Phaedo. Платон

by the bodily appetites, cannot attain to this abstraction. In her fear of the world below she lingers about the sepulchre, loath to leave the body which she loved, a ghostly apparition, saturated with sense, and therefore visible. At length entering into some animal of a nature congenial to her former life of sensuality or violence, she takes the form of an ass, a wolf or a kite. And of these earthly souls the happiest are those who have practised virtue without philosophy; they are allowed to pass into gentle and social natures, such as bees and ants. (Compare Republic, Meno.) But only the philosopher who departs pure is permitted to enter the company of the gods. (Compare Phaedrus.) This is the reason why he abstains from fleshly lusts, and not because he fears loss or disgrace, which is the motive of other men. He too has been a captive, and the willing agent of his own captivity. But philosophy has spoken to him, and he has heard her voice; she has gently entreated him, and brought him out of the 'miry clay,' and purged away the mists of passion and the illusions of sense which envelope him; his soul has escaped from the influence of pleasures and pains, which are like nails fastening her to the body. To that prison-house she will not return; and therefore she abstains from bodily pleasures – not from a desire of having more or greater ones, but because she knows that only when calm and free from the dominion of the body can she behold the light of truth.

      Simmias and Cebes remain in doubt; but they are unwilling to raise objections at such a time. Socrates wonders at their reluctance. Let them regard him rather as the swan, who, having sung the praises of Apollo all his life long, sings at his death more lustily than ever. Simmias acknowledges that there is cowardice in not probing truth to the bottom. 'And if truth divine and inspired is not to be had, then let a man take the best of human notions, and upon this frail bark let him sail through life.' He proceeds to state his difficulty: It has been argued that the soul is invisible and incorporeal, and therefore immortal, and prior to the body. But is not the soul acknowledged to be a harmony, and has she not the same relation to the body, as the harmony – which like her is invisible – has to the lyre? And yet the harmony does not survive the lyre. Cebes has also an objection, which like Simmias he expresses in a figure. He is willing to admit that the soul is more lasting than the body. But the more lasting nature of the soul does not prove her immortality; for after having worn out many bodies in a single life, and many more in successive births and deaths, she may at last perish, or, as Socrates afterwards restates the objection, the very act of birth may be the beginning of her death, and her last body may survive her, just as the coat of an old weaver is left behind him after he is dead, although a man is more lasting than his coat. And he who would prove the immortality of the soul, must prove not only that the soul outlives one or many bodies, but that she outlives them all.

      The audience, like the chorus in a play, for a moment interpret the feelings of the actors; there is a temporary depression, and then the enquiry is resumed. It is a melancholy reflection that arguments, like men, are apt to be deceivers; and those who have been often deceived become distrustful both of arguments and of friends. But this unfortunate experience should not make us either haters of men or haters of arguments. The want of health and truth is not in the argument, but in ourselves. Socrates, who is about to die, is sensible of his own weakness; he desires to be impartial, but he cannot help feeling that he has too great an interest in the truth of the argument. And therefore he would have his friends examine and refute him, if they think that he is in error.

      At his request Simmias and Cebes repeat their objections. They do not go to the length of denying the pre-existence of ideas. Simmias is of opinion that the soul is a harmony of the body. But the admission of the pre-existence of ideas, and therefore of the soul, is at variance with this. (Compare a parallel difficulty in Theaet.) For a harmony is an effect, whereas the soul is not an effect, but a cause; a harmony follows, but the soul leads; a harmony admits of degrees, and the soul has no degrees. Again, upon the supposition that the soul is a harmony, why is one soul better than another? Are they more or less harmonized, or is there one harmony within another? But the soul does not admit of degrees, and cannot therefore be more or less harmonized. Further, the soul is often engaged in resisting the affections of the body, as Homer describes Odysseus 'rebuking his heart.' Could he have written this under the idea that the soul is a harmony of the body? Nay rather, are we not contradicting Homer and ourselves in affirming anything of the sort?

      The goddess Harmonia, as Socrates playfully terms the argument of Simmias, has been happily disposed of; and now an answer has to be given to the Theban Cadmus. Socrates recapitulates the argument of Cebes, which, as he remarks, involves the whole question of natural growth or causation; about this he proposes to narrate his own mental experience. When he was young he had puzzled himself with physics: he had enquired into the growth and decay of animals, and the origin of thought, until at last he began to doubt the self-evident fact that growth is the result of eating and drinking; and so he arrived at the conclusion that he was not meant for such enquiries. Nor was he less perplexed with notions of comparison and number. At first he had imagined himself to understand differences of greater and less, and to know that ten is two more than eight, and the like. But now those very notions appeared to him to contain a contradiction. For how can one be divided into two? Or two be compounded into one? These are difficulties which Socrates cannot answer. Of generation and destruction he knows nothing. But he has a confused notion of another method in which matters of this sort are to be investigated. (Compare Republic; Charm.)

      Then he heard some one reading out of a book of Anaxagoras, that mind is the cause of all things. And he said to himself: If mind is the cause of all things, surely mind must dispose them all for the best. The new teacher will show me this 'order of the best' in man and nature. How great had been his hopes and how great his disappointment! For he found that his new friend was anything but consistent in his use of mind as a cause, and that he soon introduced winds, waters, and other eccentric notions. (Compare Arist. Metaph.) It was as if a person had said that Socrates is sitting here because he is made up of bones and muscles, instead of telling the true reason – that he is here because the Athenians have thought good to sentence him to death, and he has thought good to await his sentence. Had his bones and muscles been left by him to their own ideas of right, they would long ago have taken themselves off. But surely there is a great confusion of the cause and condition in all this. And this confusion also leads people into all sorts of erroneous theories about the position and motions of the earth. None of them know how much stronger than any Atlas is the power of the best. But this 'best' is still undiscovered; and in enquiring after the cause, we can only hope to attain the second best.

      Now there is a danger in the contemplation of the nature of things, as there is a danger in looking at the sun during an eclipse, unless the precaution is taken of looking only at the image reflected in the water, or in a glass. (Compare Laws; Republic.) 'I was afraid,' says Socrates, 'that I might injure the eye of the soul. I thought that I had better return to the old and safe method of ideas. Though I do not mean to say that he who contemplates existence through the medium of ideas sees only through a glass darkly, any more than he who contemplates actual effects.'

      If the existence of ideas is granted to him, Socrates is of opinion that he will then have no difficulty in proving the immortality of the soul. He will only ask for a further admission: – that beauty is the cause of the beautiful, greatness the cause of the great, smallness of the small, and so on of other things. This is a safe and simple answer, which escapes the contradictions of greater and less (greater by reason of that which is smaller!), of addition and subtraction, and the other difficulties of relation. These subtleties he is for leaving to wiser heads than his own; he prefers to test ideas by the consistency of their consequences, and, if asked to give an account of them, goes back to some higher idea or hypothesis which appears to him to be the best, until at last he arrives at a resting-place. (Republic; Phil.)

      The doctrine of ideas, which has long ago received the assent of the Socratic circle, is now affirmed by the Phliasian auditor to command the assent of any man of sense. The narrative is continued; Socrates is desirous of explaining how opposite ideas may appear to co-exist but do not really co-exist in the same thing or person. For example, Simmias may be said to have greatness and also smallness, because he is greater than Socrates and less than Phaedo. And yet Simmias is not really great and also small, but only when compared to Phaedo and Socrates. I use the illustration, says Socrates, because I want to show you not only that ideal opposites exclude one another, but also the opposites in us. I, for example, having the