The Meaning of Truth. William James

eye, altogether other from my own. The practical point of view brushes such metaphysical cobwebs away. If what he have in mind be not MY body, why call we it a body at all? His mind is inferred by me as a term, to whose existence we trace the things that happen. The inference is quite void if the term, once inferred, be separated from its connection with the body that made me infer it, and connected with another that is not mine at all. No matter for the metaphysical puzzle of how our two minds, the ruffian's and mine, can mean the same body. Men who see each other's bodies sharing the same space, treading the same earth, splashing the same water, making the same air resonant, and pursuing the same game and eating out of the same dish, will never practically believe in a pluralism of solipsistic worlds.

      Where, however, the actions of one mind seem to take no effect in the world of the other, the case is different. This is what happens in poetry and fiction. Every one knows Ivanhoe, for example; but so long as we stick to the story pure and simple without regard to the facts of its production, few would hesitate to admit that there are as many different Ivanhoes as there are different minds cognizant of the story. [Footnote: That is, there is no REAL 'Ivanhoe,' not even the one in Sir Walter Scott's mind as he was writing the story. That one is only the FIRST one of the Ivanhoe-solipsisms. It is quite true we can make it the real Ivanhoe if we like, and then say that the other Ivanhoes know it or do not know it, according as they refer to and resemble it or no. This is done by bringing in Sir Walter Scott himself as the author of the real Ivanhoe, and so making a complex object of both. This object, however, is not a story pure and simple. It has dynamic relations with the world common to the experience of all the readers. Sir Walter Scott's Ivanhoe got itself printed in volumes which we all can handle, and to any one of which we can refer to see which of our versions be the true one, i.e., the original one of Scott himself. We can see the manuscript; in short we can get back to the Ivanhoe in Scott's mind by many an avenue and channel of this real world of our experience,—a thing we can by no means do with either the Ivanhoe or the Rebecca, either the Templar or the Isaac of York, of the story taken simply as such, and detached from the conditions of its production. Everywhere, then, we have the same test: can we pass continuously from two objects in two minds to a third object which seems to be in BOTH minds, because each mind feels every modification imprinted on it by the other? If so, the first two objects named are derivatives, to say the least, from the same third object, and may be held, if they resemble each other, to refer to one and the same reality.] The fact that all these Ivanhoes RESEMBLE each other does not prove the contrary. But if an alteration invented by one man in his version were to reverberate immediately through all the other versions, and produce changes therein, we should then easily agree that all these thinkers were thinking the SAME Ivanhoe, and that, fiction or no fiction, it formed a little world common to them all.

      Having reached this point, we may take up our thesis and improve it again. Still calling the reality by the name of q and letting the critic's feeling vouch for it, we can say that any other feeling will be held cognizant of q, provided it both resemble q, and refer to q, as shown by its either modifying q directly, or modifying some other reality, p or r, which the critic knows to be continuous with q. Or more shortly, thus: THE FEELING OF q KNOWS WHATEVER REALITY IT RESEMBLES, AND EITHER DIRECTLY OR INDIRECTLY OPERATES ON. If it resemble without operating, it is a dream; if it operate without resembling, it is an error. [Footnote: Among such errors are those cases in which our feeling operates on a reality which it does partially resemble, and yet does not intend: as for instance, when I take up your umbrella, meaning to take my own. I cannot be said here either to know your umbrella, or my own, which latter my feeling more completely resembles. I am mistaking them both, misrepresenting their context, etc.

      We have spoken in the text as if the critic were necessarily one mind, and the feeling criticised another. But the criticised feeling and its critic may be earlier and later feelings of the same mind, and here it might seem that we could dispense with the notion of operating, to prove that critic and criticised are referring to and meaning to represent the SAME. We think we see our past feelings directly, and know what they refer to without appeal. At the worst, we can always fix the intention of our present feeling and MAKE it refer to the same reality to which any one of our past feelings may have referred. So we need no 'operating' here, to make sure that the feeling and its critic mean the same real q. Well, all the better if this is so! We have covered the more complex and difficult case in our text, and we may let this easier one go. The main thing at present is to stick to practical psychology, and ignore metaphysical difficulties.

