The Works of Edgar Allan Poe — Volume 4. Edgar Allan Poe

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Название The Works of Edgar Allan Poe — Volume 4
Автор произведения Edgar Allan Poe
Жанр Зарубежная классика
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was, that some diabolical treason lay concealed in the hieroglyphics; and there was a general rush to Bullet-head’s residence, for the purpose of riding him on a rail; but that gentleman was nowhere to be found. He had vanished, no one could tell how; and not even the ghost of him has ever been seen since.

      Unable to discover its legitimate object, the popular fury at length subsided; leaving behind it, by way of sediment, quite a medley of opinion about this unhappy affair.

      One gentleman thought the whole an X-ellent joke.

      Another said that, indeed, Bullet-head had shown much X-uberance of fancy.

      A third admitted him X-entric, but no more.

      A fourth could only suppose it the Yankee’s design to X-press, in a general way, his X-asperation.

      ‘Say, rather, to set an X-ample to posterity,’ suggested a fifth.

      That Bullet-head had been driven to an extremity, was clear to all; and in fact, since that editor could not be found, there was some talk about lynching the other one.

      The more common conclusion, however, was that the affair was, simply, X-traordinary and in-X-plicable. Even the town mathematician confessed that he could make nothing of so dark a problem. X, every. body knew, was an unknown quantity; but in this case (as he properly observed), there was an unknown quantity of X.

      The opinion of Bob, the devil (who kept dark about his having ‘X-ed the paragrab’), did not meet with so much attention as I think it deserved, although it was very openly and very fearlessly expressed. He said that, for his part, he had no doubt about the matter at all, that it was a clear case, that Mr. Bullet-head ‘never could be persuaded fur to drink like other folks, but vas continually a-svigging o’ that ere blessed XXX ale, and as a naiteral consekvence, it just puffed him up savage, and made him X (cross) in the X-treme.’

      METZENGERSTEIN

      Pestis eram vivus — moriens tua mors ero.

— Martin Luther

      HORROR and fatality have been stalking abroad in all ages. Why then give a date to this story I have to tell? Let it suffice to say, that at the period of which I speak, there existed, in the interior of Hungary, a settled although hidden belief in the doctrines of the Metempsychosis. Of the doctrines themselves — that is, of their falsity, or of their probability — I say nothing. I assert, however, that much of our incredulity — as La Bruyère says of all our unhappiness — “vient de ne pouvoir être seuls.” {*1}

      But there are some points in the Hungarian superstition which were fast verging to absurdity. They — the Hungarians — differed very essentially from their Eastern authorities. For example, “The soul,” said the former — I give the words of an acute and intelligent Parisian — “ne demeure qu’un seul fois dans un corps sensible: au reste — un cheval, un chien, un homme même, n’est que la ressemblance peu tangible de ces animaux.

      The families of Berlifitzing and Metzengerstein had been at variance for centuries. Never before were two houses so illustrious, mutually embittered by hostility so deadly. The origin of this enmity seems to be found in the words of an ancient prophecy — “A lofty name shall have a fearful fall when, as the rider over his horse, the mortality of Metzengerstein shall triumph over the immortality of Berlifitzing.”

      To be sure the words themselves had little or no meaning. But more trivial causes have given rise — and that no long while ago — to consequences equally eventful. Besides, the estates, which were contiguous, had long exercised a rival influence in the affairs of a busy government. Moreover, near neighbors are seldom friends; and the inhabitants of the Castle Berlifitzing might look, from their lofty buttresses, into the very windows of the palace Metzengerstein. Least of all had the more than feudal magnificence, thus discovered, a tendency to allay the irritable feelings of the less ancient and less wealthy Berlifitzings. What wonder then, that the words, however silly, of that prediction, should have succeeded in setting and keeping at variance two families already predisposed to quarrel by every instigation of hereditary jealousy? The prophecy seemed to imply — if it implied anything — a final triumph on the part of the already more powerful house; and was of course remembered with the more bitter animosity by the weaker and less influential.

      Wilhelm, Count Berlifitzing, although loftily descended, was, at the epoch of this narrative, an infirm and doting old man, remarkable for nothing but an inordinate and inveterate personal antipathy to the family of his rival, and so passionate a love of horses, and of hunting, that neither bodily infirmity, great age, nor mental incapacity, prevented his daily participation in the dangers of the chase.

      Frederick, Baron Metzengerstein, was, on the other hand, not yet of age. His father, the Minister G — , died young. His mother, the Lady Mary, followed him quickly after. Frederick was, at that time, in his fifteenth year. In a city, fifteen years are no long period — a child may be still a child in his third lustrum: but in a wilderness — in so magnificent a wilderness as that old principality, fifteen years have a far deeper meaning.

      From some peculiar circumstances attending the administration of his father, the young Baron, at the decease of the former, entered immediately upon his vast possessions. Such estates were seldom held before by a nobleman of Hungary. His castles were without number. The chief in point of splendor and extent was the “Château Metzengerstein.” The boundary line of his dominions was never clearly defined; but his principal park embraced a circuit of fifty miles.

      Upon the succession of a proprietor so young, with a character so well known, to a fortune so unparalleled, little speculation was afloat in regard to his probable course of conduct. And, indeed, for the space of three days, the behavior of the heir out-heroded Herod, and fairly surpassed the expectations of his most enthusiastic admirers. Shameful debaucheries — flagrant treacheries — unheard-of atrocities — gave his trembling vassals quickly to understand that no servile submission on their part — no punctilios of conscience on his own — were thenceforward to prove any security against the remorseless fangs of a petty Caligula. On the night of the fourth day, the stables of the castle Berlifitzing were discovered to be on fire; and the unanimous opinion of the neighborhood added the crime of the incendiary to the already hideous list of the Baron’s misdemeanors and enormities.

      But during the tumult occasioned by this occurrence, the young nobleman himself sat apparently buried in meditation, in a vast and desolate upper apartment of the family palace of Metzengerstein. The rich although faded tapestry hangings which swung gloomily upon the walls, represented the shadowy and majestic forms of a thousand illustrious ancestors. Here, rich-ermined priests, and pontifical dignitaries, familiarly seated with the autocrat and the sovereign, put a veto on the wishes of a temporal king, or restrained with the fiat of papal supremacy the rebellious sceptre of the Arch-enemy. There, the dark, tall statures of the Princes Metzengerstein — their muscular war-coursers plunging over the carcasses of fallen foes — startled the steadiest nerves with their vigorous expression; and here, again, the voluptuous and swan-like figures of the dames of days gone by, floated away in the mazes of an unreal dance to the strains of imaginary melody.

      But as the Baron listened, or affected to listen, to the gradually increasing uproar in the stables of Berlifitzing — or perhaps pondered upon some more novel, some more decided act of audacity — his eyes became unwittingly rivetted to the figure of an enormous, and unnaturally colored horse, represented in the tapestry as belonging to a Saracen ancestor of the family of his rival. The horse itself, in the foreground of the design, stood motionless and statue-like — while farther back, its discomfited rider perished by the dagger of a Metzengerstein.

      On Frederick’s lip arose a fiendish expression, as he became aware of the direction which his glance had, without his consciousness, assumed. Yet he did not remove it. On the contrary, he could by no means account for the overwhelming anxiety which appeared falling like a pall upon his senses. It was with difficulty that he reconciled his dreamy and incoherent feelings with the certainty of being awake. The longer he gazed the more absorbing became the spell — the more impossible did