For Faith and Freedom. Walter Besant

to him. I must play to him and sing to him; or I must bring out the backgammon board; or I must read the last letters from Robin and Humphrey. Life is dull for an old man whose friends are mostly dead, unless he have the company of the young. So David, in his old age, took to himself a young wife. I have sometimes thought that he would have done better to have comforted his heart with the play and prattle of his grandchildren – of whom, I suppose, there must have been many families.

      Now, as I was so much with his Honour, I had much talk with him upon things on which wise and ancient men do not often converse with girls, and I was often present when he discoursed with my father or with his son-in-law, the Rector, on high and serious matters. It was a time of great anxiety and uncertainty. There were great Pope burnings in the country; and when some were put in pillory for riot at these bonfires not a hand was lifted against them. They had one at Sherborne on November 17, the anniversary of Queen Elizabeth's Coronation day, instead of November 5, Guy Faux Day. Boys went about the streets asking for halfpence and singing —

      Up with the ladder,

      And down with the rope;

      Give us a penny

      To burn the old Pope.

      There were riots in Taunton, where the High Church party burned the pulpit of a meeting-house; people went about openly saying that the Roundheads would soon come back again. From Robin we heard of the Popish plot, and the flight of the Duke of York, and afterwards of Monmouth's disgrace and exile. At all the market towns where men gathered together they talked of these things, and many whispered together: a thing which Sir Christopher loved not, because it spoke of conspiracies and secret plots, whereas he was all for bold declaration of conscience.

      In short, it was an anxious time, and everybody understood that serious things would happen should the King die. There were not wanting, besides, omens of coming ills – if you accept such things as omens or warnings. To Taunton (afterwards the town most affected by the Rebellion) a plain warning was vouchsafed by the rumbling and thundering and shaking of the earth itself, so that dishes were knocked down and cups broken, and plaster shaken off the walls of houses. And once (this did I myself see with my own eyes) the sun rose with four other suns for companions – a most terrifying sight, though Mr. Boscorel, who spoke learnedly on omens, had an explanation of this miracle, which he said was due to natural causes alone. And at Ile Brewers there was a monstrous birth of two girls with but one body from the breast downwards; their names were Aquila and Priscilla; but I believe they lived but a short time.

      I needs must tell of Mr. Boscorel, because he was a man the like of whom I have never since beheld. I believe there can be few men such as he was, who could so readily exchange the world of heat and argument for the calm and dispassionate air of art and music. Even religion (if I may venture to say so) seemed of less importance to him than painting and sculpture. I have said that he taught me to play upon the spinnet. Now that Humphrey was gone, he desired my company every day, in order, he pretended, that I might grow perfect in my performance, but in reality because he was lonely at the Rectory, and found pleasure in my company. We played together – he upon the violoncello and I upon the spinnet – such music as he chose. It was sometimes grave and solemn music, such as Lulli's 'Miserere' or his 'De Profundis'; sometimes it was some part of a Roman Catholic Mass: then was my soul uplifted and wafted heavenwards by the chords, which seemed prayer and praise fit for the angels to harp before the throne. Sometimes it was music which spoke of human passions, when I would be, in like manner, carried out of myself. My master would watch not only my execution, commenting or correcting, but he would also watch the effect of the music upon my mind.

      'We are ourselves,' he said, 'like unto the instruments upon which we play. For as one kind of instrument, as the drum, produces but one note; and another, as the cymbals, but a clashing which is in itself discordant, but made effective in a band; so others are, like the most delicate and sensitive violins – those of Cremona – capable of producing the finest music that the soul of man hath ever devised. It is by such music, child, that some of us mount unto heaven. As for me, indeed, I daily feel more and more that music leadeth the soul upward, and that, as regards the disputations on the Word of God, the letter indeed killeth, but the spirit which music helpeth us to feel – the spirit, I say, giveth life.' He sighed, and drew his bow gently across the first string of his violoncello. ''Tis a time of angry argument. The Word of God is thrown from one to the other as a pebble is shot from a sling. It wearies me. In this room, among these books of music, my soul finds rest, and the spiritual part of me is lifted heavenwards. Humphrey and you, my dear, alone can comprehend this saying. Thou hast a mind like his, to feel and understand what music means. Listen!' Here he executed a piece of music at which the tears rose to my eyes. 'That is from the Romish Mass which we are taught ignorantly to despise. My child, I am, indeed, no Catholic, and I hold that ours is the purer Church; yet, in losing the Mass, we have lost the great music with which the Catholics sustain their souls. Some of our anthems, truly, are good; but what is a single anthem, finished in ten minutes, compared with a grand Mass which lasts three hours?'

      Then he had portfolios filled with engravings, which he would bring forth and contemplate with a kind of rapture, discoursing upon the engraver's art and its difficulties, so that I should not, as is the case with ignorant persons, suppose that these things were produced without much training and skill. He had also boxes full of coins, medals, and transparent gems carved most delicately with heathen gods and goddesses, shepherds and swains, after the ancient fashion, unclothed and unashamed. On these things he would gaze with admiration which he tried to teach me, but could not succeed, because I cannot believe that we may without blame look upon such figures. Nevertheless, they were most beautiful, the hands and faces and the very hair so delicately and exquisitely carved that you could hardly believe it possible. And he talked solemnly and scholarly of these gauds, as if they were things which peculiarly deserved the attention of wise and learned men. Nay, he would be even lifted out of himself in considering them.

      'Child,' he said, 'we know not, and we cannot even guess, the wonders of art that in heaven we shall learn to accomplish' – as if carving and painting were the occupation of angels! – 'or the miracles of beauty and of dexterity that we shall be able to design and execute. Here, the hand is clumsy and the brain is dull; we cannot rise above ourselves; we are blind to the beauty with which the Lord hath filled the earth for the solace of human creatures. Nay; we are not even tender with the beauty that we see and love. We suffer maidens sweet as the dreams of poets to waste their beauty unpraised and unsung. I am old, child, or I would praise thee in immortal verse. Much I fear that thou wilt grow old without the praise of sweet numbers. Well; there is no doubt more lasting beauty of face and figure hereafter to joy the souls of the elect. And thou wilt make his happiness for one man on earth. Pray Heaven, sweet child, that he look also to thine!'

      He would say such things with so grand an air, speaking as if his words should command respect, and with so kindly an eye and a soft smile, while he gently stroked the side of his nose, which was long, that I was always carried away with the authority of it, and not till after I left him did I begin to perceive that my father would certainly never allow that the elect should occupy themselves with the frivolous pursuits of painting and the fine arts, but only with the playing of their harps and the singing of praises. It was this consideration which caused him to consent that his daughter should learn the spinnet. I did not tell him (God forgive me for the deceit, if there was any!) that we sometimes played music written for the Mass; nor did I repeat what Mr. Boscorel said concerning art and the flinging about of the Word of God, because my father was wholly occupied in controversy, and his principal, if not his only, weapon was the Word of God.

      Another pleasure which we had was to follow Humphrey in his travels by the aid of his letters and a 'Mappa Mundi,' or atlas, which the Rector possessed. Then I remember when we heard that the boys were about to ride together through France, from Montpellier to Leyden in Holland, we had on the table the great map of France. There were many drawings, coats-of-arms, and other pretty things on the map.

      'It is now,' said Mr. Boscorel, finding out the place he wanted, and keeping his forefinger upon it, 'nearly thirty years since I made the grand tour, being then governor to the young Lord Silchester, who afterwards died of the Plague in London. Else had I been now a Bishop, who am forgotten in this little place. The boys will ride, I take it, by the same road which