The Good Soldier. Ford Ford Madox

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Название The Good Soldier
Автор произведения Ford Ford Madox
Жанр Зарубежная классика
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Издательство Зарубежная классика
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so fair! Yes, Leonora was extraordinarily fair and so extraordinarily the real thing that she seemed too good to be true. You don't, I mean, as a rule, get it all so superlatively together. To be the county family, to look the county family, to be so appropriately and perfectly wealthy; to be so perfect in manner – even just to the saving touch of insolence that seems to be necessary. To have all that and to be all that! No, it was too good to be true. And yet, only this afternoon, talking over the whole matter she said to me: "Once I tried to have a lover but I was so sick at the heart, so utterly worn out that I had to send him away." That struck me as the most amazing thing I had ever heard. She said "I was actually in a man's arms. Such a nice chap! Such a dear fellow! And I was saying to myself, fiercely, hissing it between my teeth, as they say in novels – and really clenching them together: I was saying to myself: 'Now, I'm in for it and I'll really have a good time for once in my life – for once in my life!' It was in the dark, in a carriage, coming back from a hunt ball. Eleven miles we had to drive! And then suddenly the bitterness of the endless poverty, of the endless acting – it fell on me like a blight, it spoilt everything. Yes, I had to realize that I had been spoilt even for the good time when it came. And I burst out crying and I cried and I cried for the whole eleven miles. Just imagine me crying! And just imagine me making a fool of the poor dear chap like that. It certainly wasn't playing the game, was it now?"

      I don't know; I don't know; was that last remark of hers the remark of a harlot, or is it what every decent woman, county family or not county family, thinks at the bottom of her heart? Or thinks all the time for the matter of that? Who knows?

      Yet, if one doesn't know that at this hour and day, at this pitch of civilization to which we have attained, after all the preachings of all the moralists, and all the teachings of all the mothers to all the daughters in saecula saeculorum… but perhaps that is what all mothers teach all daughters, not with lips but with the eyes, or with heart whispering to heart. And, if one doesn't know as much as that about the first thing in the world, what does one know and why is one here?

      I asked Mrs Ashburnham whether she had told Florence that and what Florence had said and she answered: – "Florence didn't offer any comment at all. What could she say? There wasn't anything to be said. With the grinding poverty we had to put up with to keep up appearances, and the way the poverty came about – you know what I mean – any woman would have been justified in taking a lover and presents too. Florence once said about a very similar position – she was a little too well-bred, too American, to talk about mine – that it was a case of perfectly open riding and the woman could just act on the spur of the moment. She said it in American of course, but that was the sense of it. I think her actual words were: 'That it was up to her to take it or leave it…'"

      I don't want you to think that I am writing Teddy Ashburnham down a brute. I don't believe he was. God knows, perhaps all men are like that. For as I've said what do I know even of the smoking-room? Fellows come in and tell the most extraordinarily gross stories – so gross that they will positively give you a pain. And yet they'd be offended if you suggested that they weren't the sort of person you could trust your wife alone with. And very likely they'd be quite properly offended – that is if you can trust anybody alone with anybody. But that sort of fellow obviously takes more delight in listening to or in telling gross stories – more delight than in anything else in the world. They'll hunt languidly and dress languidly and dine languidly and work without enthusiasm and find it a bore to carry on three minutes' conversation about anything whatever and yet, when the other sort of conversation begins, they'll laugh and wake up and throw themselves about in their chairs. Then, if they so delight in the narration, how is it possible that they can be offended – and properly offended – at the suggestion that they might make attempts upon your wife's honour? Or again: Edward Ashburnham was the cleanest looking sort of chap; – an excellent magistrate, a first rate soldier, one of the best landlords, so they said, in Hampshire, England. To the poor and to hopeless drunkards, as I myself have witnessed, he was like a painstaking guardian. And he never told a story that couldn't have gone into the columns of the Field more than once or twice in all the nine years of my knowing him. He didn't even like hearing them; he would fidget and get up and go out to buy a cigar or something of that sort. You would have said that he was just exactly the sort of chap that you could have trusted your wife with. And I trusted mine and it was madness. And yet again you have me. If poor Edward was dangerous because of the chastity of his expressions – and they say that is always the hall-mark of a libertine – what about myself? For I solemnly avow that not only have I never so much as hinted at an impropriety in my conversation in the whole of my days; and more than that, I will vouch for the cleanness of my thoughts and the absolute chastity of my life. At what, then, does it all work out? Is the whole thing a folly and a mockery? Am I no better than a eunuch or is the proper man – the man with the right to existence – a raging stallion forever neighing after his neighbour's womankind?