      One more remark. Our formula contains, it will be observed, nothing to correspond to the great principle of cognition laid down by Professor Ferrier in his Institutes of Metaphysic and apparently adopted by all the followers of Fichte, the principle, namely, that for knowledge to be constituted there must be knowledge of the knowing mind along with whatever else is known: not q, as we have supposed, but q PLUS MYSELF, must be the least I can know. It is certain that the common sense of mankind never dreams of using any such principle when it tries to discriminate between conscious states that are knowledge and conscious states that are not. So that Ferrier's principle, if it have any relevancy at all, must have relevancy to the metaphysical possibility of consciousness at large, and not to the practically recognized constitution of cognitive consciousness. We may therefore pass it by without further notice here.] It is to be feared that the reader may consider this formula rather insignificant and obvious, and hardly worth the labor of so many pages, especially when he considers that the only cases to which it applies are percepts, and that the whole field of symbolic or conceptual thinking seems to elude its grasp. Where the reality is either a material thing or act, or a state of the critic's consciousness, I may both mirror it in my mind and operate upon it—in the latter case indirectly, of course—as soon as I perceive it. But there are many cognitions, universally allowed to be such, which neither mirror nor operate on their realities.

      In the whole field of symbolic thought we are universally held both to intend, to speak of, and to reach conclusions about—to know in short—particular realities, without having in our subjective consciousness any mind-stuff that resembles them even in a remote degree. We are instructed about them by language which awakens no consciousness beyond its sound; and we know WHICH realities they are by the faintest and most fragmentary glimpse of some remote context they may have and by no direct imagination of themselves. As minds may differ here, let me speak in the first person. I am sure that my own current thinking has WORDS for its almost exclusive subjective material, words which are made intelligible by being referred to some reality that lies beyond the horizon of direct consciousness, and of which I am only aware as of a terminal MORE existing in a certain direction, to which the words might lead but do not lead yet. The SUBJECT, or TOPIC, of the words is usually something towards which I mentally seem to pitch them in a backward way, almost as I might jerk my thumb over my shoulder to point at something, without looking round, if I were only entirely sure that it was there. The UPSHOT, or CONCLUSION, of the words is something towards which I seem to incline my head forwards, as if giving assent to its existence, tho all my mind's eye catches sight of may be some tatter of an image connected with it, which tatter, however, if only endued with the feeling of familiarity and reality, makes me feel that the whole to which it belongs is rational and real, and fit to be let pass.

      Here then is cognitive consciousness on a large scale, and yet what it knows, it hardly resembles in the least degree. The formula last laid down for our thesis must therefore be made more complete. We may now express it thus: A PERCEPT KNOWS WHATEVER REALITY IT DIRECTLY OR INDIRECTLY OPERATES ON AND RESEMBLES; ACONCEPTUAL FEELING, OR THOUGHT KNOWS A REALITY, WHENEVER IT ACTUALLY OR POTENTIALLY TERMINATES IN A PERCEPT THAT OPERATES ON, OR RESEMBLES THAT REALITY, OR IS OTHERWISE CONNECTED WITH IT OR WITH ITS CONTEXT. The latter percept may be either sensation or sensorial idea; and when I say the thought must TERMINATE in such a percept, I mean that it must ultimately be capable of leading up thereto,—by the way of practical [missing section] is an incomplete 'thought about' that reality, that reality is its 'topic,' etc. experience, if the terminal feeling be a sensation; by the way of logical or habitual suggestion, if it be only an image in the mind.

      Let an illustration make this plainer. I open the first book I take up, and read the first sentence that meets my eye: 'Newton saw the handiwork of God in the heavens as plainly as Paley in the animal kingdom.' I immediately look back and try to analyze the subjective state in which I rapidly apprehended this sentence as I read it. In the first place