Louis XIV. Abbott John Stevens Cabot

of Christina consisted of a skirt of gray silk, trimmed with gold and silver lace, with a bodice of gold-colored camlet trimmed like the skirt. She wore a kerchief of Genoa point about her neck, fastened with a knot of white ribbon. A light wig concealed her natural hair. Her hat was profusely decorated with white plumes. She looked, upon the whole, Mademoiselle thought, like a handsome boy.

      Mademoiselle, accustomed to the rigid propriety of the French court, was not a little surprised to hear Christina, during the comedy, interlard her conversation with hearty oaths, with all the volubility of an old guardsman. She flung about her legs in the most astonishing manner, throwing them over the arms of her chair, and placing herself in attitudes quite unprecedented in Parisian circles.

      Christina returns to Sweden.

      Outbreak of Christina.

      Soon after this, this Amazonian princess returned by a circuitous route to her Northern home. Before taking leave of her, it may be well to remark that subsequently Christina made a second visit to France uninvited – not only uninvited, but very unwelcome. She took possession of the palace of Fontainebleau with her attendants, where with cold courtesy she was tolerated. In a freak of passion, she accused her grand equerry, M. Monaldeschi, of high treason, and actually put him to death. So high-handed an outrage, even in those days of feudal barbarism, excited throughout France a universal feeling of disgust and indignation. The sentiment was so strong and general that the king deemed it necessary to send her a letter through his minister, Mazarin, expressive of his extreme displeasure.

      Christina, much exasperated, sent a reply containing the following expressions:

      Letter to Cardinal Mazarin.

      "Mr. Mazarin, – Those who acquainted you with the details regarding Monaldeschi, my equerry, were very ill informed. Your proceeding ought not, however, to astonish me, silly as it is. But I should never have believed that either you or your haughty young master would have dared to exhibit the least resentment toward me. Learn all of you, valets and masters, little and great, that it was my pleasure to act as I did; that I need not, and I will not account for my actions to any one in the world, and particularly to bullies of your description. I wish you to know, and to say to all who will hear it, that Christina cares very little about your court, and still less about yourself; and that, in order to revenge my wrongs, I do not require to have recourse to your formidable power. Believe me, therefore, Jules,6 you had better conduct yourself in a manner to deserve my favor, which you can not study too much to secure. God preserve you from ever risking the least indiscreet remark upon my person. Although at the end of the earth, I shall be informed of your plots. I have friends and courtiers in my service who are as clever and far-sighted as yours, although they are not so well paid.

"Christina."

      Soon after this her Swedish majesty disappeared from France, to the great relief of the court, and was seen there no more.

      Count de Soissons.

      Olympia Mancini had ever increasing evidence that the love of the king for her was but a frivolous and heartless passion. The Count de Soissons, of Savoy, a young prince who had just become the head of his house, visited the court of Louis XIV. The marvelous beauty of Olympia, at first glance, won his heart. He was young, handsome, chivalric, high-born, and was just entering upon a magnificent inheritance. Olympia had recently lost by death a mother whom she greatly revered, and a beloved sister. She was overwhelmed with grief. The entire want of sympathy manifested by the king shocked her. He thought of nothing but his own personal pleasure. Regardless of the grief of Olympia, he exhibited himself, evening after evening, in court theatricals, emulating the agility of an opera-dancer, and attired in spangled robes.

      Marriage of Olympia Mancini.

      Mademoiselle d'Argencourt.

      Wounded and irritated by such conduct, Olympia accepted the proffered hand of the Count de Soissons, who was grandson of Charles V. The marriage was attended with great splendor at the palace of the Louvre. All the court was present. The king himself seemed not at all discomposed that another should marry the beautiful maiden whom he had professed so ardently to love. Indeed, he was already beginning to transfer his attentions to Mademoiselle d'Argencourt, a queenly beauty of the high family of Conti. Her figure was perfect, her manners were courtly in the highest degree, and all who approached her were charmed with her conversational vivacity and tact.

      But Mademoiselle's affections were already engaged, and, being fully aware that the king flitted from beauty to beauty, like the butterfly from flower to flower, she very frankly intimated to the king that she could not receive his attentions. Louis was heart-broken; for such fragile hearts are easily broken and as easily repaired. He hastened to his mother, and told her that he must leave Paris to conquer his passion. The love-sick monarch retired to Vincennes, spent ten days there, and returned quite cured.

      The Pope's choir.

      The marriage of Olympia, as we have mentioned, was celebrated with very great brilliance. The ambitious cardinal, in heart disappointed that he had not been able to confer the hand of Olympia on the king, was increasingly desirous of investing the members of his family with all possible éclat. He had imported for the occasion the principal members of the Pope's choir. These wonderful vocalists from the Sistine Chapel astonished the French court with melody and harmony such as had never been heard in the Louvre before.

      Mary Mancini.

      Olympia had a younger sister, Mary, fifteen years of age. She had come from her school in a convent to witness the marriage festivities. The music and the impressive scene affected the artless child deeply, and her tears flowed freely. The king, surrounded by the brilliant beauties of his court, accidentally caught sight of this child. Though not beautiful, there was something in her unaffected attitude, her tears, her entire absorption in the scene, which arrested his attention.

      Description of Mary Mancini.

      Mary had early developed so bold, independent, and self-reliant a spirit as to induce her father, on his death-bed, to entreat Madame de Mancini to compel her to take the veil. In compliance with this injunction, Mary had been placed in a convent until she should attain the fitting age to assume the irrevocable vows. Thus trained in seclusion, and with no ambitious aspirations, she had acquired a character of perfect simplicity, and her countenance bore an expression of intelligence and sensibility far more attractive than ordinary beauty. A contemporaneous writer says,

      "Her movements, her manners, and all the bearing of her person were the result of a nature guided by grace. Her look was tender, the accents of her voice were enchanting. Her genius was great, substantial, and extensive, and capable of the grandest conceptions. She wrote both good prose and pleasing poetry; and Mary Mancini, who shone in a courtly letter, was equally capable of producing a political or state dispatch. She would not have been unworthy of the throne if among us great merit had been entitled to obtain it."

      The king inquired her name. Upon learning that she was a niece of the cardinal, and a sister of Olympia, he desired that she might be presented to him.

      Mary Mancini becomes a member of the court.

      Mary was an enthusiast. The young king was very handsome, very courtly, and a perfect master of all the phrases of gallantry. Mary fell in love with him, without knowing it, at first sight. It was not the monarch which had won her, but the man, of exquisitely symmetrical proportions, so princely in his bearing, so fascinating in his address. The young schoolgirl returned to her convent with the image of the king indelibly engraven on her heart. The few words which passed between them interested the king, for every word she said bore the impress of her genius. Ere long she was added to the ladies of the queen's household.

      The king, having closed his flirtation with Mademoiselle d'Argencourt, found himself almost insensibly drawn to Mary Mancini. Though there were many in his court more beautiful in person, there were none who could rival her in intellect and wit. Though naturally timid, her reserve disappeared when in his presence. Though ever approaching him with the utmost possible deference and respect, she conversed with him with a frankness to which he was entirely unaccustomed, and which, at the same time, surprised and charmed him.

      Her

6

Jules, the Christian name of Mazarin.