The Posthumous Works of Thomas De Quincey, Vol. 1. Томас Де Квинси

stung to madness by the cravings of his heart, the man is overboard. He is gone—he is lost for this world; but if he missed the arms of the lovely women—wife and sister—whom he sought, assuredly he has settled into arms that are mightier and not less indulgent.

      I, young as I was, had one feeling not learned from books, and that could not have been learned from books, the deepest of all that connect themselves with natural scenery. It is the feeling which in 'The Hart-leap Well' of Wordsworth, in his 'Danish Boy,' and other exquisite poems is brought out, viz., the breathless, mysterious, Pan-like silence that haunts the noon-day. If there were winds abroad, then I was roused myself into sympathetic tumults. But if this dead silence haunted the air, then the peace which was in nature echoed another peace which lay in graves, and I fell into a sick languishing for things which a voice from heaven seemed to say 'cannot be granted.'

      There is a German superstition, which eight or ten years after I read, of the Erl-king and his daughter. The daughter had power to tempt infants away into the invisible world; but it is, as the reader understands, by collusion with some infirmity of sick desire for such worlds in the infant itself.

      'Who is that rides through the forest so fast?'

      It is a knight who carries his infant upon his saddle-bow. The Erl-king's daughter rides by his side; and, in words audible only when she means them to be heard, she says:

      'If thou wilt, dear baby, with me go away,

      We will see a fine show, we will play a fine play.'

      That sounds lovely to my ears. Oh yes, that collusion with dim sleeping infancy is lovely to me; but I was too advanced in intellect to have been tempted by such temptations. Still there was a perilous attraction for me in worlds that slept and rested; and if the Erl-king's daughter had revealed herself to my perceptions, there was one 'show' that she might have promised which would have wiled me away with her into the dimmest depths of the mightiest and remotest forests.

      3.—Who is this Woman that beckoneth and warneth me from the Place where she is, and in whose Eyes is Woeful Remembrance? I guess who she is

      In my dreams were often prefigurements of my future, as I could not but read the signs. What man has not some time in dewy morn, or sequestered eve, or in the still night-watches, when deep sleep falleth on other men but visiteth not his weary eyelids—what man, I say, has not some time hushed his spirit and questioned with himself whether some things seen or obscurely felt, were not anticipated as by mystic foretaste in some far halcyon time, post-natal or ante-natal he knew not; only assuredly he knew that for him past and present and future merged in one awful moment of lightning revelation. Oh, spirit that dwelleth in man, how subtle are thy revelations; how deep, how delirious the raptures thou canst inspire; how poignant the stings with which thou canst pierce the heart; how sweet the honey with which thou assuagest the wound; how dark the despairs and accusings that lie behind thy curtains, and leap upon us like lightning from the cloud, with the sense as of some heavenly blazoning, and oftentimes carry us beyond ourselves!

