Название | Tartuffe; Or, The Hypocrite |
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Автор произведения | Жан-Батист Мольер |
Жанр | Зарубежная драматургия |
Серия | |
Издательство | Зарубежная драматургия |
Год выпуска | 0 |
isbn |
And as a learned man remarked one day
Most aptly, 'tis the Tower of Babylon,
Where all, beyond all limit, babble on.
And just to tell you how this point came in …
(To Cleante)
So! Now the gentlemen must snicker, must he?
Go find fools like yourself to make you laugh
And don't …
(To Elmire)
Daughter, good-bye; not one word more.
As for this house, I leave the half unsaid;
But I shan't soon set foot in it again,
(Cuffing Flipotte)
Come, you! What makes you dream and stand agape,
Hussy! I'll warm your ears in proper shape!
March, trollop, march!
I won't escort her down,
For fear she might fall foul of me again;
The good old lady …
Bless us! What a pity
She shouldn't hear the way you speak of her!
She'd surely tell you you're too "good" by half,
And that she's not so "old" as all that, neither!
How she got angry with us all for nothing!
And how she seems possessed with her Tartuffe!
Her case is nothing, though, beside her son's!
To see him, you would say he's ten times worse!
His conduct in our late unpleasantness 1
Had won him much esteem, and proved his courage
In service of his king; but now he's like
A man besotted, since he's been so taken
With this Tartuffe. He calls him brother, loves him
A hundred times as much as mother, son,
Daughter, and wife. He tells him all his secrets
And lets him guide his acts, and rule his conscience.
He fondles and embraces him; a sweetheart
Could not, I think, be loved more tenderly;
At table he must have the seat of honour,
While with delight our master sees him eat
As much as six men could; we must give up
The choicest tidbits to him; if he belches,
('tis a servant speaking)2
Master exclaims: "God bless you!" – Oh, he dotes
Upon him! he's his universe, his hero;
He's lost in constant admiration, quotes him
On all occasions, takes his trifling acts
For wonders, and his words for oracles.
The fellow knows his dupe, and makes the most on't,
He fools him with a hundred masks of virtue,
Gets money from him all the time by canting,
And takes upon himself to carp at us.
Even his silly coxcomb of a lackey
Makes it his business to instruct us too;
He comes with rolling eyes to preach at us,
And throws away our ribbons, rouge, and patches.
The wretch, the other day, tore up a kerchief
That he had found, pressed in the Golden Legend,
Calling it a horrid crime for us to mingle
The devil's finery with holy things.
ELMIRE (to Cleante)
You're very lucky to have missed the speech
She gave us at the door. I see my husband
Is home again. He hasn't seen me yet,
So I'll go up and wait till he comes in.
And I, to save time, will await him here;
I'll merely say good-morning, and be gone.
I wish you'd say a word to him about
My sister's marriage; I suspect Tartuffe
Opposes it, and puts my father up
To all these wretched shifts. You know, besides,
How nearly I'm concerned in it myself;
If love unites my sister and Valere,
I love his sister too; and if this marriage
Were to …
He's coming.
Ah! Good morning, brother.
I was just going, but am glad to greet you.
Things are not far advanced yet, in the country?
Dorine …
(To Cleante)
Just wait a bit, please, brother-in-law.
Let me allay my first anxiety
By asking news about the family.
(To Dorine)
Has everything gone well these last two days?
What's happening? And how is everybody?
Madam had fever, and a splitting headache
Day before yesterday, all day and evening.
And how about Tartuffe?
Tartuffe? He's well;
He's mighty well; stout, fat, fair, rosy-lipped.
Poor man!
At evening she had nausea
And couldn't touch a single thing for supper,
Her headache still was so severe.
And how
About Tartuffe?
He supped alone, before her,
And unctuously ate up two partridges,
As well as half
1
Referring to the rebellion called La Fronde, during the minority of Louis XIV.
2
Moliere's note, inserted in the text of all the old editions. It is a curious illustration of the desire for uniformity and dignity of style in dramatic verse of the seventeenth century, that Moliere feels called on to apologize for a touch of realism like this. Indeed, these lines were even omitted when the play was given.