Zicci — Volume 02. Эдвард Бульвер-Литтон

business can you have with Zicci? Will you not confide in me?"

      "Merton, do not ask me to-night; I am in a dream."

      "I do not wonder at it, for even I am in a sleep. Let us push on."

      In the retirement of his chamber, Glyndon sought to recollect his thoughts. He sat down on the foot of his bed and pressed his hands tightly to his throbbing temples. The events of the last few hours, the apparition of the gigantic and shadowy Companion of the Mystic amidst the fires and clouds of Vesuvius, the strange encounter with Zicci himself on a spot in which he could never have calculated on finding Glyndon, filled his mind with emotions, in which terror and awe the least prevailed. A fire, the train of which had long been laid, was lighted at his heart,—the asbestos fire that, once lit, is never to be quenched. All his early aspiration, his young ambition, his longings for the laurel, were mingled in one passionate yearning to overpass the bounds of the common knowledge of man, and reach that solemn spot, between two worlds, on which the mysterious stranger appeared to have fixed his home.

      Far from recalling with renewed affright the remembrance of the apparition that had so appalled him, the recollection only served to kindle and concentrate his curiosity into a burning focus. He had said aright,—love had vanished from his heart; there was no longer a serene space amidst its disordered elements for human affection to move and breathe. The enthusiast was rapt from this earth; and he would have surrendered all that beauty ever promised, that mortal hope ever whispered, for one hour with Zicci beyond the portals of the visible world.

      He rose, oppressed and fevered with the new thoughts that raged within him, and threw open his casement for air. The ocean lay suffused in the starry light, and the stillness of the heavens never more eloquently preached the morality of repose to the madness of earthly passions. But such was Glyndon's mood that their very hush only served to deepen the wild desires that preyed upon his soul. And the solemn stars, that are mysteries in themselves, seemed by a kindred sympathy to agitate the wings of the spirit no longer contented with its cage. As he gazed, a star shot from its brethren and vanished from the depth of space!

      CHAPTER XII

      The sleep of Glyndon that night was unusually profound, and the sun streamed full upon his eyes as he opened them to the day. He rose refreshed, and with a strange sentiment of calmness, that seemed more the result of resolution than exhaustion. The incidents and emotions of the past night had settled into distinct and clear impressions. He thought of them but slightly,—he thought rather of the future. He was as one of the Initiated in the old Egyptian Mysteries, who have crossed the Gate only to look more ardently for the Penetralia.

      He dressed himself, and was relieved to find that Merton had joined a party of his countrymen on an excursion to Ischia. He spent the heat of noon in thoughtful solitude, and gradually the image of Isabel returned to his heart. It was a holy—for it was a human—image; he had resigned her, and he repented. The light of day served, if not to dissipate, at least to sober, the turbulence and fervor of the preceding night. But was it indeed too late to retract his resolve? "Too late!" terrible words! Of what do we not repent, when the Ghost of the Deed returns to us to say, "Thou hast no recall?"

      He started impatiently from his seat, seized his hat and sword, and strode with rapid steps to the humble abode of the actress.

      The distance was considerable, and the air oppressive. Glyndon arrived at the door breathless and heated. he knocked, no answer came; he lifted the latch and entered. No sound, no sight of life, met his ear and eye. In the front chamber, on a table, lay the guitar of the actress and some manuscript parts in plays. He paused, and summoning courage, tapped at the door which seemed to lead into the inner apartment. The door was ajar; and hearing no sound within, he pushed it open. It was the sleeping chamber of the young actress,—that holiest ground to a lover. And well did the place become the presiding deity: none of the tawdry finery of the Profession was visible on the one hand, none of the slovenly disorder common to the humbler classes of the South on the other. All was pure and simple; even the ornaments were those of an innocent refinement,—a few books placed carefully on shelves, a few half-faded flowers in an earthen vase which was modelled and painted in the Etruscan fashion. The sunlight streamed over the snowy draperies of the bed, and a few articles of clothing, neatly folded, on the chair beside it. Isabel was not there; and Glyndon, as he gazed around, observed that the casement which opened to the ground was wrenched and broken, and several fragments of the shattered glass lay below. The light flashed at once upon Glyndon's mind,—the ravisher had borne away his prize. The ominous words of Zicci were fulfilled: it was too late! Wretch that he was, perhaps he might have saved her! But the nurse,— was she gone also? He made the house resound with the name of Gionetta, but there was not even an echo to reply. He resolved to repair at once to the abode of Zicci. On arriving at the palace of the Corsican, he was informed that the signor was gone to the banquet of the Prince di —, and would not return until late. He turned in dismay from the door, and perceived the heavy carriage of the Count Cetoxa rolling along the narrow street. Cetoxa recognized him and stopped the carriage.

      "Ah my dear Signor Glyndon," said he, leaning out of the window, "and how goes your health? You heard the news?"

      "What news?" asked Glyndon, mechanically.

      "Why, the beautiful actress,—the wonder of Naples! I always thought she would have good luck."

      "Well, well, what of her?"

      "The Prince di— has taken a prodigious fancy to her, and has carried her to his own palace. The Court is a little scandalized."

      "The villain! by force?"

      "Force! Ha! ha! my dear signor, what need of force to persuade an actress to accept the splendid protection of one of the wealthiest noblemen in Italy? Oh, no! you may be sure she went willingly enough. I only just heard the news: the prince himself proclaimed his triumph this morning, and the accommodating Mascari has been permitted to circulate it. I hope the connection will not last long, or we shall lose our best singer. Addio!"

      Glyndon stood mute and motionless. He knew not what to think, to believe, or how to act. Even Merton was not at hand to advise him. His conscience smote him bitterly; and half in despair, half in the courageous wrath of jealousy, he resolved to repair to the palace of the prince himself, and demand his captive in the face of his assembled guests.

      CHAPTER XIII

      We must go back to the preceding night. The actress and her nurse had returned from the theatre; and Isabel, fatigued and exhausted, had thrown herself on a sofa, while Gionetta busied herself with the long tresses which, released from the fillet that bound them, half concealed the form of the actress, like a veil of threads of gold; and while she smoothed the luxuriant locks, the old nurse ran gossiping on about the little events of the night,—the scandal and politics of the scenes and the tire-room.

      The clock sounded the hour of midnight, and still Isabel detained the nurse; for a vague and foreboding fear, she could not account for, made her seek to protract the time of solitude and rest.

      At length Gionetta's voice was swallowed up in successive yawns. She took her lamp and departed to her own room, which was placed in the upper story of the house. Isabel was alone. The half-hour after midnight sounded dull and distant, all was still, and she was about to enter her sleeping-room, when she heard the hoofs of a horse at full speed. The sound ceased; there was a knock at the door. Her heart beat violently; but fear gave way to another sentiment when she heard a voice, too well known, calling on her name. She went to the door.

      "Open, Isabel,—it is Zicci," said the voice again.

      And why did the actress feel fear no more, and why did that virgin hand unbar the door to admit, without a scruple or, a doubt, at that late hour, the visit of the fairest cavalier of Naples? I know not; but Zicci had become her destiny, and she obeyed the voice of her preserver as if it were the command of Fate.

      Zicci entered with a light and hasty step. His horseman's cloak fitted tightly to his noble form, and the raven plumes of