      I don't know. And there is nothing to guide us. And if everything is so nebulous about a matter so elementary as the morals of sex, what is there to guide us in the more subtle morality of all other personal contacts, associations, and activities? Or are we meant to act on impulse alone? It is all a darkness.

      II

      I DON'T know how it is best to put this thing down – whether it would be better to try and tell the story from the beginning, as if it were a story; or whether to tell it from this distance of time, as it reached me from the lips of Leonora or from those of Edward himself.

      So I shall just imagine myself for a fortnight or so at one side of the fireplace of a country cottage, with a sympathetic soul opposite me. And I shall go on talking, in a low voice while the sea sounds in the distance and overhead the great black flood of wind polishes the bright stars. From time to time we shall get up and go to the door and look out at the great moon and say: "Why, it is nearly as bright as in Provence!" And then we shall come back to the fireside, with just the touch of a sigh because we are not in that Provence where even the saddest stories are gay. Consider the lamentable history of Peire Vidal. Two years ago Florence and I motored from Biarritz to Las Tours, which is in the Black Mountains. In the middle of a tortuous valley there rises up an immense pinnacle and on the pinnacle are four castles – Las Tours, the Towers. And the immense mistral blew down that valley which was the way from France into Provence so that the silver grey olive leaves appeared like hair flying in the wind, and the tufts of rosemary crept into the iron rocks that they might not be torn up by the roots.

      It was, of course, poor dear Florence who wanted to go to Las Tours. You are to imagine that, however much her bright personality came from Stamford, Connecticut, she was yet a graduate of Poughkeepsie. I never could imagine how she did it – the queer, chattery person that she was. With the far-away look in her eyes – which wasn't, however, in the least romantic – I mean that she didn't look as if she were seeing poetic dreams, or looking through you, for she hardly ever did look at you! – holding up one hand as if she wished to silence any objection – or any comment for the matter of that – she would talk. She would talk about William the Silent, about Gustave the Loquacious, about Paris frocks, about how the poor dressed in 1337, about Fantin-Latour, about the Paris-Lyons-Mediterranée train-deluxe, about whether it would be worth while to get off at Tarascon and go across the windswept suspension-bridge, over the Rhone to take another look at Beaucaire.

      We never did take another look at Beaucaire, of course – beautiful Beaucaire, with the high, triangular white tower, that looked as thin as a needle and as tall as the Flatiron, between Fifth and Broadway – Beaucaire with the grey walls on the top of the pinnacle surrounding an acre and a half of blue irises, beneath the tallness of the stone pines, What a beautiful thing the stone pine is!..

      No, we never did go back anywhere. Not to Heidelberg, not to Hamelin, not to Verona, not to Mont Majour – not so much as to Carcassonne itself. We talked of it, of course, but I guess Florence got all she wanted out of one look at a place. She had the seeing eye.

      I haven't, unfortunately, so that the world is full of places to which I want to return – towns with the blinding white sun upon them; stone pines against the blue of the sky; corners of gables, all carved and painted with stags and scarlet flowers and crowstepped gables with the little saint at the top; and grey and pink palazzi and walled towns a mile or so back from the sea, on the Mediterranean, between Leghorn