The Face of the Fields. Sharp Dallas Lore

harp

      The Face of the Fields

      I

      THE FACE OF THE FIELDS

      THERE was a swish of wings, a flash of gray, a cry of pain, a squawking, cowering, scattering flock of hens, a weakly fluttering pullet, and yonder, swinging upward into the October sky, a marsh hawk, buoyant and gleaming silvery in the sun. Over the trees he beat, circled once, and disappeared.

      The hens were still flapping for safety in a dozen directions, but the gray harrier had gone. A bolt of lightning could not have dropped so unannounced, could not have vanished so completely, could scarcely have killed so quickly. I ran to the pullet, but found her dead. The harrier’s stroke, delivered with fearful velocity, had laid head and neck open as with a keen knife. Yet a fraction slower and he would have missed, for the pullet caught the other claw on her wing. The gripping talons slipped off the long quills, and the hawk swept on without his quarry. He dared not come back for it at my feet; and so with a single turn above the woods he was gone.

      The scurrying hens stopped to look about them. There was nothing in the sky to see. They stood still and silent a moment. The rooster chucked. Then one by one they turned back into the open pasture. A huddled group under the hen-yard fence broke up and came out with the others. Death had flashed among them, but had missed them. Fear had come, but had gone. Within two minutes – in less time – from the fall of the stroke, every hen in the flock was intent at her scratching, or as intently chasing the gray grasshoppers over the pasture.

      Yet, as they scratched, the high-stepping cock would frequently cast up his eye toward the treetops; would sound his alarum at the flight of a robin; and if a crow came over, he would shout and dodge and start to run. But instantly the shadow would pass, and instantly chanticleer —

      He loketh as it were a grim leoun,

      And on his toos he rometh up and doun;

      ······

      Thus roial, as a prince is in an halle.

      He wasn’t afraid. Cautious, alert, watchful he was, but not fearful. No shadow of dread hangs dark and ominous across the sunshine of his pasture. Shadows come – like a flash; and like a flash they vanish away.

      We cannot go far into the fields without sighting the hawk and the snake, the very shapes of Death. The dread Thing, in one form or another, moves everywhere, down every wood-path and pasture-lane, through the black close waters of the mill-pond, out under the open of the winter sky, night and day, and every day, the four seasons through. I have seen the still surface of a pond break suddenly with a swirl, and flash a hundred flecks of silver into the light, as the minnows leap from the jaws of the pike. Then a loud rattle, a streak of blue, a splash at the centre of the swirl, and I see the pike, twisting and bending in the beak of the kingfisher. The killer is killed; but at the mouth of the nest-hole in the steep sandbank, swaying from a root in the edge of the turf above, hangs the black snake, the third killer, and the belted kingfisher, dropping the pike, darts off with a cry. I have been afield at times when one tragedy has followed another in such rapid and continuous succession as to put a whole shining, singing, blossoming world under a pall. Everything has seemed to cower, skulk, and hide, to run as if pursued. There was no peace, no stirring of small life, not even in the quiet of the deep pines; for here a hawk would be nesting, or a snake would be sleeping, or I would hear the passing of a fox, see perhaps his keen hungry face an instant as he halted, winding me.

      Fox and snake and hawk are real, but not the absence of peace and joy – except within my own breast. There is struggle and pain and death in the woods, and there is fear also, but the fear does not last long; it does not haunt and follow and terrify; it has no being, no substance, no continuance. The shadow of the swiftest scudding cloud is not so fleeting as this shadow in the woods, this Fear. The lowest of the animals seem capable of feeling it; yet the very highest of them seem incapable of dreading it; for them Fear is not of the imagination, but of the sight, and of the passing moment.

      The present only toucheth thee!

      It does more, it throngs him – our fellow mortal of the stubble field, the cliff, and the green sea. Into the present is lived the whole of his life – none of it is left to a storied past, none sold to a mortgaged future. And the whole of this life is action; and the whole of this action is joy. The moments of fear in an animal’s life are moments of reaction, negative, vanishing. Action and joy are constant, the joint laws of all animal life, of all nature, from the shining stars that sing together, to the roar of a bitter northeast storm across these wintry fields.

      We shall get little rest and healing out of nature until we have chased this phantom Fear into the dark of the moon. It is a most difficult drive. The pursued too often turns pursuer, and chases us back into our burrows, where there is nothing but the dark to make us afraid. If every time a bird cries in alarm, a mouse squeaks with pain, or a rabbit leaps in fear from beneath our feet, we, too, leap and run, dodging the shadow as if it were at our own heels, then we shall never get farther toward the open fields than Chuchundra, the muskrat, gets toward the middle of the bungalow floor. We shall always creep around by the wall, whimpering.

      But there is no such thing as fear out of doors. There was, there will be; you may see it for an instant on your walk to-day, or think you see it; but there are the birds singing as before, and as before the red squirrel, under cover of large words, is prying into your purposes. The universal chorus of nature is never stilled. This part, or that, may cease for a moment, for a season it may be, only to let some other part take up the strain; as the winter’s deep bass voices take it from the soft lips of the summer, and roll it into thunder, until the naked hills seem to rock to the measures of the song.

      So must we listen to the winter winds, to the whistle of the soaring hawk, to the cry of the trailing hounds.

      I have had more than one hunter grip me excitedly, and with almost a command bid me hear the music of the baying pack. There are hollow halls in the swamps that lie to the east and north and west of me, that catch up the cry of the fox hounds, that blend it, mellow it, round it, and roll it, rising and falling over the meadows these autumn nights in great globes of sound, as pure and sweet as the pearly notes of the wood thrush rolling around their silver basin in the summer dusk.

      It is a different kind of music when the pack breaks into the open on the warm trail: a chorus then of individual tongues singing the ecstasy of pursuit. My blood leaps; the natural primitive wild thing of muscle and nerve and instinct within me slips its leash, and on past with the pack it drives, the scent of the trail single and sweet in its nostrils, a very fire in its blood, motion, motion, motion in its bounding muscles, and in its being a mighty music, spheric and immortal, a carol, chant and pæan, nature’s “unjarred chime,” —

      The fair music that all creatures made

      To their great Lord, whose love their motions swayed

      In perfect diapason, whilst they stood

      In first obedience, and their state of good.

      But what about the fox and his share in this gloria? It is a solemn music to him, certainly, loping wearily on ahead; but what part has he in the chorus? No part, perhaps, unless we grimly call him its conductor. But the point is the chorus, that it never ceases, the hounds at this moment, not the fox, in the leading rôle.

      “But the chorus ceases for me,” you say. “My heart is with the poor fox.” So is mine, and mine is with the dogs too. Many a night I have bayed with the pack, and as often, oftener, I think, I have loped and dodged and doubled with the fox, pitting limb against limb, lung against lung, wit against wit, and always escaping. More than once, in the warm moonlight of the early fall, I have led them on and on, spurring their lagging muscles with a sight of my brush, on and on, through the moonlit night, through the day, on into the moon again, and on until – only the stir of my own footsteps has followed me. Then doubling once more, creeping back a little upon my track, I have looked at my pursuers, silent and stiff upon the trail, and, ere the echo of their cry has died away, I have caught up the chorus and carried it single-throated through the wheeling singing spheres.

      There is more of fact than of fancy to this. That a fox ever