The Pioneers. Джеймс Фенимор Купер

ought to have supported.

      From the great door which opened into the porch emerged two or three female domestics, and one male. The latter was bareheaded, but evidently more dressed than usual, and on the whole was of so singular a formation and attire as to deserve a more minute description. He was about five feet in height, of a square and athletic frame, with a pair of shoulders that would have fitted a grenadier. His low stature was rendered the more striking by a bend forward that he was in the habit of assuming, for no apparent reason, unless it might be to give greater freedom to his arms, in a particularly sweeping swing, that they constantly practised when their master was in motion. His face was long, of a fair complexion, burnt to a fiery red; with a snub nose, cocked into an inveterate pug; a mouth of enormous dimensions, filled with fine teeth; and a pair of blue eyes, that seemed to look about them on surrounding objects with habitual contempt. His head composed full one-fourth of his whole length, and the cue that depended from its rear occupied another. He wore a coat of very light drab cloth, with buttons as large as dollars, bearing the impression of a “foul anchor.” The skirts were extremely long, reaching quite to the calf, and were broad in proportion. Beneath, there were a vest and breeches of red plush, somewhat worn and soiled. He had shoes with large buckles, and stockings of blue and white stripes.

      This odd-looking figure reported himself to be a native of the county of Cornwall, in the island of Great Britain. His boyhood had passed in the neighborhood of the tin mines, and his youth as the cabin-boy of a smuggler, between Falmouth and Guernsey. From this trade he had been impressed into the service of his king, and, for the want of a better, had been taken into the cabin, first as a servant, and finally as steward to the captain. Here he acquired the art of making chowder, lobster, and one or two other sea-dishes, and, as he was fond of saying, had an opportunity of seeing the world. With the exception of one or two outports in France, and an occasional visit to Portsmouth, Plymouth, and Deal, he had in reality seen no more of mankind, however, than if he had been riding a donkey in one of his native mines. But, being discharged from the navy at the peace of ‘83, he declared that, as he had seen all the civilized parts of the earth, he was inclined to make a trip to the wilds of America We will not trace him in his brief wanderings, under the influence of that spirit of emigration that some times induces a dapper Cockney to quit his home, and lands him, before the sound of Bow-bells is out of his ears, within the roar of the cataract of Niagara; but shall only add that at a very early day, even before Elizabeth had been sent to school, he had found his way into the family of Marmaduke Temple, where, owing to a combination of qualities that will be developed in the course of the tale, he held, under Mr. Jones, the office of major-domo. The name of this worthy was Benjamin Penguillan, according to his own pronunciation; but, owing to a marvellous tale that he was in the habit of relating, concerning the length of time he had to labor to keep his ship from sinking after Rodney’s victory, he had universally acquired the nick name of Ben Pump.

      By the side of Benjamin, and pressing forward as if a little jealous of her station, stood a middle-aged woman, dressed in calico, rather violently contrasted in color with a tall, meagre, shapeless figure, sharp features, and a somewhat acute expression of her physiognomy. Her teeth were mostly gone, and what did remain were of a tight yellow. The skin of her nose was drawn tightly over the member, to hang in large wrinkles in her cheeks and about her mouth. She took snuff in such quantities as to create the impression that she owed the saffron of her lips and the adjacent parts to this circumstance; but it was the unvarying color of her whole face. She presided over the female part of the domestic arrangements, in the capacity of housekeeper; was a spinster, and bore the name of Remarkable Pettibone. To Elizabeth she was an entire stranger, having been introduced into the family since the death of her mother.

      In addition to these, were three or four subordinate menials, mostly black, some appearing at the principal door, and some running from the end of the building, where stood the entrance to the cellar-kitchen.

