Hearts of Three. Джек Лондон

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Название Hearts of Three
Автор произведения Джек Лондон
Жанр Зарубежная классика
Серия
Издательство Зарубежная классика
Год выпуска 0
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he had counted only seven shots for the stranger. He cautiously exposed part of his sun-helmet, held in his hand, and had it perforated.

      “What gun are you using?” he asked with cool politeness.

      “Colt’s,” came the answer.

      Francis stepped boldly into the open, saying: “Then you’re all out. I counted ‘em. Eight. Now we can talk.”

      The stranger stepped out, and Francis could not help admiring the fine figure of him, despite the fact that a dirty pair of canvas pants, a cotton undershirt, and a floppy sombrero constituted his garmenting. Further, it seemed he had previously known him, though it did not enter his mind that he was looking at a replica of himself.

      “Talk!” the stranger sneered, throwing down his pistol and drawing a knife. “Now we’ll just cut off your ears, and maybe scalp you.”

      “Gee! You’re sweet-natured and gentle animals in this neck of the woods,” Francis retorted, his anger and disgust increasing. He drew his own hunting knife, brand new from the shop and shining. “Say, let’s wrestle, and cut out this ten-twenty-and-thirty knife stuff.”

      “I want your ears,” the stranger answered pleasantly, as he slowly advanced.

      “Sure. First down, and the man who wins the fall gets the other fellow’s ears.”

      “Agreed.” The young man in the canvas trousers sheathed his knife.

      “Too bad there isn’t a moving picture camera to film this,” Francis girded, sheathing his own knife. “I’m sore as a boil. I feel like a heap bad Injun. Watch out! I’m coming in a rush! Anyway and everyway for the first fall!”

      Action and word went together, and his glorious rush ended ignominiously, for the stronger, apparently braced for the shock, yielded the instant their bodies met and fell over on his back, at the same time planting his foot in Francis’ abdomen and, from the back purchase on the ground, transforming Francis’ rush into a wild forward somersault.

      The fall on the sand knocked most of Francis’ breath out of him, and the flying body of his foe, impacting on him, managed to do for what little breath was left him. As he lay speechless on his back, he observed the man on top of him gazing down at him with sudden curiosity.

      “What d’ you want to wear a mustache for?” the stranger muttered.

      “Go on and cut ‘em off,” Francis gasped, with the first of his returning breath. “The ears are yours, but the mustache is mine. It is not in the bond. Besides, that fall was straight jiu jiutsu.”

      “You said ‘anyway and everyway for the first fall,’” the other quoted laughingly. “As for your ears, keep them. I never intended to cut them off, and now that I look at them closely the less I want them. Get up and get out of here. I’ve licked you. Vamos! And don’t come sneaking around here again! Git! Scut!”

      In greater disgust than ever, to which was added the humiliation of defeat, Francis turned down to the beach toward his canoe.

      “Say, Little Stranger, do you mind leaving your card?” the victor called after him.

      “Visiting cards and cut-throating don’t go together,” Francis shot back across his shoulder, as he squatted in the canoe and dipped his paddle. “My name’s Morgan.”

      Surprise and startlement were the stranger’s portion, as he opened his mouth to speak, then changed his mind and murmured to himself, “Same stock – no wonder we look alike.”

      Still in the throes of disgust, Francis regained the shore of the Bull, sat down on the edge of the dugout, filled and lighted his pipe, and gloomily meditated. Crazy, everybody, was the run of his thought. Nobody acts with reason. “I’d like to see old Regan try to do business with these people. They’d get his ears.”

      Could he have seen, at that moment, the young man of the canvas pants and of familiar appearance, he would have been certain that naught but lunacy resided in Latin America; for the young man in question, inside a grass-thatched hut in the heart of his island, grinning to himself as he uttered aloud, “I guess I put the fear of God into that particular member of the Morgan family,” had just begun to stare at a photographic reproduction of an oil painting on the wall of the original Sir Henry Morgan.

      “Well, Old Pirate,” he continued grinning, “two of your latest descendants came pretty close to getting each other with automatics that would make your antediluvian horse-pistols look like thirty cents.”

      He bent to a battered and worm-eaten sea-chest, lifted the lid that was monogramed with an “M,” and again addressed the portrait:

      “Well, old pirate Welshman of an ancestor, all you’ve left me is the old duds and a face that looks like yours. And I guess, if I was really fired up, I could play your Port-au-Prince stunt about as well as you played it yourself.”

      A moment later, beginning to dress himself in the age-worn and moth-eaten garments of the chest, he added: “Well, here’s the old duds on my back. Come, Mister Ancestor, down out of your frame, and dare to tell me a point of looks in which we differ.”

      Clad in Sir Henry Morgan’s ancient habiliments, a cutlass strapped on around the middle and two flintlock pistols of huge and ponderous design thrust into his waist-scarf, the resemblance between the living man and the pictured semblance of the old buccaneer who had been long since resolved to dust, was striking.

      “Back to back against the mainmast,

      Held at bay the entire crew…”

      As the young man, picking the strings of a guitar, began to sing the old buccaneer rouse, it seemed to him that the picture of his forebear faded into another picture and that he saw:

      The old forebear himself, back to a mainmast, cutlass out and flashing, facing a semi-circle of fantastically clad sailor cutthroats, while behind him, on the opposite side of the mast, another similarly garbed and accoutred man, with cutlass flashing, faced the other semi-circle of cutthroats that completed the ring about the mast.

      The vivid vision of his fancy was broken by the breaking of a guitar-string which he had thrummed too passionately. And in the sharp pause of silence, it seemed that a fresh vision of old Sir Henry came to him, down out of the frame and beside him, real in all seeming, plucking at his sleeve to lead him out of the hut and whispering a ghostly repetition of:

      “Back to back against the mainmast

      Held at bay the entire crew.”

      The young man obeyed his shadowy guide, or some prompting of his own profound of intuition, and went out the door and down to the beach, where, gazing across the narrow channel, on the beach of the Bull, he saw his late antagonist, backed up against the great boulder of coral rock, standing off an attack of sack-clouted, machete-wielding Indians with wide sweeping strokes of a driftwood timber.

      And Francis, in extremity, swaying dizzily from the blow of a rock on his head, saw the apparition, that almost convinced him he was already dead and in the realm of the shades, of Sir Henry Morgan himself, cutlass in hand, rushing up the beach to his rescue. Further, the apparition, brandishing the cutlass and laying out Indians right and left, was bellowing:

      “Back to back against the mainmast,

      Held at bay the entire crew.”

      As Francis’ knees gave under him and he slowly crumpled and sank down, he saw the Indians scatter and flee before the onslaught of the weird pirate figure and heard their cries of:

      “Heaven help us!” “The Virgin protect us!” “It’s the ghost of old Morgan!”

      Francis next opened his eyes inside the grass hut in the midmost center of the Calf. First, in the glimmering of sight of returning consciousness, he beheld the pictured lineaments of Sir Henry Morgan staring down at him from the wall. Next, it was a younger edition of the same, in three dimensions of living, moving flesh, who thrust a mug of brandy to his lips and bade him drink. Francis was on his feet ere he touched lips to the mug; and both he and the stranger man, moved by