To Let. Galsworthy John

divined that he had let the cat out of his bag, for he rode off at once on irony.

      "Spiritualism – queer word, when the more they manifest the more they prove that they've got hold of matter."

      "How?" said Holly.

      "Why! Look at their photographs of auric presences. You must have something material for light and shade to fall on before you can take a photograph. No, it'll end in our calling all matter spirit, or all spirit matter – I don't know which."

      "But don't you believe in survival, Dad?"

      Jolyon had looked at her, and the sad whimsicality of his face impressed her deeply.

      "Well, my dear, I should like to get something out of death. I've been looking into it a bit. But for the life of me I can't find anything that telepathy, subconsciousness, and emanation from the storehouse of this world can't account for just as well. Wish I could! Wishes father thoughts but they don't breed evidence."

      Holly had pressed her lips again to his forehead with a feeling that it confirmed his theory that all matter was becoming spirit – his brow felt somehow so insubstantial.

      But the most poignant memory of that little visit had been watching, unobserved, her stepmother reading to herself a letter from Jon. It was – she decided – the prettiest sight she had ever seen. Irene, lost as it were in the letter of her boy, stood at a window where the light fell on her face and her fine grey hair; her lips were moving, smiling, her dark eyes laughing, dancing, and the hand which did not hold the letter was pressed against her breast. Holly withdrew as from a vision of perfect love, convinced that Jon must be nice.

      When she saw him coming out of the station with a kit-bag in either hand, she was confirmed in her predisposition. He was a little like Jolly, that long-lost idol of her childhood, but eager-looking and less formal, with deeper eyes and brighter-coloured hair, for he wore no hat; altogether a very interesting "little" brother!

      His tentative politeness charmed one who was accustomed to assurance in the youthful manner; he was disturbed because she was to drive him home, instead of his driving her. Shouldn't he have a shot? They hadn't a car at Robin Hill since the war, of course, and he had only driven once, and landed up a bank, so she oughtn't to mind his trying. His laugh, soft and infectious, was very attractive, though that word, she had heard, was now quite old-fashioned. When they reached the house he pulled out a crumpled letter which she read while he was washing – a quite short letter, which must have cost her father many a pang to write.

      "MY DEAR,

      "You and Val will not forget, I trust, that Jon knows nothing of family history. His mother and I think he is too young at present. The boy is very dear, and the apple of her eye. Verbum sapientibus.

      Your loving father, J. F."

      That was all; but it renewed in Holly an uneasy regret that Fleur was coming.

      After tea she fulfilled that promise to herself and took Jon up the hill. They had a long talk, sitting above an old chalk-pit grown over with brambles and goosepenny. Milkwort and liverwort starred the green slope, the larks sang, and thrushes in the brake, and now and then a gull flighting inland would wheel very white against the paling sky, where the vague moon was coming up. Delicious fragrance came to them, as if little invisible creatures were running and treading scent out of the blades of grass.

      Jon, who had fallen silent, said rather suddenly: "I say, this is wonderful! There's no fat on it at all. Gull's flight and sheep-bells – "

      "Gull's flight and sheep-bells! You're a poet, my dear!"

      Jon sighed.

      "Oh, Golly! No go!"

      "Try! I used to at your age."

      "Did you? Mother says 'try' too; but I'm so rotten. Have you any of yours for me to see?"

      "My dear," Holly murmured, "I've been married nineteen years. I only wrote verses when I wanted to be."

      "Oh!" said Jon, and turned over on to his face: the one cheek she could see was a charming colour. Was Jon "touched in the wind," then, as Val would have called it? Already? But, if so, all the better, he would take no notice of young Fleur. Besides, on Monday he would begin his farming. And she smiled. Was it Burns who followed the plough, or only Piers Plowman? Nearly every young man and most young women seemed to be poets nowadays, from the number of their books she had read out in South Africa, importing them from Hatchus and Bumphards; and quite good – oh! quite; much better than she had been herself! But then poetry had only really come in since her day – with motor-cars. Another long talk after dinner over a wood fire in the low hall, and there seemed little left to know about Jon except anything of real importance. Holly parted from him at his bedroom door, having seen twice over that he had everything, with the conviction that she would love him, and Val would like him. He was eager, but did not gush; he was a splendid listener, sympathetic, reticent about himself. He evidently loved their father, and adored his mother. He liked riding, rowing, and fencing, better than games. He saved moths from candles, and couldn't bear spiders, but put them out of doors in screws of paper sooner than kill them. In a word, he was amiable. She went to sleep, thinking that he would suffer horribly if anybody hurt him; but who would hurt him?

      Jon, on the other hand, sat awake at his window with a bit of paper and a pencil, writing his first "real poem" by the light of a candle because there was not enough moon to see by, only enough to make the night seem fluttery and as if engraved on silver. Just the night for Fleur to walk, and turn her eyes, and lead on – over the hills and far away. And Jon, deeply furrowed in his ingenuous brow, made marks on the paper and rubbed them out and wrote them in again, and did all that was necessary for the completion of a work of art; and he had a feeling such as the winds of Spring must have, trying their first songs among the coming blossom. Jon was one of those boys (not many) in whom a home-trained love of beauty had survived school life. He had had to keep it to himself, of course, so that not even the drawing-master knew of it; but it was there, fastidious and clear within him. And his poem seemed to him as lame and stilted as the night was winged. But he kept it all the same. It was a "beast," but better than nothing as an expression of the inexpressible. And he thought with a sort of discomfiture: 'I shan't be able to show it to Mother.' He slept terribly well, when he did sleep, overwhelmed by novelty.

      VII

      FLEUR

      To avoid the awkwardness of questions which could not be answered, all that had been told Jon was: "There's a girl coming down with Val for the week-end."

      For the same reason, all that had been told Fleur was: "We've got a youngster staying with us."

      The two yearlings, as Val called them in his thoughts, met therefore in a manner which for unpreparedness left nothing to be desired. They were thus introduced by Holly:

      "This is Jon, my little brother; Fleur's a cousin of ours, Jon."

      Jon, who was coming in through a French window out of strong sunlight, was so confounded by the providential nature of this miracle, that he had time to hear Fleur say calmly: "Oh, how do you do?" as if he had never seen her, and to understand dimly from the quickest imaginable little movement of her head that he never HAD seen her. He bowed therefore over her hand in an intoxicated manner, and became more silent than the grave. He knew better than to speak. Once in his early life, surprised reading by a night-light, he had said fatuously "I was just turning over the leaves, Mum," and his mother had replied: "Jon, never tell stories, because of your face – nobody will ever believe them."

      The saying had permanently undermined the confidence necessary to the success of spoken untruth. He listened therefore to Fleur's swift and rapt allusions to the jolliness of everything, plied her with scones and jam, and got away as soon as might be. They say that in delirium tremens you see a fixed object, preferably dark, which suddenly changes shape and position. Jon saw the fixed object; it had dark eyes and passably dark hair, and changed its position, but never its shape. The knowledge that between him and that object there was already a secret understanding (however impossible to understand) thrilled him so that he waited feverishly, and began to copy out his poem – which of course he would never dare to show her – till the sound of horses' hoofs roused him, and, leaning from his window,