Earthbound. Aprilynne Pike

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Название Earthbound
Автор произведения Aprilynne Pike
Жанр Детская проза
Серия
Издательство Детская проза
Год выпуска 0
isbn 9780007519507



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       I stare at the photos in horror. It has to be true; there’s no other explanation.

       The timing couldn’t be better.

       Or worse.

       “She’s gone?” I ask in my iciest voice. I’m not mad at him; I’m mad at myself for not seeing it sooner. I should have. Everything balances on a knife’s edge and this could destroy it all.

       Or save it.

       “We’re doing everything we can.” He’s nattering on about their efforts, but I don’t have the patience to listen. I walk over to the window, arms crossed over my chest, staring down at the lush garden below, seeing nothing.

       Not nothing. Seeing her face. That face I’ve known since almost before I can remember my own. That face I thought I was finally free of.

       Except now I can never be free. I need her. We need her. It’s difficult not to choke on the bitter irony that after everything she’s done, I need her. Without her, everything will fall to pieces.

       Worse than it has already.

       And I almost killed her.

      CHAPTER TWO

      Therapy is the epitome of the best and worst of everything in my life. I sit ramrod straight on the couch, tears threatening to spill. I blink, forcing them back. Not because I’m embarrassed—I’ve cried gallons in front of Elizabeth. I’m just sick to death of crying.

      I don’t like to talk about my parents, but it’s Elizabeth’s job to make me once in a while. Like today. She tried to focus on happy memories, but this time all that did was remind me that they’re never going to happen again. That chapter of my life is over.

      Gone.

      Forever.

      A huge, gaping forever.

      “Hey,” Elizabeth says, startling me back to her office with an audible gasp. “It could be worse. You could be a brain-injured orphan with a weak leg and be having a bad hair day.”

      For just a second I stare at her, wide-eyed, trying to decide if the joke is funny or not. But her expression—melodramatic concern with just a hint of true sympathy behind it—cracks through my shell and I start to laugh and swipe at my eyes at the same time.

      I have, I admit, kind of a weird relationship with my therapist. I theorize it’s because neither of us thinks I’m crazy.

      She doesn’t even let me call her Dr. Stanley—which is what the diplomas hanging on her wall say—just Elizabeth. At first I thought it was one of those cheap shortcuts adults try to take with teenagers to get them to relax and spill their guts, but Elizabeth seriously squirmed every time I called her Dr. Stanley and after a while I finally switched. Now it comes naturally.

      “Seriously, Tavia,” Elizabeth says, her voice soft and sober. “It’s not supposed to be easy. I think you’re very brave and that you’re handling things extremely well.”

      “It doesn’t feel like it,” I admit, shrugging into a black hoodie. I’ve always liked sweatshirts in general, but these days, anything that covers my head—and with it the scar beneath my still-too-short hair—is a distinct preference.

      “Then trust my professional analysis,” Elizabeth says with a smile as she escorts me through the darkened and empty waiting room. “You’re not walking home, are you?” she asks once we reach the exit. We had to reschedule our regular appointment, so it’s after hours and her secretary—Secretary Barbie, I call her, because her face looks like plastic and she basically never talks to me—has already gone home.

      “No, Reese is coming.” I usually do walk—on the orders of my physical therapist—but since it’ll be getting dark soon, Reese insisted on picking me up today.

      I guess that’s fine.

      True to her organized, punctual personality, my aunt is already waiting for me, her BMW parked right in front of the door. She leans across the car, pushing the passenger door open and giving Elizabeth a little finger wave.

      “Hey, Tave. How was it?” she asks as she pulls away from the curb, her eyes scanning the road.

      “It was therapy,” I say, clicking my seat belt. “It was therapeutic.” I lean my head against the passenger-side window, not wanting to talk about it. Therapy is … well, it’s personal. And even though I’m immensely grateful to Reese and my uncle, Jay, for taking in a step-niece they hardly knew, they don’t really feel like family.

      Luckily, Reese takes the hint and flips the radio on as we turn out of the parking lot. She has a never-ending well of patience. For me, at least. Clients on the phone? Not so much.

      As we drive, I take in the streets around me—Portsmouth, New Hampshire, is one of the United States’ oldest cities and they do a really good job of preserving colonial sites. I’m a closet history nerd, and the first couple of months I was here, I would walk for as long as my injured leg would let me, exploring the monuments and markers and museums. It feels fitting, somehow—a city mired in its past, me trapped in my own.

      And the whole city is so beautiful. I love old buildings—they just don’t build them the same way anymore. There’s a grace and beauty to them that society has lost. No matter how elegant the whole deco thing is supposed to be, there’s something in the hand-carved intricacies of colonial architecture that sets off a mourning within me for what once was.

      My favorites are the occasional perfectly preserved eighteenth-century houses nestled amid modern homes in a normal neighborhood. Like a treasure, hidden in the sand, just waiting to be discovered. It’s hard to find them while driving around at the breakneck speed Reese favors, because they’re usually set back from the road and often sheltered by the leafy canopy of an ancient tree. But when I walk alone, I look for them. I’d love to know the stories behind them, but I’m too nervous to go knock on some stranger’s door.

      I take pictures instead and make up stories in my mind. I swear I have about a thousand photos on my phone. I wish … I wish I could sketch them, paint them.

      But I haven’t been able to draw since the accident.

      Still, something about these old homes soothes me; calls to me, almost. I pull out my phone and scroll through to one of the pictures of my favorite house and zoom in, trying to imagine painting the wooden slats in watercolors, the hint of sheer curtains I can see through the windows.

      “I got stuck on the phone until just before I had to pick you up.” My brain slowly realizes that Reese is talking to me. “I didn’t think you’d mind.” She looks at me expectantly.

      “I’m sorry, I … what?” I shove my phone in my old red backpack. I’m afraid spacing out is my specialty these days.

      I didn’t used to be like this.

      “Do you mind if I stop by the store for milk? We’re out,” Reese repeats, turning the radio down a little lower.

      I dolefully consider the snooty, locally grown, organic food store Reese frequents. Great. “Can I wait in the car? My—my leg is sore,” I lie.

      Sort-of lie. It’s been three months since I got out of the cast, but shattered is the word my doctors used to describe the breaks both above and below my right knee. Something like that takes time to bounce back from, even without taking into account my decreased gracefulness since brain surgery last year.

      At least that’s what the physical therapists keep telling me when I get discouraged.

      A