The American. Генри Джеймс

serious!” cried Mademoiselle Noémie, but with her extraordinary smile.

      “I know very little about pictures or how they are painted. If you can’t do all that, of course you can’t. Do what you can, then.”

      “It will be very bad,” said Mademoiselle Noémie.

      “Oh,” said Newman, laughing, “if you are determined it shall be bad, of course it will. But why do you go on painting badly?”

      “I can do nothing else; I have no real talent.”

      “You are deceiving your father, then.”

      The young girl hesitated a moment. “He knows very well!”

      “No,” Newman declared; “I am sure he believes in you.”

      “He is afraid of me. I go on painting badly, as you say, because I want to learn. I like it, at any rate. And I like being here; it is a place to come to, every day; it is better than sitting in a little dark, damp room, on a court, or selling buttons and whalebones over a counter.”

      “Of course it is much more amusing,” said Newman. “But for a poor girl isn’t it rather an expensive amusement?”

      “Oh, I am very wrong, there is no doubt about that,” said Mademoiselle Noémie. “But rather than earn my living as some girls do—toiling with a needle, in little black holes, out of the world—I would throw myself into the Seine.”

      “There is no need of that,” Newman answered; “your father told you my offer?”

      “Your offer?”

      “He wants you to marry, and I told him I would give you a chance to earn your dot.”

      “He told me all about it, and you see the account I make of it! Why should you take such an interest in my marriage?”

      “My interest was in your father. I hold to my offer; do what you can, and I will buy what you paint.”

      She stood for some time, meditating, with her eyes on the ground. At last, looking up, “What sort of a husband can you get for twelve thousand francs?” she asked.

      “Your father tells me he knows some very good young men.”

      “Grocers and butchers and little maîtres de cafés! I will not marry at all if I can’t marry well.”

      “I would advise you not to be too fastidious,” said Newman. “That’s all the advice I can give you.”

      “I am very much vexed at what I have said!” cried the young girl. “It has done me no good. But I couldn’t help it.”

      “What good did you expect it to do you?”

      “I couldn’t help it, simply.”

      Newman looked at her a moment. “Well, your pictures may be bad,” he said, “but you are too clever for me, nevertheless. I don’t understand you. Good-bye!” And he put out his hand.

      She made no response, and offered him no farewell. She turned away and seated herself sidewise on a bench, leaning her head on the back of her hand, which clasped the rail in front of the pictures. Newman stood a moment and then turned on his heel and retreated. He had understood her better than he confessed; this singular scene was a practical commentary upon her father’s statement that she was a frank coquette.

      CHAPTER V

      When Newman related to Mrs. Tristram his fruitless visit to Madame de Cintré, she urged him not to be discouraged, but to carry out his plan of “seeing Europe” during the summer, and return to Paris in the autumn and settle down comfortably for the winter. “Madame de Cintré will keep,” she said; “she is not a woman who will marry from one day to another.” Newman made no distinct affirmation that he would come back to Paris; he even talked about Rome and the Nile, and abstained from professing any especial interest in Madame de Cintré’s continued widowhood. This circumstance was at variance with his habitual frankness, and may perhaps be regarded as characteristic of the incipient stage of that passion which is more particularly known as the mysterious one. The truth is that the expression of a pair of eyes that were at once brilliant and mild had become very familiar to his memory, and he would not easily have resigned himself to the prospect of never looking into them again. He communicated to Mrs. Tristram a number of other facts, of greater or less importance, as you choose; but on this particular point he kept his own counsel. He took a kindly leave of M. Nioche, having assured him that, so far as he was concerned, the blue-cloaked Madonna herself might have been present at his interview with Mademoiselle Noémie; and left the old man nursing his breast-pocket, in an ecstasy which the acutest misfortune might have been defied to dissipate. Newman then started on his travels, with all his usual appearance of slow-strolling leisure, and all his essential directness and intensity of aim. No man seemed less in a hurry, and yet no man achieved more in brief periods. He had certain practical instincts which served him excellently in his trade of tourist. He found his way in foreign cities by divination, his memory was excellent when once his attention had been at all cordially given, and he emerged from dialogues in foreign tongues, of which he had, formally, not understood a word, in full possession of the particular fact he had desired to ascertain. His appetite for facts was capacious, and although many of those which he noted would have seemed woefully dry and colorless to the ordinary sentimental traveler, a careful inspection of the list would have shown that he had a soft spot in his imagination. In the charming city of Brussels—his first stopping-place after leaving Paris—he asked a great many questions about the street-cars, and took extreme satisfaction in the reappearance of this familiar symbol of American civilization; but he was also greatly struck with the beautiful Gothic tower of the Hôtel de Ville, and wondered whether it would not be possible to “get up” something like it in San Francisco. He stood for half an hour in the crowded square before this edifice, in imminent danger from carriage-wheels, listening to a toothless old cicerone mumble in broken English the touching history of Counts Egmont and Horn; and he wrote the names of these gentlemen—for reasons best known to himself—on the back of an old letter.

      At the outset, on his leaving Paris, his curiosity had not been intense; passive entertainment, in the Champs Élysées and at the theatres, seemed about as much as he need expect of himself, and although, as he had said to Tristram, he wanted to see the mysterious, satisfying best, he had not the Grand Tour in the least on his conscience, and was not given to cross-questioning the amusement of the hour. He believed that Europe was made for him, and not he for Europe. He had said that he wanted to improve his mind, but he would have felt a certain embarrassment, a certain shame, even—a false shame, possibly—if he had caught himself looking intellectually into the mirror. Neither in this nor in any other respect had Newman a high sense of responsibility; it was his prime conviction that a man’s life should be easy, and that he should be able to resolve privilege into a matter of course. The world, to his sense, was a great bazaar, where one might stroll about and purchase handsome things; but he was no more conscious, individually, of social pressure than he admitted the existence of such a thing as an obligatory purchase. He had not only a dislike, but a sort of moral mistrust, of uncomfortable thoughts, and it was both uncomfortable and slightly contemptible to feel obliged to square one’s self with a standard. One’s standard was the ideal of one’s own good-humored prosperity, the prosperity which enabled one to give as well as take. To expand, without bothering about it—without shiftless timidity on one side, or loquacious eagerness on the other—to the full compass of what he would have called a “pleasant” experience, was Newman’s most definite programme of life. He had always hated to hurry to catch railroad trains, and yet he had always caught them; and just so an undue solicitude for “culture” seemed a sort of silly dawdling at the station, a proceeding properly confined to women, foreigners, and other unpractical persons. All this admitted, Newman enjoyed his journey, when once he had fairly entered the current, as profoundly as the most zealous dilettante. One’s theories, after all, matter little; it is one’s humor that is the great thing. Our friend was intelligent, and he could not help that. He lounged through Belgium and Holland and the Rhineland, through Switzerland and Northern Italy, planning about nothing, but seeing everything. The guides and valets de place found him an excellent