The Beautiful and Damned. Francis Scott Fitzgerald

and the people she went with used to be first rate. Now they aren't."

      Mrs. Gilbert blinked very fast – her bosom trembled, inflated, remained so for an instant, and with the exhalation her words flowed out in a torrent.

      She knew, she cried in a whisper; oh, yes, mothers see these things. But what could she do? He knew Gloria. He'd seen enough of Gloria to know how hopeless it was to try to deal with her. Gloria had been so spoiled – in a rather complete and unusual way. She had been suckled until she was three, for instance, when she could probably have chewed sticks. Perhaps – one never knew – it was this that had given that health and hardiness to her whole personality. And then ever since she was twelve years old she'd had boys about her so thick – oh, so thick one couldn't move. At sixteen she began going to dances at preparatory schools, and then came the colleges; and everywhere she went, boys, boys, boys. At first, oh, until she was eighteen there had been so many that it never seemed one any more than the others, but then she began to single them out.

      She knew there had been a string of affairs spread over about three years, perhaps a dozen of them altogether. Sometimes the men were undergraduates, sometimes just out of college – they lasted on an average of several months each, with short attractions in between. Once or twice they had endured longer and her mother had hoped she would be engaged, but always a new one came – a new one —

      The men? Oh, she made them miserable, literally! There was only one who had kept any sort of dignity, and he had been a mere child, young Carter Kirby, of Kansas City, who was so conceited anyway that he just sailed out on his vanity one afternoon and left for Europe next day with his father. The others had been – wretched. They never seemed to know when she was tired of them, and Gloria had seldom been deliberately unkind. They would keep phoning, writing letters to her, trying to see her, making long trips after her around the country. Some of them had confided in Mrs. Gilbert, told her with tears in their eyes that they would never get over Gloria … at least two of them had since married, though… But Gloria, it seemed, struck to kill – to this day Mr. Carstairs called up once a week, and sent her flowers which she no longer bothered to refuse.

      Several times, twice, at least, Mrs. Gilbert knew it had gone as far as a private engagement – with Tudor Baird and that Holcome boy at Pasadena. She was sure it had, because – this must go no further – she had come in unexpectedly and found Gloria acting, well, very much engaged indeed. She had not spoken to her daughter, of course. She had had a certain sense of delicacy and, besides, each time she had expected an announcement in a few weeks. But the announcement never came; instead, a new man came.

      Scenes! Young men walking up and down the library like caged tigers! Young men glaring at each other in the hall as one came and the other left! Young men calling up on the telephone and being hung up upon in desperation! Young men threatening South America! … Young men writing the most pathetic letters! (She said nothing to this effect, but Dick fancied that Mrs. Gilbert's eyes had seen some of these letters.)

      … And Gloria, between tears and laughter, sorry, glad, out of love and in love, miserable, nervous, cool, amidst a great returning of presents, substitution of pictures in immemorial frames, and taking of hot baths and beginning again – with the next.

      That state of things continued, assumed an air of permanency. Nothing harmed Gloria or changed her or moved her. And then out of a clear sky one day she informed her mother that undergraduates wearied her. She was absolutely going to no more college dances.

      This had begun the change – not so much in her actual habits, for she danced, and had as many "dates" as ever – but they were dates in a different spirit. Previously it had been a sort of pride, a matter of her own vainglory. She had been, probably, the most celebrated and sought-after young beauty in the country. Gloria Gilbert of Kansas City! She had fed on it ruthlessly – enjoying the crowds around her, the manner in which the most desirable men singled her out; enjoying the fierce jealousy of other girls; enjoying the fabulous, not to say scandalous, and, her mother was glad to say, entirely unfounded rumors about her – for instance, that she had gone in the Yale swimming-pool one night in a chiffon evening dress.

      And from loving it with a vanity that was almost masculine – it had been in the nature of a triumphant and dazzling career – she became suddenly anaesthetic to it. She retired. She who had dominated countless parties, who had blown fragrantly through many ballrooms to the tender tribute of many eyes, seemed to care no longer. He who fell in love with her now was dismissed utterly, almost angrily. She went listlessly with the most indifferent men. She continually broke engagements, not as in the past from a cool assurance that she was irreproachable, that the man she insulted would return like a domestic animal – but indifferently, without contempt or pride. She rarely stormed at men any more – she yawned at them. She seemed – and it was so strange – she seemed to her mother to be growing cold.

      Richard Caramel listened. At first he had remained standing, but as his aunt's discourse waxed in content – it stands here pruned by half, of all side references to the youth of Gloria's soul and to Mrs. Gilbert's own mental distresses – he drew a chair up and attended rigorously as she floated, between tears and plaintive helplessness, down the long story of Gloria's life. When she came to the tale of this last year, a tale of the ends of cigarettes left all over New York in little trays marked "Midnight Frolic" and "Justine Johnson's Little Club," he began nodding his head slowly, then faster and faster, until, as she finished on a staccato note, it was bobbing briskly up and down, absurdly like a doll's wired head, expressing – almost anything.

      In a sense Gloria's past was an old story to him. He had followed it with the eyes of a journalist, for he was going to write a book about her some day. But his interests, just at present, were family interests. He wanted to know, in particular, who was this Joseph Bloeckman that he had seen her with several times; and those two girls she was with constantly, "this" Rachael Jerryl and "this" Miss Kane – surely Miss Kane wasn't exactly the sort one would associate with Gloria!

      But the moment had passed. Mrs. Gilbert having climbed the hill of exposition was about to glide swiftly down the ski-jump of collapse. Her eyes were like a blue sky seen through two round, red window-casements. The flesh about her mouth was trembling.

      And at the moment the door opened, admitting into the room Gloria and the two young ladies lately mentioned.

TWO YOUNG WOMEN

      "Well!"

      "How do you do, Mrs. Gilbert!"

      Miss Kane and Miss Jerryl are presented to Mr. Richard Caramel. "This is Dick" (laughter).

      "I've heard so much about you," says Miss Kane between a giggle and a shout.

      "How do you do," says Miss Jerryl shyly.

      Richard Caramel tries to move about as if his figure were better. He is torn between his innate cordiality and the fact that he considers these girls rather common – not at all the Farmover type.

      Gloria has disappeared into the bedroom.

      "Do sit down," beams Mrs. Gilbert, who is by now quite herself. "Take off your things." Dick is afraid she will make some remark about the age of his soul, but he forgets his qualms in completing a conscientious, novelist's examination of the two young women.

      Muriel Kane had originated in a rising family of East Orange. She was short rather than small, and hovered audaciously between plumpness and width. Her hair was black and elaborately arranged. This, in conjunction with her handsome, rather bovine eyes, and her over-red lips, combined to make her resemble Theda Bara, the prominent motion picture actress. People told her constantly that she was a "vampire," and she believed them. She suspected hopefully that they were afraid of her, and she did her utmost under all circumstances to give the impression of danger. An imaginative man could see the red flag that she constantly carried, waving it wildly, beseechingly – and, alas, to little spectacular avail. She was also tremendously timely: she knew the latest songs, all the latest songs – when one of them was played on the phonograph she would rise to her feet and rock her shoulders back and forth and snap her fingers, and if there was no music she would accompany herself by humming.

      Her conversation was also timely: "I don't care," she would say, "I should worry and lose my figure" – and again: "I can't make my feet behave