      Besides these, there was a general rush from Richard’s kennel, accompanied with every canine tone from the howl of the wolf-dog to the petulant bark of the terrier. The master received their boisterous salutations with a variety of imitations from his own throat, when the dogs, probably from shame of being outdone, ceased their out-cry. One stately, powerful mastiff, who wore round his neck a brass collar, with “M. T.” engraved in large letters on the rim, alone was silent. He walked majestically, amid the confusion, to the side of the Judge, where, receiving a kind pat or two, he turned to Elizabeth, who even stooped to kiss him, as she called him kindly by the name of “Old Brave.” The animal seemed to know her, as she ascended the steps, supported by Monsieur Le Quoi and her father, in order to protect her from falling on the ice with which they were covered. He looked wistfully after her figure, and when the door closed on the whole party, he laid himself in a kennel that was placed nigh by, as if conscious that the house contained some thing of additional value to guard.

      Elizabeth followed her father, who paused a moment to whisper a message to one of his domestics, into a large hall, that was dimly lighted by two candies, placed in high, old-fashioned, brass candlesticks. The door closed, and the party were at once removed from an atmosphere that was nearly at zero, to one of sixty degrees above. In the centre of the hall stood an enormous stove, the sides of which appeared to be quivering with heat; from which a large, straight pipe, leading through the ceiling above, carried off the smoke. An iron basin, containing water, was placed on this furnace, for such only it could be called, in order to preserve a proper humidity in the apartment. The room was carpeted, and furnished with convenient, substantial furniture, some of which was brought from the city, the remainder having been manufactured by the mechanics of Templeton. There was a sideboard of mahogany, inlaid with ivory, and bearing enormous handles of glittering brass, and groaning under the piles of silver plate. Near it stood a set of prodigious tables, made of the wild cherry, to imitate the imported wood of the sideboard, but plain and without ornament of any kind. Opposite to these stood a smaller table, formed from a lighter-colored wood, through the grains of which the wavy lines of the curled maple of the mountains were beautifully undulating. Near to this, in a corner, stood a heavy, old-fashioned, brass-faced clock, incased in a high box, of the dark hue of the black walnut from the seashore. An enormous settee, or sofa, covered with light chintz, stretched along the walls for nearly twenty feet on one side of the hail; and chairs of wood, painted a light yellow, with black lines that were drawn by no very steady hand, were ranged opposite, and in the intervals between the other pieces of furniture. A Fahrenheit’s thermometer in a mahogany case, and with a barometer annexed, was hung against the wall, at some little distance from the stove, which Benjamin consulted, every half hour, with prodigious exactitude. Two small glass chandeliers were suspended at equal distances between the stove and outer doors, one of which opened at each end of the hall, and gilt lustres were affixed to the frame work of the numerous side-doors that led from the apartment. Some little display in architecture had been made in constructing these frames and casings, which were surmounted with pediments, that bore each a little pedestal in its centre; on these pedestals were small busts in blacked plaster-of-Paris. The style of the pedestals as well as the selection of the busts were all due to the taste of Mr. Jones. On one stood Homer, a most striking likeness, Richard affirmed, “as any one might see, for it was blind”, Another bore the image of a smooth-visaged gentleman with a pointed beard, whom he called Shakespeare. A third ornament was an urn, which; from its shape, Richard was accustomed to say, intended to represent itself as holding the ashes of Dido. A fourth was certainly old Franklin, in his cap and spectacles. A fifth as surely bore the dignified composure of the face of Washington. A sixth was a nondescript, representing “a man with a shirt-collar open”, to use the language of Richard, “with a laurel on his head-it was Julius Caesar or Dr. Faustus; there were good reasons for believing either”,

      The walls were hung with a dark lead-colored English paper that represented Britannia weeping over the tomb of Wolfe, The hero himself stood at a little distance from the mourning goddess, and at the edge of the paper. Each width contained the figure, with the slight exception of one arm of the general, which ran over on the next piece, so that when Richard essayed, with his own hands, to put together this delicate outline, some difficulties occurred that prevented a nice conjunction; and Britannia had reason to lament, in addition to the loss of her favorite’s life, numberless cruel amputations of his right arm.

      The luckless cause of these unnatural divisions now announced his presence