fire and hailstones, but these days, for the most part, Mr Golightly was a pacific sort and his inner state was reflected in his physical movements. Johnny Spence, who from years of cohabiting with his stepdad could detect a human tread quicker than any cat, only saw Mr Golightly as he came round the side of the cottage. Johnny shot under the Traveller and lay pulling the hood of his baggy top well over his face.

      Mr Golightly stood for some minutes by the open car door, straightening out a dog-ear from a page of Vol. II Marl–Z. As he did so he whistled. He was senior enough to have tuned in regularly to a radio programme, Whistle While You Work, on the old BBC Light, and the injunction had infiltrated his habits.

      Johnny Spence, crammed under the van, heard the bars from Fidelio and was strangely reassured. He was not familiar with Beethoven’s single opera, but those who fight for freedom are joined by more than temporal bonds and Johnny perhaps recognised, in the long-departed composer’s music, a theme in tune with his own revolutionary aims.

      Mr Golightly had finished smoothing out the crumpled page and, still whistling, paused a while longer to read the definition of a word he had forgotten. His memory, once capacious, had been playing up lately. He had disguised this from the office, but there were times when he found himself suffering worrying blanks and lapses when he couldn’t find a familiar word or place a name. But, he comforted himself, even the most efficient memory cannot retain everything and a less than perfect memory had benefits. It lessened the likelihood of grudge bearing. A tendency to bear grudges was a habit which, when he encountered it, embarrassed Mr Golightly; it reminded him too much of former times.

      Johnny Spence lay dead still under the van. The old bloke hadn’t moved off – from where he was lying he could see his shoes, the kind with little holes in the toes, scuffed but posh leather. He needed a pee – what the fuck was the old bastard doing just standing there?

      Mr Golightly’s attention had been caught by a word on the crumpled page of the dictionary: ‘uberty’, pronounced, as he now read, like ‘puberty’, it meant full of bounteous kindness, a state which he was disposed to approve of. Here was another forgotten joy of authorship: the chance to stow away a likely-looking word and make occasion to use it. A pity that the word was too obscure for his soap opera. Bill and Mike were too respectful to let it slip, but he had picked up from Martha, whose pronouncements tended less towards ‘uberty’, that the language of his original work was considered antiquated and abstruse.

      For all the forgetfulness, Mr Golightly’s mind still ran easily on parallel lines, and as he mused on the perils of authorship he wondered what to do about the young boy in the hooded garment hidden under the Traveller.

      His first instinct on seeing Johnny duck under the van’s carriage had been to ignore him. Latterly, live and let live was one of his mottoes, and if the boy wanted to make the Morris a hiding place it was nothing to him. But a flashing impression of the face, as it dived beneath the van, had affected him. It brought to mind another boy child, so grippingly that he couldn’t tear himself away to return to the laptop.

      Although he liked to think of himself as essentially creative, it was in fact many years since Mr Golightly had tried to put his ideas into effect. Perhaps he felt a certain forbidding fear at re-embarking on this insecure