The Disowned — Volume 03. Эдвард Бульвер-Литтон

fierce struggles, which should obtain the mastery and the triumph.

      But neither his new prospects nor the coldness of his friend diverted the warm heart of Clarence from meditating how he could most effectually serve the artist before he departed from the country, It was a peculiar object of desire to Warner that the most celebrated painter of the day, who was on terms of intimacy with Talbot, and who with the benevolence of real superiority was known to take a keen interest in the success of more youthful and inexperienced genius,—it was a peculiar object of desire to Warner, that Sir Joshua Reynolds should see his picture before it was completed; and Clarence, aware of this wish, easily obtained from Talbot a promise that it should be effected. That was the least service of his zeal touched by the earnestness of Linden's friendship, anxious to oblige in any way his preserver, and well pleased himself to be the patron of merit, Talbot readily engaged to obtain for Warner whatever the attention and favour of high rank or literary distinction could bestow. "As for his picture," said Talbot (when, the evening before Clarence's departure, the latter was renewing the subject), "I shall myself become the purchaser, and at a price which will enable our friend to afford leisure and study for the completion of his next attempt; but even at the risk of offending your friendship, and disappointing your expectations, I will frankly tell you that I think Warner overrates, perhaps not his talents, but his powers; not his ability for doing something great hereafter, but his capacity of doing it at present. In the pride of his heart, he has shown me many of his designs, and I am somewhat of a judge: they want experience, cultivation, taste, and, above all, a deeper study of the Italian masters. They all have the defects of a feverish colouring, an ambitious desire of effect, a wavering and imperfect outline, an ostentatious and unnatural strength of light and shadow; they show, it is true, a genius of no ordinary stamp, but one ill regulated, inexperienced, and utterly left to its own suggestions for a model. However, I am glad he wishes for the opinion of one necessarily the best judge: let him bring the picture here by Thursday; on that day my friend has promised to visit me; and now let us talk of you and your departure."

      The intercourse of men of different ages is essentially unequal: it must always partake more or less of advice on one side and deference on the other; and although the easy and unpedantic turn of Talbot's conversation made his remarks rather entertaining than obviously admonitory, yet they were necessarily tinged by his experience, and regulated by his interest in the fortunes of his young friend.

      "My dearest Clarence," said he, affectionately, "we are about to bid each other a long farewell. I will not damp your hopes and anticipations by insisting on the little chance there is that you should ever see me again. You are about to enter upon the great world, and have within you the desire and power of success; let me flatter myself that you can profit by my experience. Among the 'Colloquia' of Erasmus, there is a very entertaining dialogue between Apicius and a man who, desirous of giving a feast to a very large and miscellaneous party, comes to consult the epicure what will be the best means to give satisfaction to all. Now you shall be this Spudaeus (so I think he is called), and I will be Apicius; for the world, after all, is nothing more than a great feast of different strangers, with different tastes and of different ages, and we must learn to adapt ourselves to their minds, and our temptations to their passions, if we wish to fascinate or even to content them. Let me then call your attention to the hints and maxims which I have in this paper amused myself with drawing up for your instruction. Write to me from time to time, and I will, in replying to your letters, give you the best advice in my power. For the rest, my dear boy, I have only to request that you will be frank, and I, in my turn, will promise that when I cannot assist, I will never reprove. And now, Clarence, as the hour is late and you leave us early tomorrow, I will no longer detain you. God bless you and keep you. You are going to enjoy life,—I to anticipate death; so that you can find in me little congenial to yourself; but as the good Pope said to our Protestant countryman, 'Whatever the difference between us, I know well that an old man's blessing is never without its value.'"

      As Clarence clasped his benefactor's hand, the tears gushed from his eyes. Is there one being, stubborn as the rock to misfortune, whom kindness does not affect? For my part, kindness seems to me to come with a double grace and tenderness from the old; it seems in them the hoarded and long purified benevolence of years; as if it had survived and conquered the baseness and selfishness of the ordeal it had passed; as if the winds, which had broken the form, had swept in vain across the heart, and the frosts which had chilled the blood and whitened the thin locks had possessed no power over the warm tide of the affections. It is the triumph of nature over art; it is the voice of the angel which is yet within us. Nor is this all: the tenderness of age is twice blessed,—blessed in its trophies over the obduracy of encrusting and withering years, blessed because it is tinged with the sanctity of the grave; because it tells us that the heart will blossom even upon the precincts of the tomb, and flatters us with the inviolacy and immortality of love.

      CHAPTER XXIII

      Cannot I create,

      Cannot I form, cannot I fashion forth

      Another world, another universe?

—KEATS.

      The next morning Clarence, in his way out of town, directed his carriage (the last and not the least acceptable present from Talbot) to stop at Warner's door. Although it was scarcely sunrise, the aged grandmother of the artist was stirring, and opened the door to the early visitor. Clarence passed her with a brief salutation, hurried up the narrow stairs, and found himself in the artist's chamber. The windows were closed, and the air of the room was confined and hot. A few books, chiefly of history and poetry, stood in confused disorder upon some shelves opposite the window. Upon a table beneath them lay a flute, once the cherished recreation of the young painter, but now long neglected and disused; and, placed exactly opposite to Warner, so that his eyes might open upon his work, was the high-prized and already more than half-finished picture.

      Clarence bent over the bed; the cheek of the artist rested upon his arm in an attitude unconsciously picturesque; the other arm was tossed over the coverlet, and Clarence was shocked to see how emaciated it had become. But ever and anon the lips of the sleeper moved restlessly, and words, low and inarticulate, broke out. Sometimes he started abruptly, and a bright but evanescent flush darted over his faded and hollow cheek; and once the fingers of the thin hand which lay upon the bed expanded and suddenly closed in a firm and almost painful grasp; it was then that for the first time the words of the artist became distinct.

      "Ay, ay," he said, "I have thee, I have thee at last. Long, very long thou hast burnt up my heart like fuel, and mocked me, and laughed at my idle efforts; but now, now, I have thee. Fame, Honour, Immortality, whatever thou art called, I have thee, and thou canst not escape; but it is almost too late!" And, as if wrung by some sudden pain, the sleeper turned heavily round, groaned audibly, and awoke.

      "My friend," said Clarence, soothingly, and taking his hand, "I have come to bid you farewell. I am just setting off for the Continent, but I could not leave England without once more seeing you. I have good news, too, for you." And Clarence proceeded to repeat Talbot's wish that Warner should bring the picture to his house on the following Thursday, that Sir Joshua might inspect it. He added also, in terms the flattery of which his friendship could not resist exaggerating, Talbot's desire to become the purchaser of the picture.

      "Yes," said the artist, as his eye glanced delightedly over his labour; "yes, I believe when it is once seen there will be many candidates!"

      "No doubt," answered Clarence; "and for that reason you cannot blame Talbot for wishing to forestall all other competitors for the prize;" and then, continuing the encouraging nature of the conversation, Clarence enlarged upon the new hopes of his friend, besought him to take time, to spare his health, and not to injure both himself and his performance by over-anxiety and hurry. Clarence concluded by retailing Talbot's assurance that in all cases and circumstances he (Talbot) considered himself pledged to be Warner's supporter and friend.

      With something of impatience, mingled with pleasure, the painter listened to all these details; nor was it to Linden's zeal nor to Talbot's generosity, but rather to the excess of his own merit, that he secretly