      It is a sweet morning in June, and the fragrance of the roses is wafted towards me as I move—for I am walking in a lawny meadow, still wet with dew—and a wavering mist lies over the distance. Suddenly it seems to lift, and out of the dewy dimness emerges a cottage, embowered with roses and clustering clematis; and the hills, in which it is set like a gem, are tree-clad, and rise billowy behind it, and to the right and to the left are glistening expanses of water. Over the cottage there hangs a halo, as if clouds had but parted there. From the door of that cottage emerges a figure, the countenance full of the trepidation of some dread woe feared or remembered. With waving arm and tearful uplifted face the figure first beckons me onward, and then, when I have advanced some yards, frowning, warns me away. As I still continue to advance, despite the warning, darkness falls: figure, cottage, hills, trees, and halo fade and disappear; and all that remains to me is the look on the face of her that beckoned and warned me away. I read that glance as by the inspiration of a moment. We had been together; together we had entered some troubled gulf; struggled together, suffered together. Was it as lovers torn asunder by calamity? was it as combatants forced by bitter necessity into bitter feud, when we only, in all the world, yearned for peace together? Oh, what a searching glance was that which she cast on me! as if she, being now in the spiritual world, abstracted from flesh, remembered things that I could not remember. Oh, how I shuddered as the sweet sunny eyes in the sweet sunny morning of June—the month that was my 'angelical'; half spring, yet with summer dress, that to me was very 'angelical'—seemed reproachfully to challenge in me recollections of things passed thousands of years ago (old indeed, yet that were made new again for us, because now first it was that we met again). Oh, heavens! it came over me as doth the raven over the infected house, as from a bed of violets sweeps the saintly odour of corruption. What a glimpse was thus revealed! glory in despair, as of that gorgeous vegetation that hid the sterilities of the grave in the tropics of that summer long ago; of that heavenly beauty which slept side by side within my sister's coffin in the month of June; of those saintly swells that rose from an infinite distance—I know not whether to or from my sister. Could this be a memorial of that nature? Are the nearer and more distant stages of life thus dimly connected, and the connection hidden, but suddenly revealed for a moment?

      This lady for years appeared to me in dreams; in that, considering the electric character of my dreams, and that they were far less like a lake reflecting the heavens than like the pencil of some mighty artist—Da Vinci or Michael Angelo—that cannot copy in simplicity, but comments in freedom, while reflecting in fidelity, there was nothing to surprise. But a change in this appearance was remarkable. Oftentimes, after eight years had passed, she appeared in summer dawn at a window. It was a window that opened on a balcony. This feature only gave a distinction, a refinement, to the aspect of the cottage—else all was simplicity. Spirit of Peace, dove-like dawn that slept upon the cottage, ye were not broken by any participation in my grief and despair! For ever the vision of that cottage was renewed. Did I roam in the depths of sweet pastoral solitudes in the West, with the tinkling of sheep-bells in my ears, a rounded hillock, seen vaguely, would shape itself into a cottage; and at the door my monitory, regretful Hebe would appear. Did I wander by the seashore, one gently-swelling wave in the vast heaving plain of waters would suddenly transform itself into a cottage, and I, by some involuntary inward impulse, would in fancy advance toward it.

      Ah, reader, you will think this which I am going to say too near, too holy, for recital. But not so. The deeper a woe touches me in heart, so much the more am I urged to recite it. The world disappears: I see only the grand reliques of a world—memorials of a love that has departed, has been—the record of a sorrow that is, and has its greyness converted into verdure—monuments of a wrath that has been reconciled, of a wrong that has been atoned for—convulsions of a storm that has gone by. What I am going to say is the most like a superstitious thing that I ever shall say. And I have reason to think that every man who is not a villain once in his life must be superstitious. It is a tribute which he pays to human frailty, which tribute if he will not pay, which frailty if he will not share, then also he shall not have any of its strength.

      The face of this monitory Hebe haunted me for some years in a way that I must faintly attempt to explain. It is little to say that it was the sweetest face, with the most peculiar expression of sweetness, that I had ever seen: that was much, but that was earthly. There was something more terrific, believe me, than this; yet that was not the word: terror looks to the future; and this perhaps did, but not primarily. Chiefly it looked at some unknown past, and was for that reason awful; yes, awful—that was the word.

      Thus, on any of those heavenly sunny mornings, that now are buried in an endless grave, did I, transported by no human means, enter that cottage, and descend to that breakfast-room, my earliest salute was to her, that ever, as the look of pictures do, with her eyes pursued me round the room, and oftentimes with a subtle checking of grief, as if great sorrow had been or would be hers. And it was, too, in the sweet Maytime. Oh yes; she was but as if she had been—as if it were her original … chosen to have been the aurora of a heavenly clime; and then suddenly she was as one of whom, for some thousand years, Paradise had received no report; then, again, as if she entered the gates of Paradise not less innocent; and, again, as if she could not enter; and some blame—but I knew