Pictures of Sweden. Ганс Христиан Андерсен

I saw her only through the little glass in the door. She had had heard our footsteps; heard us speak; but she sat still, squeezed up into the corner by the door, as if she would hide herself as much as possible: her back was bent, her head almost on a level with her lap, and her hands folded over it. They said this unfortunate creature was very young. Two brothers sat here in two different cells: they were punished for horse stealing; the one was still quite a boy.

      In one cell was a poor servant girl. They said: "She has no place of resort, and without a situation, and therefore she is placed here." I thought I had not heard rightly, and repeated my question, "why she was here," but got the same answer. Still I would rather believe that I had misunderstood what was said—it would otherwise be abominable.

      Outside, in the free sunshine, it is the busy day; in here it is always midnight's stillness. The spider that weaves its web down the wall, the swallow which perhaps flies a single time close under the panes there high up in the wall—even the stranger's footstep in the gallery, as he passes the cell-doors, is an event in that mute, solitary life, where the prisoners' thoughts are wrapped up in themselves. One must read of the martyr-filled prisons of the Inquisition, of the crowds chained together in the Bagnes, of the hot, lead chambers of Venice, and the black, wet gulf of the wells—be thoroughly shaken by these pictures of misery, that we may with a quieter pulsation of the heart wander through the gallery of the prison-cells. Here is light, here is air;—here it is more humane. Where the sunbeam shines mildly in on the prisoner, there also will the radiance of God shine into the heart.

      BEGGAR-BOYS

      The painter Callot—who does not know the name, at least from Hoffmann's "in Callot's manner?"—has given a few excellent pictures of Italian beggars. One of these is a fellow, on whom the one rag lashes the other: he carries his huge bundle and a large flag with the inscription, "Capitano de Baroni." One does not think that there can in reality be found such a wandering rag-shop, and we confess that in Italy itself we have not seen any such; for the beggar-boy there, whose whole clothing often consists only of a waistcoat, has in it not sufficient costume for such rags.

      But we see it in the North. By the canal road between the Venern and Vigen, on the bare, dry rocky plain there stood, like beauty's thistles in that poor landscape, a couple of beggar-boys, so ragged, so tattered, so picturesquely dirty, that we thought we had Callot's originals before us, or that it was an arrangement of some industrious parents, who would awaken the traveller's attention and benevolence. Nature does not form such things: there was something so bold in the hanging on of the rags, that each boy instantly became a Capitano de Baroni.

      The younger of the two had something round him that had certainly once been the jacket of a very corpulent man, for it reached almost to the boy's ancles; the whole hung fast by a piece of the sleeve and a single brace, made from the seam of what was now the rest of the lining. It was very difficult to see the transition from jacket to trowsers, the rags glided so into one another. The whole clothing was arranged so as to give him an air-bath: there were draught holes on all sides and ends; a yellow linen clout fastened to the nethermost regions seemed as if it were to signify a shirt. A very large straw hat, that had certainly been driven over several times, was stuck sideways on his head, and allowed the boy's wiry, flaxen hair to grow freely through the opening where the crown should have been: the naked brown shoulder and upper part of the arm, which was just as brown, were the prettiest of the whole.

      The other boy had only a pair of trowsers on. They were also ragged, but the rags were bound fast into the pockets with packthread; one string round the ancles, one under the knee, and another round about the waist. He, however, kept together what he had, and that is always respectable.

      "Be off!" shouted the Captain, from the vessel; and the boy with the tied-up rags turned round, and we—yes, we saw nothing but packthread, in bows, genteel bows. The front part of the boy only was covered: he had only the foreparts of trowsers—the rest was packthread, the bare, naked packthread.

      VADSTENE

      In Sweden, it is not only in the country, but even in several of the provincial towns, that one sees whole houses of grass turf or with roofs of grass turf; and some are so low that one might easily spring up to the roof, and sit on the fresh greensward. In the early spring, whilst the fields are still covered with snow, but which is melted on the roof, the latter affords the first announcement of spring, with the young sprouting grass where the sparrow twitters: "Spring comes!"

      Between Motala and Vadstene, close by the high road, stands a grass-turf house—one of the most picturesque. It has but one window, broader than it is high, and a wild rose branch forms the curtain outside.

      We see it in the spring. The roof is so delightfully fresh with grass, it has quite the tint of velvet; and close to it is the chimney, nay, even a cherry-tree grows out of its side, now full of flowers: the wind shakes the leaves down on a little lamb that is tethered to the chimney. It is the only lamb of the family. The old dame who lives here, lifts it up to its place herself in the morning and lifts it down again in the evening, to give it a place in the room. The roof can just bear the little lamb, but not more—this is an experience and a certainty. Last autumn—and at that time the grass turf roofs are covered with flowers, mostly blue and yellow, the Swedish colours—there grew here a flower of a rare kind. It shone in the eyes of the old Professor, who on his botanical tour came past here. The Professor was quickly up on the roof, and just as quick was one of his booted legs through it, and so was the other leg, and then half of the Professor himself—that part where the head does not sit; and as the house had no ceiling, his legs hovered right over the old dame's head, and that in very close contact. But now the roof is again whole; the fresh grass grows where learning sank; the little lamb bleats up there, and the old dame stands beneath, in the low doorway, with folded hands, with a smile on her mouth, rich in remembrances, legends and songs, rich in her only lamb on which the cherry-tree strews its flower-blossoms in the warm spring sun.

      As a background to this picture lies the Vettern—the bottomless lake as the commonalty believe—with its transparent water, its sea-like waves, and in calm, with "Hegring," or fata morgana on its steel-like surface. We see Vadstene palace and town, "the city of the dead," as a Swedish author has called it—Sweden's Herculaneum, reminiscence's city. The grass-turf house must be our box, whence we see the rich mementos pass before us—memorials from the chronicle of saints, the chronicle of kings and the love songs that still live with the old dame, who stands in her low house there, where the lamb crops the grass on the roof. We hear her, and we see with her eyes; we go from the grass-turf house up to the town, to the other grass-turf houses, where poor women sit and make lace, once the celebrated work of the rich nuns here in the cloister's wealthy time.

      How still, solitary and grass-grown are these streets! We stop by an old wall, mouldy-green for centuries already. Within it stood the cloister; now there is but one of its wings remaining. There, within that now poor garden still bloom Saint Bridget's leek, and once ran flowers. King John and the Abbess, Ana Gylte, wandered one evening there, and the King cunningly asked: "If the maidens in the cloister were never tempted by love?" and the Abbess answered, as she pointed to a bird that just then flew over them: "It may happen! One cannot prevent the bird from flying over the garden; but one may surely prevent it from building its nest there!"

      Thus thought the pious Abbess, and there have been sisters who thought and acted like her. But it is quite as sure that in the same garden there stood a pear-tree, called the tree of death; and the legend says of it, that whoever approached and plucked its fruit would soon die. Red and yellow pears weighed down its branches to the ground. The trunk was unusually large; the grass grew high around it, and many a morning hour was it seen trodden down. Who had been here during the night?

      A storm arose one evening from the lake, and the next morning the large tree was found thrown down; the trunk was broken, and out from it there rolled infants' bones—the white bones of murdered children lay shining in the grass.

      The pious but love-sick sister Ingrid, this Vadstene's Heloise, writes to her heart's beloved, Axel Nilsun—for the chronicles have preserved it for us:—

      "Broderne og Systarne leka paa Spil, drikke Vin och dansa med hvarandra i Tradgården!"

      (The brothers and sisters amuse themselves