The Big Dreams Beach Hotel. Michele Gorman

show of everything.

      I would too, if I’d spent half a century in show business like she has. Between her gorgeous voice and flamboyant stage presence, she was a sensation once, nearly up there with the greats of the sixties and seventies. It must be hard to let that go.

      I don’t blame her for being cross with the Colonel either. We’re all a little out of sorts, because it seems that the hotel sale isn’t just a possibility. It’s a done and dusted deal. Some company called Beach Vacations Inc. now owns the Colonel’s hotel, and what I’ve found on their website doesn’t exactly make me think this was a good idea.

      Luxury island FIVE-STAR service at three-star prices!! it boasts all over the place. It’s got hotels on islands and keys in Florida and on a beach in Rhode Island – which isn’t an island, despite the name.

      We’re not an island either, and that’s what’s got me worried. Every photo of their interiors and their staff look as if they’re kitted out in fabrics made from gaudy old Hawaiian shirts.

      Our hotel couldn’t be more opposite. It’s Victorian and quintessentially British, ta very much. The public rooms have high ceilings, ornate cornicing and parquet floors. The floors might be dented and scratched, but that just gives them a fine old patina. The brass and glass chandeliers are originals, throwing a warm yellow light over the wide entrance hall, and the bar is really pretty spectacular, aside from the old pub carpet that’s coming away in places. And Peter was up on the ladder only last month painting over the water stains in the corners, so they don’t look too bad, considering all the holes in the roof.

      My point is that some loud-shirted American company won’t do us any favours in the style stakes.

      And worst of all, now we’ve got a transition manager coming to turn everything upside down.

      ‘I think that’s him coming!’ Peter cries from his lookout post in the conservatory. His announcement startles Barry, who’s been napping beside Peter’s chair. ‘He’s definitely from London. He’s got pointy shoes.’

      And pointy horns, probably. I’ve never met a transition manager before, but the whole point of them is to change things, right? That’s the last thing we want around here. Ta very much again.

      Tempted as I am to run to the window to see the bloke, we can’t have him thinking that we care that he’s here.

      ‘I think you’ll like him, Rosie. He’s a good-looking lad.’

      ‘He’s changing our hotel, Peter, not asking us out.’

      ‘Right. Still.’

      I can see his smile through the wavy old glass of the door even before he reaches it. They must teach that at change management college. Introduction to Sincere-Looking Smiles.

      I hate to admit it but, flippin’ heck, Peter’s right. This bloke is a looker, if you take away the thick specs he’s wearing. Tall and broad-shouldered, he looks natural in his fitted grey suit, like one of those arrogant Wall Street types. Only his hair isn’t slicked back. It’s stuck up with gel and there’s a lot of it.

      I let him push open the door instead of opening it for him. No reason to roll out the red carpet for someone who’s about to do us over. ‘Are you Rosie? I’m Rory Thomas.’

      His accent throws me. I expected brash American, not posh English. Quickly I readjust my prejudices from one to the other. There, job done. Now I can resent him for being a poncy southerner. ‘Rosie MacDonald.’ I bite down the Nice to meet you and offer him my hand instead.

      ‘Will you be staying long?’ I ask. He hasn’t got any cases with him, just a khaki courier bag slung across his front, which clashes with his sharp suit.

      ‘Are you trying to get rid of me already?’ he teases. When his smile ratchets up a notch, his mouth looks almost as big as mine, but less muppet-like. Kind of nice, if I’m honest. ‘I’m at Mrs Carmody’s B&B on Marine Road. Do you know it?’

      ‘We’ve got a lot of B&Bs around here. The town’s not that small, you know.’ I don’t know why I’m defending Scarborough when I couldn’t get out of here fast enough myself. ‘The enemy of my enemy is my friend’, I guess.

      ‘It’s a reasonable size,’ he agrees. ‘I imagine that means reasonable competition, so it surprised me when Mrs Carmody made me leave for the day. I’m not allowed back till after four. I thought those days were over.’

      I stifle a laugh. ‘Welcome to Scarborough, where time stands still. I’d have thought you’d just stay here. Is our hotel not good enough for you?’ I don’t know where this narky attitude is coming from. Especially since, technically, he’s probably my boss now.

      ‘It’s perfectly good enough for me, but I’d have to move out when we redo the rooms. It’ll be less disruptive to just hole myself up at the B&B while works are going on.’ His forehead wrinkles. ‘They did tell you about the renovation?’

      ‘No. We’ve heard nothing at all. Only that you were coming.’

      ‘God, I’m so sorry! That’s a terrible way to hear news about your hotel.’ He shakes his head. ‘Really, I can only apologise. I haven’t found the communications great with the company either, if that makes you feel any better.’

      It doesn’t.

      ‘So you don’t know what they’re planning?’ His grey eyes are magnified by his thick lenses. ‘Have you got an office or somewhere for us to sit and go through everything?’

      It can’t be good if he wants me to sit down. My tummy is flipping as we go into the oak-panelled office behind the reception desk.

      ‘This is nice.’ He’s running his hands over the panels. ‘The whole hotel is really something. I love these old places.’

      ‘Do you revamp them a lot?’ I make ditto marks just in case he misses the snark.

      ‘Me? No, never. It’s my first hotel assignment.’

      ‘But I thought you worked for the company.’

      He shakes his head. ‘I’m a freelancer. They’ve brought me in to do this job. It’s the same process, though, no matter the industry.’

      So our hotel is going to be ‘change-managed’ – ditto fingers – by someone with absolutely no hotel experience. ‘Where have you worked before?’

      ‘That sounds like an interview question. A slightly aggressive one. No, I don’t mind,’ he says, when he sees me start to object. ‘It’s natural to have concerns. After all, this is your livelihood. I’ve managed transitions for a biscuit factory and a couple of banks that needed integration.’ He’s counting off on his fingers. ‘An insurance company, and a long stint with Transport for London. Ah yes, and a handmade bicycle business in Leeds.’

      Biscuits and bicycles. That’s great experience for running a hotel. If we never need advice on elevenses, Rory’s our man.

      ‘Rosie, if you don’t mind me saying, I don’t have to be clairvoyant to see that you’d rather not have me here. And I’m sorry about that, but I’m a necessary evil and this will all go a lot more smoothly if we can work together. I’m not here to do your job. And despite what you probably think, I’m not a ball-buster. The sale’s gone through. It’s going to happen now, whether anyone likes it or not.’

      I’m a little taken aback by his directness. Rory doesn’t look like a ball-buster, but clearly he’s no pushover either. I might not want him here but, as a Yorkshirewoman, I’ve at least got to admire his straightforwardness.

      ‘My job is to make the transition as easy as possible for both sides,’ he continues, ‘and that means being the go-between and trying to keep everyone happy. So I’d like it if you could see me as an ally instead of an adversary. Because I’m really not. An adversary, I mean. I don’t have any loyalty to Beach Vacations –’

      ‘Inc.,’