In Our Town. White William Allen

sleigh-bells that winter, David, sitting at the machine, got back proofs from the front office that looked like war-maps of a strange country. Moreover he let his matrices go uncleaned until they were beardy as wheat and the bill of repairs on the machine had begun to rise like a cat's back.

      All of this may seem funny in the telling, but to see the little Welshman's heart breaking in him was no pleasant matter. The girls in the office pitied the boy, and hoped the silk-drummer would break her heart. The town and the Imperial Club, whereof David was much beloved, took sides with him, and knew his sorrow for their own. As for the blonde, it was only nature asserting itself in her; so David got back his little chip diamonds, and his bangle bracelet, and his copy of "Riley's Love Songs," and there was the "mist and the blinding rain" for him, and the snow of winter hardened on the sidewalks.

      To console himself, the boy traded for a music-box, which he set going with a long brass lever. Its various tunes were picked in holes on circular steel sheets, which were fed into the box and set whirling with the lever. At night when Larmy wasn't enjoying what David called a spook-fest, the boy would sit in the office by the hour and listen to his music-box. He must have played "Love's Golden Dream Is Past" a hundred lonesome times that winter (it had been their favourite waltz—his and the girl's—at the Imperial Club), and it was a safe guess that if the boys in the office, as they passed the box at noon, would give the lever a yank, from the abdomen of the contrivance the waltz song would begin deep and low to rumble and swell out with all the simulation of sorrow that a mechanical soul may express.

      As the winter deepened, Larmy and the reporter and the "father" had more and more converse. The "father" explained a theory of immortality which did not interest the reporter, but which Larmy heard eagerly. It said that science would resolve matter into mere forms of motion, which are expressions of divine will, and that the only place where this divine will exists in its pure state, eluding the so-called material state, is in the human soul. Further, the "father" explained that this soul, or divine will, exists without the brain, independent of brain tissue, as may be proved by the accepted phenomena of hypnotism, where the soul is commanded to leave the body and see and hear and feel and know things which the mere physical organs can not experience, owing to the interposition of space. The "father" said that at death the Divine Will commands the ripened seed of life to leave the body and assume immortality, just as that Will commands the seeds of plants and the sperm of animals to assume their natural functions. The Thing that talked through David's lips said that the body is the seed-pod of the soul, and that souls grow little or much as they are planted and environed and nurtured by life. All this it said in many nights, while Larmy wondered and the reporter scoffed and stuck pins in David to see if he could feel them. And the boy wakened from his dreams always to say: "Gimme a cigarette!" and to reach over and pull the lever of his music-box, and add: "Perfessor, give us a tune! Hen, the professor says he won't play unless you give me a cigarette for him."

      One night, after a long wrangle which ended in a discourse by the "father," a strange thing happened. Larmy and It were contending as to whether It was merely a hypnotic influence on the boy, of someone living whom they did not know, or what It claimed to be, a disembodied spirit. By way of diversion, the reporter had just run a binder's needle under one of the boy's finger-nails to see whether he would flinch. Then the Voice that was coming from David's mouth spoke and said: "I will show you something to prove it;" and the entranced boy rose and went to the back room, while the two others followed him.

      He turned the lever that flashed the light on his linotype, and set the little motor going. He lifted up the lid of the metal-pot, to see if the fire was keeping it molten. Then the boy sat at the machine with his hands folded in his lap, gazing at the empty copy-holder out of dead eyes. In a minute—perhaps it was a little longer—a brass matrix slipped from the magazine and clicked down into the assembler; in a second or two another fell, and then, very slowly, like the ticks of a great clock, the brasses slipped—slipped—slipped into their places, and the steel spaces dropped into theirs. A line was formed, while the boy's hands lay in his lap. When it was a full line he grabbed the lever, that sent the line over to the metal-pot to be cast, and his hand fell back in his lap, while the dripping of the brasses continued and the blue and white keys on the board sank and rose, although no finger touched them.

      Larmy squinted at the thing, and held his long, fuzzy, unshaven chin in his hand. When the second line was cast the reporter broke the silence with: "Well, I'll be damned!" And the Voice from David's mouth replied: "Very likely." And the clicking of the brasses grew quicker.

      Seven lines were cast and then the boy got up and went back to the couch in the front room, where he yawned himself, apparently, through three strata of consciousness, into his normal self. They took a proof of what had been cast, but it was in Latin and they could not translate it. David himself forgot about it the next day, but the reporter, being impressed and curious, took the proof to the teacher of Latin at the college, who translated it thus: "He shall go away on a long journey across the ocean, and he shall not return, yet the whole town shall see him again and know him—and he shall bring back the song that is in his heart, and you shall hear it."

      The next week the "Maine" was blown up, and in the excitement the troubles of David were forgotten in the office. Moreover, as he had to work overtime he put his soul deeper into the machine, and his nerves took on something of the steel in which he lived. The Associated Press report was long in those days, and the paper was filled with local news of wars and rumours of wars, so that when the call for troops came in the early spring, the town was eager for it, and David could not wait for the local company to form, but went to Lawrence and enlisted with the Twentieth Kansas. He was our first war-hero for thirty years, and the town was proud of him. Most of the town knew why he went, and there was reproach for the blonde in the Racket Store, who had told the girls it would be in June and that they were going East for a wedding trip.

      When David came back from Lawrence an enlisted man, with a week in which to prepare for the fray, the Imperial Club gave him a farewell dance of great pride, in that one end of Imperial Hall was decorated for the occasion with all the Turkish rugs, and palms, and ferns, and piano-lamps with red shades, and American flags draped from the electric fixtures, and all the cut-glass and hand-painted punch-bowls that the girls of the T. T. T. Club could beg or borrow; and red lemonade and raspberry sherbet flowed like water. Whereat David Lewis was so pleased that he grew tearful when he came into the hall and saw the splendour that had been made for him. But his soul, despite his gratitude to the boys and girls who gave the party, was filled with an unutterable sadness; and he sat out many dances under the red lamp-shades with the various girls who had been playing sister to him; and the boys to whom the girls were more than sisters were not jealous.

      As for the blonde, she beamed and preened and smiled on David, but her name was not on his card, and as the silk-salesman was on the road, she had many vacant lines on her programme, and she often sat alone by a card-table shuffling the deck that lay there. The boy's eyes were dead when they looked at her and her smile did not coax him to her. Once when the others were dancing an extra David sat across the room from her, and she went to him and sat by him, and said under the music:

      "I thought we were always going to be friends—David?" And after he had parried her for a while, he rose to go away, and she said: "Won't you dance just once with me, Dave, just for old sake's sake before you go?" And he put down his name for the next extra and thought of how long it had been since the last June dance. Old sake's sake with youth may mean something that happened only day before yesterday.

      The boy did not speak to his partner during the next dance but went about debating something in his mind; and when the number was ended he tripped over to the leader of the orchestra, whom he had hired for dances a score of times, and asked for "Love's Golden Dream Is Past" as the next "extra." It was his waltz and he didn't care if the whole town knew it—they would dance it together. And so when the orchestra began he started away, a very heart-broken, brown-eyed, olive-skinned little Welshman, who barely touched the finger-tips of a radiant, overdeveloped blonde with roses in her cheeks and moonlight in her hair. She would have come closer to him but he danced away and only hunted for her soul with his brown Celtic eyes. And because David had asked for it and they loved the boy, the old men in the orchestra played the waltz over and over again, and at the end the dancers clapped their hands for an encore, and when the chorus began they sang it dancing,