Another Sheaf. Galsworthy John

his philosophy – of an old tiller of the soil – was as superior to that of emperors and diplomats as his life is superior to theirs. Not very far from that little farm is the spot of all others in that mountain country which most stirs the æsthetic and the speculative strains within one. Lovely and remote, all by itself at the foot of a mountain, in a circle of the hills, an old monastery stands, now used as a farm, with one rose window, like a spider's web, spun delicate in stone tracery. There the old monks had gone to get away from the struggles of the main valley and the surges of the fighting men. There even now were traces of their peaceful life; the fish-ponds and the tillage still kept in cultivation. If they had lived in these days they would have been at the war, fighting or bearing stretchers, like the priests of France, of whom eleven thousand, I am told – untruthfully, I hope – are dead. So the world goes forward – the Kingdom of Heaven comes!

      We were in the town the day that the 1918 class received their preliminary summons. Sad were the mothers watching their boys parading the streets, rosetted and singing to show that they had passed and were ready to be food for cannon. Not one of those boys, I dare say, in his heart wanted to go; they have seen too many of their brethren return war-worn, missed too many who will never come back. But they were no less gay about it than those recruits we saw in the spring of 1913, at Argelès in the Pyrenees, singing along and shouting on the day of their enrolment.

      There were other reminders to us, and to the little town, of the blood-red line drawn across the map of France. We had in our hospital men from the invaded countries without news of wives and families mured up behind that iron veil. Once in a way a tiny word would get through to them, and anxiety would lift a little from their hearts; for a day or two they would smile. One we had, paralysed in the legs, who would sit doing macramé work and playing chess all day long; every relative he had – wife, father, mother, sisters – all were in the power of the German. As brave a nature as one could see in a year's march, touchingly grateful, touchingly cheerful, but with the saddest eyes I ever saw. There was one little reminder in the town whom we could never help going in to look at whenever we passed the shop whose people had given her refuge. A little girl of eight with the most charming, grave, pale, little, grey-eyed face; there she would sit, playing with her doll, watching the customers. That little refugee at all events was beloved and happy; only I think she thought we would kidnap her one day – we stared at her so hard. She had the quality which gives to certain faces the fascination belonging to rare works of art.

      With all this poignant bereavement and long-suffering amongst them it would be odd indeed if the gay and critical French nature did not rebel, and seek some outlet in apathy or bitter criticism. The miracle is that they go on and on holding fast. Easily depressed, and as easily lifted up again, grumble they must and will; but their hearts are not really down to the pitch of their voices; their love of country, which with them is love of self – the deepest of all kinds of patriotism – is too absolute. These two virtues or vices (as you please) – critical faculty and amour propre or vanity, if you prefer it – are in perpetual encounter. The French are at once not at all proud of themselves and very proud. They destroy all things French, themselves included, with their brains and tongues, and exalt the same with their hearts and by their actions. To the reserved English mind, always on the defensive, they seem to give themselves away continually; but he who understands sees it to be all part of that perpetual interplay of opposites which makes up the French character and secures for it in effect a curious vibrating equilibrium. "Intensely alive" is the chief impression one has of the French. They balance between head and heart at top speed in a sort of electric and eternal see-saw. It is this perpetual quick change which gives them, it seems to me, their special grip on actuality; they never fly into the cloud-regions of theories and dreams; their heads have not time before their hearts have intervened, their hearts not time before their heads cry: "Hold!" They apprehend both worlds, but with such rapid alternation that they surrender to neither. Consider how clever and comparatively warm is that cold thing "religion" in France. I remember so well the old curé of our little town coming up to lunch, his interest in the cooking, in the practical matters of our life, and in wider affairs too; his enjoyment of his coffee and cigarette; and the curious suddenness with which something seemed "to come over him" – one could hear his heart saying: "O my people, here am I wasting my time; I must run to you." I saw him in the court-yard talking to one of our poilus, not about his soul, but about his body; stroking his shoulder softly and calling him mon cher fils. Dear old man! Even religion here does not pretend to more than it can achieve – help and consolation to the bewildered and the suffering. It uses forms, smiling a little at them.

      The secret of French culture lies in this vibrating balance; from quick marriage of mind and heart, reason and sense, in the French nature, all the clear created forms of French life arise, forms recognised as forms with definite utility attached. Controlled expression is the result of action and reaction. Controlled expression is the essence of culture, because it alone makes a sufficiently clear appeal in a world which is itself the result of the innumerable interplay of complementary or dual laws and forces. French culture is near to the real heart of things, because it has a sort of quick sanity which never loses its way; or, when it does, very rapidly recovers the middle of the road. It has the two capital defects of its virtues. It is too fond of forms and too mistrustful. The French nature is sane and cynical. Well, it's natural! The French lie just halfway between north and south; their blood is too mingled for enthusiasm, and their culture too old.

      I never realised how old France was till we went to Arles. In our crowded train poilus were packed, standing in the corridors. One very weary, invited by a high and kindly colonel into our carriage, chatted in his tired voice of how wonderfully the women kept the work going on the farms. "When we get a fortnight's leave," he said, "all goes well, we can do the heavy things the women cannot, and the land is made clean. It wants that fortnight now and then, mon colonel; there is work on farms that women cannot do." And the colonel vehemently nodded his thin face. We alighted in the dark among southern forms and voices, and the little hotel omnibus became enmeshed at once in old, high, very narrow, Italian-seeming streets. It was Sunday next day; sunny, with a clear blue sky. In the square before our hotel a simple crowd round the statue of Mistral chattered or listened to a girl singing excruciating songs; a crowd as old-looking as in Italy or Spain, aged as things only are in the South. We walked up to the Arena. Quite a recent development in the life of Arles, they say, that marvellous Roman building, here cut down, there built up, by Saracen hands. For a thousand years or more before the Romans came Arles flourished and was civilised. What had we mushroom islanders before the Romans came? What had barbaric Prussia? Not even the Romans to look forward to! The age-long life of the South stands for much in modern France, correcting the cruder blood which has poured in these last fifteen hundred years. As one blends wine of very old stock with newer brands, so has France been blended and mellowed. A strange cosmic feeling one had, on the top of the great building in that town older than Rome itself, of the continuity of human life and the futility of human conceit. The provincial vanity of modern States looked pitiful in the clear air above that vast stony proof of age.

      In many ways the war has brought us up all standing on the edge of an abyss. When it is over shall we go galloping over the edge, or, reining back, sit awhile in our saddles looking for a better track? We were all on the highway to a hell of material expansion and vulgarity, of cheap immediate profit, and momentary sensation; north and south in our different ways, all "rattling into barbarity." Shall we find our way again into a finer air, where self-respect, not profit, rules, and rare things and durable are made once more?

      From Arles we journeyed to Marseilles, to see how the first cosmopolitan town in the world fared in war-time. Here was an amazing spectacle of swarming life. If France has reason to feel the war most of all the great countries, Marseilles must surely feel it less than any other great town; she flourishes in a perfect riot of movement and colour. Here all the tribes are met, save those of Central Europe – Frenchman, Serb, Spaniard, Algerian, Greek, Arab, Khabyle, Russian, Indian, Italian, Englishman, Scotsman, Jew, and Nubian rub shoulders in the thronged streets. The miles of docks are crammed with ships. Food of all sorts abounds. In the bright, dry light all is gay and busy. The most æsthetic, and perhaps most humiliating, sight that a Westerner could see we came on there: two Arab Spahis walking down the main street in their long robe uniforms, white and red, and their white linen bonnets bound with a dark fur and