The Common Law. Chambers Robert William

stopping to inspect a sketch of his own which he had done long ago and which his sister loved and he hated.

      "Rotten," he murmured—"it has an innocence about it that is actually more offensive than stupidity."

      On the terrace Stephanie Swift came over to him:

      "Do you want a single at tennis, Louis? The others are hot for Bridge—except Gordon Collis—and he is going to dicker with a farmer over some land he wants to buy."

      Neville looked at the others:

      "Do you mean to say that you people are going to sit here all hunched up around a table on a glorious day like this?"

      "We are," said Alexander Cameron, calmly breaking the seal of two fresh, packs. "You artists have nothing to do for a living except to paint pretty models, and when the week end comes you're in fine shape to caper and cut up didoes. But we business men are too tired to go galumphing over the greensward when Saturday arrives. It's a wicker chair and a 'high one,' and peaceful and improving cards for ours."

      Alice Annan laughed and glanced at Querida degrees Cameron's idea was her idea of what her brother Harry was doing for a living; but she wasn't sure that Querida would think it either flattering or humorous.

      But Jose Querida laughed, too, saying: "Quite right, Mr. Cameron. It's only bluff with, us; we never work. Life is one continual comic opera."

      "It's a cinch," murmured Cameron. "Stocks and bonds are exciting, but your business puts it all over us. Nobody would have to drive me to business every morning if there was a pretty model in a cosey studio awaiting me."

      "Sandy, you're rather horrid," said Miss Aulne, watching him sort out the jokers from the new packs and, with a skilful flip, send them scaling out, across the grass, for somebody to pick up.

      Cameron said: "How about this Trilby business, anyway, Miss Annan? You have a brother in it. Is the world of art full of pretty models clad in ballet skirts—when they wear anything? Is it all one mad, joyous melange of high-brow conversation discreetly peppered with low-brow revelry? Yes? No? Inform an art lover, please—as they say in the Times Saturday Review."

      "I don't know," said Miss Annan, laughing. "Harry never has anybody interesting in the studio when he lets me take tea there."

      Rose Aulne said: "I saw some photographs of a very beautiful girl in Sam Ogilvy's studio—a model. What is her name, Alice?—the one Sam and Harry are always raving over?"

      "They call her Valerie, I believe."

      "Yes, that's the one—Valerie West, isn't it? Is it, Louis? You know her, of course."

      Neville nodded coolly.

      "Introduce me," murmured Cameron, spreading a pack for cutting. "Perhaps she'd like to see the Stock Exchange when I'm at my best."

      "Is she such a beauty? Do you know her, too, Mr. Querida?" asked Rose Aulne.

      Querida laughed: "I do. Miss West is a most engaging, most amiable and cultivated girl, and truly very beautiful."

      "Oh! They are sometimes educated?" asked Stephanie, surprised.

      "Sometimes they are even equipped to enter almost any drawing-room in New York. It doesn't always require the very highest equipment to do that," he added, laughing.

      "That sounds like romantic fiction," observed Alice Annan. "You are a poet, Mr. Querida."

      "Oh, it's not often a girl like Valerie West crosses our path. I admit that. Now and then such a comet passes across our sky—or is reported. I never before saw any except this one."

      "If she's as much of a winner as all that," began Cameron with decision,

      "I want to meet her immediately—"

      "Mere brokers are out of it," said Alice…. "Cut, please."

      Rose Aulne said: "If you painters only knew it, your stupid studio teas would be far more interesting if you'd have a girl like this Valerie West to pour for you … and for us to see."

      "Yes," added Alice; "but they're a vain lot. They think we are unsophisticated enough to want to go to their old studios and be perfectly satisfied to look at their precious pictures, and listen to their art patter. I've told Harry that what we want is to see something of the real studio life; and he tries to convince me that it's about as exciting as a lawyer's life when he dictates to his stenographer."

      "Is it?" asked Stephanie of Neville.

      "Just about as exciting. Some few business men may smirk at their stenographers; some few painters may behave in the same way to their models. I fancy it's the exception to the rule in any kind of business—isn't it, Sandy?"

      "Certainly," said Cameron, hastily. "I never winked at my stenographer—never! never! Will you deal, Mr. Querida?" he asked, courteously.

      "I should think a girl like that would be interesting to know," said Lily Collis, who had come up behind her brother and Stephanie Swift and stood, a hand on each of their shoulders, listening and looking on at the card game.

      "That is what I wanted to say, too," nodded Stephanie. "I'd like to meet a really nice girl who is courageous enough, and romantic enough to pose for artists—"

      "You mean poor enough, don't you?" said Neville. "They don't do it because it's romantic."

      "It must be romantic work."

      "It isn't, I assure you. It's drudgery—and sometimes torture."

      Stephanie laughed: "I believe it's easy work and a gay existence full of romance. Don't undeceive me, Louis. And I think you're selfish not to let us meet your beautiful Valerie at tea."

      "Why not?" added his sister. "I'd like to see her myself."

      "Oh, Lily, you know perfectly well that oil and water don't mix," he said with a weary shrug.

      "I suppose we're the oil," remarked Rose Aulne—"horrid, smooth, insinuating stuff. And his beautiful Valerie is the clear, crystalline, uncontaminated fountain of inspiration."

      Lily Collis dropped her hands from Stephanie's and her brother's shoulders:

      "Do ask us to tea to meet her, Louis," she coaxed.

      "We've never seen a model—"

      "Do you want me to exhibit a sensitive girl as a museum freak?" he asked, impatiently.

      "Don't you suppose we know how to behave toward her? Really, Louis, you—"

      "Probably you know how to behave. And I can assure you that she knows perfectly well how to behave toward anybody. But that isn't the question. You want to see her out of curiosity. You wouldn't make a friend of her—or even an acquaintance. And I tell you, frankly, I don't think it's square to her and I won't do it. Women are nuisances in studios, anyway."

      "What a charming way your brother has of explaining things," laughed Stephanie, passing her arm through Lily's: "Shall we reveal to him that he was seen with his Valerie at the St. Regis a week ago?"

      "Why not?" he said, coolly, but inwardly exasperated. "She's as ornamental as anybody who dines there."

      "I don't do that with my stenographers!" called out Cameron gleefully, cleaning up three odd in spades. "Oh, don't talk to me, Louis! You're a gay bunch all right!—you're qualified, every one of you, artists and models, to join the merry, merry!"

      Stephanie dropped Lily's arm with a light laugh, swung her tennis bat, tossed a ball into the sunshine, and knocked it over toward the tennis court.

      "I'll take you on if you like, Louis!" she called back over her shoulder, then continued her swift, graceful pace, white serge skirts swinging above her ankles, bright hair wind-blown—a lithe, full, wholesome figure, very comforting to look at.

      "Come upstairs; I'll show you where Gordon's shoes are," said his sister.

      Gordon's white shoes fitted him, also his white trousers. When he was dressed he came out of the room and joined his sister, who was seated on the stairs, balancing his racquet across her knees.

      "Louis," she said, "how about the good taste