The Death Shot: A Story Retold. Reid Mayne

have made much sacrifice in the cause of negro emancipation – this about Darke may seem strange. It is, notwithstanding, a common tale; one which no traveller through the Southern States can help hearing. For the Southerner will not fail to tell him, that the hardest task-master to the slave is either one, who has been himself a slave, or descended from the Pilgrim Fathers, whose feet first touched American soil by the side of Plymouth Rock!

      Having a respect for many traits in the character of these same Pilgrim Fathers, I would fain think the accusation exaggerated – if not altogether untrue – and that Ephraim Darke was an exceptional individual.

      To accuse him of inhumanity was no exaggeration whatever. Throughout the Mississippi valley there could be nothing more heartless than his treatment of the sable helots, whose luckless lot it was to have him for a master. Around his courts, and in his cotton-fields, the crack of the whip was heard habitually – its thong sharply felt by the victims of his caprice, or malice. The “cowhide” was constantly carried by himself, and his overseer. He had a son, too, who could wield it wickedly as either. None of the three ever went abroad without that pliant, painted, switch – a very emblem of devilish cruelty – in their hands; never returned home, without having used it in the castigation of some unfortunate “darkey,” whose evil star had caused him to stray across their track, while riding the rounds of the plantation.

      A far different discipline was that of Colonel Armstrong; whose slaves seldom went to bed without a prayer poured forth, concluding with: “God bress de good massr;” while the poor whipped bondsmen of his neighbour, their backs oft smarting from the lash, nightly lay down, not always to sleep, but nearly always with curses on their lips – the name of the Devil coupled with that of Ephraim Darke.

      The old story, of like cause followed by like result, must, alas! be chronicled in this case. The man of the Devil prospered, while he of God came to grief. Armstrong, open-hearted, free-handed, indulging in a too profuse hospitality, lived widely outside the income accruing from the culture of his cotton-fields, and in time became the debtor of Darke, who lived as widely within his.

      Notwithstanding the proximity of their estates, there was but little intimacy, and less friendship, between the two. The Virginian – scion of an old Scotch family, who had been gentry in the colonial times – felt something akin to contempt for his New England neighbour, whose ancestors had been steerage passengers in the famed “Mayflower.” False pride, perhaps, but natural to a citizen of the Old Dominion – of late years brought low enough.

      Still, not much of this influenced the conduct of Armstrong. For his dislike to Darke he had a better, and more honourable, reason – the bad behaviour of the latter. This, notorious throughout the community, made for the Massachusetts man many enemies; while in the noble mind of the Mississippian it produced positive aversion.

      Under these circumstances, it may seem strange there should be any intercourse, or relationship, between the two men. But there was – that of debtor and creditor – a lien not always conferring friendship. Notwithstanding his dislike, the proud Southerner had not been above accepting a loan from the despised Northern, which the latter was but too eager to extend. The Massachusetts man had long coveted the Mississippian’s fine estate; not alone from its tempting contiguity, but also because it looked like a ripe pear that must soon fall from the tree. With secret satisfaction he had observed the wasteful extravagance of its owner; a satisfaction increased on discovering the latter’s impecuniosity. It became joy, almost openly exhibited, on the day when Colonel Armstrong came to him requesting a loan of twenty thousand dollars; which he consented to give, with an alacrity that would have appeared suspicious to any but a borrower.

      If he gave the money in great glee, still greater was that with which he contemplated the mortgage deed taken in exchange. For he knew it to be the first entering of a wedge, that in due time would ensure him possession of the fee-simple. All the surer, from a condition in that particular deed: Foreclosure, without time. Pressure from other quarters had forced planter Armstrong to accept these terrible terms.

      As, Darke, before locking it up in his drawer, glanced the document over, his eyes scintillating with the glare of greed triumphant, he said to himself, “This day’s work has doubled the area of my acres, and the number of my niggers. Armstrong’s land, his slaves, his houses, – everything he has, will soon be mine!”

      Chapter Two.

      A flat refusal

      Two years have elapsed since Ephraim Darke became the creditor of Archibald Armstrong. Apparently, no great change has taken place in the relationship between the two men, though in reality much.

      The twenty thousand dollars’ loan has been long ago dissipated, and the borrower is once more in need.

      It would be useless, idle, for him to seek a second mortgage in the same quarter; or in any other, since he can show no collateral. His property has been nearly all hypothecated in the deed to Darke; who perceives his long-cherished dream on the eve of becoming a reality. At any hour he may cause foreclosure, turn Colonel Armstrong out of his estate, and enter upon possession.

      Why does he not take advantage of the power, with which the legal code of the United States, as that existing all over the world, provides him?

      There is a reason for his not doing so, wide apart from any motive of mercy, or humanity. Or of friendship either, though something erroneously considered akin to it. Love hinders him from pouncing on the plantation of Archibald Armstrong, and appropriating it!

      Not love in his own breast, long ago steeled against such a trifling affection. There only avarice has a home; cupidity keeping house, and looking carefully after the expenses.

      But there is a spendthrift who has also a shelter in Ephraim Darke’s heart – one who does much to thwart his designs, oft-times defeating them. As already said, he has a son, by name Richard; better known throughout the settlement as “Dick” – abbreviations of nomenclature being almost universal in the South-Western States. An only son – only child as well – motherless too – she who bore him having been buried long before the Massachusetts man planted his roof-tree in the soil of Mississippi. A hopeful scion he, showing no improvement on the paternal stock. Rather the reverse; for the grasping avarice, supposed to be characteristic of the Yankee, is not improved by admixture with the reckless looseness alleged to be habitual in the Southerner.

      Both these bad qualities have been developed in Dick Darke, each to its extreme. Never was New Englander more secretive and crafty; never Mississippian more loose, or licentious.

      Mean in the matter of personal expenditure, he is at the same time of dissipated and disorderly habits; the associate of the poker-playing, and cock-fighting, fraternity of the neighbourhood; one of its wildest spirits, without any of those generous traits oft coupled with such a character.

      As only son, he is heir-presumptive to all the father’s property – slaves and plantation lands; and, being thoroughly in his father’s confidence, he is aware of the probability of a proximate reversion to the slaves and plantation lands belonging to Colonel Armstrong.

      But much as Dick Darke may like money, there is that he likes more, even to covetousness – Colonel Armstrong’s daughter. There are two of them – Helen and Jessie – both grown girls, – motherless too – for the colonel is himself a widower.

      Jessie, the younger, is bright-haired, of blooming complexion, merry to madness; in spirit, the personification of a romping elf; in physique, a sort of Hebe. Helen, on the other hand, is dark as gipsy, or Jewess; stately as a queen, with the proud grandeur of Juno. Her features of regular classic type, form tall and magnificently moulded, amidst others she appears as a palm rising above the commoner trees of the forest. Ever since her coming out in society, she has been universally esteemed the beauty of the neighbourhood – as belle in the balls of Natchez. It is to her Richard Darke has extended his homage, and surrendered his heart.

      He is in love with her, as much as his selfish nature will allow – perhaps the only unselfish passion ever felt by him.

      His father sanctions, or at all events does not oppose it. For the wicked son holds a wonderful ascendancy over a parent, who has trained him to wickedness equalling his own.

      With