The Mirror of Literature, Amusement, and Instruction. Volume 20, No. 579, December 8, 1832. Various

there were 4,000 public baths; and the height of refinement in this luxury among the Romans is almost incredible. In addition to the private baths, with which almost every house was supplied, public baths were built, sometimes at the public cost, and often at the expense of private individuals, who nobly conceived their wealth to be laudably expended in giving each of their fellow-citizens the means of procuring, free of expense, bodily cleanliness and comfort. These baths were generally very extensive, and fitted up with every possible convenience;—the passages and apartments were paved with marbles of every hue, and the tesselated floors were adorned with representations of gladiatorial engagements, hunting, racing, and a variety of subjects from the mythology. In the Thermæ at Rome, ingenuity and magnificence seem exhausted; and the elegance of the architecture, and the vast range of rooms and porticos, create in the beholder surprise and admiration, mingled with feelings of regret for their neglected state. A quadrans (about a farthing) admitted any one; for the funds bequeathed by the emperors and others were amply sufficient to provide for the expensive establishments requisite, without taxing the people beyond their means. Agrippa gave his baths and gardens to the public, and even assigned estates for their maintenance. Some of the Thermæ were also provided with a variety of perfumed ointments and oils gratuitously. The chief Thermæ8 were those of Agrippa, Nero, Titus, Domitian, Caracalla, and Diocletian. Their main building consisted of rooms for swimming and bathing, in either hot or cold water; others for conversation; and some devoted to various exercises and athletic amusements. In some assembled large bodies to hear the lectures of philosophers, or perhaps a composition of some favourite poet; while the walls were surrounded with statues, paintings, and literary productions, to suit the diversified taste of the company.

      Eustace describes these Thermæ at some length:—"Repassing the Aventine Hill, we came to the baths of Antoninus Caracalla, that occupy part of its declivity, and a considerable portion of the plain between it and Mons Cæliolus and Mons Cælius. The length of the Thermæ was 1,840 feet; breadth, 1,476. At each end were two temples, one to Apollo and another to Esculapius, as the tutelary deities of a place sacred to the improvement of the mind, and the health of the body. In the principal building were, in the first place, a grand circular vestibule, with four halls on each side, for cold, tepid, warm, and steam baths;9 in the centre was an immense square for exercise, when the weather was unfavourable to it in the open air; beyond it a great hall, where one thousand six hundred seats of marble were placed for the convenience of the bathers; at each end of this hall were libraries. The stucco and paintings, though faintly indeed, are yet in many places perceptible. Pillars have been dug up, and some still remain amidst the ruins; while the Farnesian Bull and the famous Hercules, found in one of these halls announce the multiplicity and beauty of the statues which once adorned the Thermae of Caracalla."

      Before they commenced bathing in the Thermæ, the Romans anointed themselves with oil, in a room especially appropriated to the purpose; and oil was again applied, with the addition of perfumes, on quitting the bath. In a painting which has been engraved from one of the walls in the baths of Titus, the room is represented filled with a number of vases, and somewhat resembles an apothecary's shop. These vases contained a variety of balsamic and oleaceous compositions for the anointment, which, when ultimately performed, prepared the bathers for the sphæristerium, in which various amusements and exercises were enjoyed. The subsequent operation of scraping the body with the strigil has given way to a mode of freeing the body from perspiration and all extraneous matter, by a sort of bag or glove of camel's hair, which is used in Turkey; while flannel and brushes are substituted in other parts.

      The vapour-baths now used in Russia resemble very much those among the ancient Romans. These are generally rudely built of wood, over an oven, and the bathers receive the vapour at the requisite heat, reclining on wooden benches,—while, more powerfully to excite perspiration, they whip their bodies with birch boughs, and also use powerful friction. They then wash themselves; and, as these vapour-baths are often constructed on the banks of a river, throw themselves from the land into the water; or sometimes, by way of variety, plunge into snow, and roll themselves therein. This violent exercise and sudden transition of temperature is almost overpowering to persons unhabituated to the custom, and will oftentimes produce fainting,—though the patient, on recovering, finds himself refreshed, and experiences a delightful sense of mental, as well as bodily, vigour and energy. The enervating effects of the extreme luxury and refinement practised in the Greek and Roman baths are obviated in the Russian mode: to which may partly be ascribed the power which the latter people have in undergoing fatigue and the various hardships of their rigorous climate. Tooke says that without doubt the Russians owe their longevity, robust health, their little disposition to fatal complaints, and, above all, their happy and cheerful temper, mostly to these vapour-baths. Lewis and Clarke, in their voyage up the Missouri, have noticed the use of the vapour-bath in a somewhat similar contrivance to the Russians among the savage tribes of America;—so it appears that this effectual promoter of cleanliness is one of the most simple, original, and natural, that can be employed for that paramount duty.

      1

      Copied by permission of the proprietors and publishers, Messrs. Moon, Boys, and Graves.

      2

      The name of Antwerp, says an ingenious correspondent, at p. 287, vol. xiv. of The Mirror, is d

1

Copied by permission of the proprietors and publishers, Messrs. Moon, Boys, and Graves.

2

The name of Antwerp, says an ingenious correspondent, at p. 287, vol. xiv. of The Mirror, is derived from Hand-werpen, or Hand-thrown: so called from a legend, which informs us that on the site of the present city once stood the castle of a giant, who was accustomed to amuse himself by cutting off and casting into the river the right hands of the unfortunate wights that fell into his power; but that being at last conquered himself, his own immense hand was disposed off, with poetical justice, in the same way. We quote this passage in a note, as it is only worthy of place beneath facts of sober history.

3

See Antwerp described from a Tour in South Holland in the Family Library, at p. 109. vol. xviii of The Mirror.

4

See Antwerp Cathedral, Mirror, vol. xiv, p. 286.

5

Vol. iv. p. 10 and 50.

6

Welsh name of Somersetshire.

7

Culverwell on Bathing.

8

θερμὰι—hot springs.

9

These baths, impregnated with medicinal herbs, and other preparations, are at the present day gaining great repute for the cure of cutaneous diseases, and other complaints.

8

θερμὰι—hot springs.

9

These baths, impregnated with medicinal herbs, and other preparations, are at the present day gaining great repute for the cure of cutaneous diseases, and other complaints.