The Streets of Ascalon. Chambers Robert William

meditating under his mask, cross-legged, twirling his sword, the crash of the floor orchestra dinning in his close-set ears.

      "Yes," he said without resentment, "I've endured my share. That's one reason why I don't want to let several years of humiliation go for nothing. I've earned whatever place I have. And I mean to keep it."

      Westguard turned on him half angrily, hesitated, then remained silent. What was the use? If Quarren had not been guilty of actually fawning, toadying, currying favour, he had certainly permitted himself to be rudely used. He had learned very thoroughly his art in the school of the courtier – learned how and when to be blind, silent, deaf; how to offer, how to yield, when and how to demand and exact. Which, to Westguard, meant the prostitution of intelligence. And he loathed the game like a man who is free to play it if he cares to. Of those who are denied participation, few really hate it.

      But he said nothing more; and the Harlequin, indolently stretching his glittering limbs, dropped a light hand on Westguard's cuirassed shoulder:

      "Don't be forever spoiling things for me, Karl. I really do enjoy the game as it lies."

      "It does lie – that is the trouble, Rix."

      "I can't afford to criticise it… Listen; I'm a mediocre man; I'd never count among real men. I count in the set which I amuse and which accepts me. Let me enjoy it, can't you?"

      An aged dandy, masked, painted, wizened, and dressed like Henri II, tottered by with a young girl on his arm, his shrill, falsetto giggle piercing the racket around them.

      "Do you wish to live to be like that?" asked Westguard sharply.

      "Oh, I'll die long before that," said Quarren cheerfully, and leaped lightly to his feet. "I shall now accomplish a little dancing," he said, pointing with his wooden sword at the tossing throng. "Venus send me a pretty married woman who really loves her husband… By Bacchus! Those dancers are going it! Come on, Karl. Leave us foot it!"

      Many maskers were throwing confetti now: multi-tinted serpents shot out across the clamorous gulf; bunches of roses flung high, rising in swift arcs of flight, crossed and recrossed. All along the edges of the dance, like froth and autumn leaves cast up from a whirlpool, fluffy feminine derelicts and gorgeous masculine escorts were flung pell-mell out of the maelstrom and left stranded or drifting breathless among the eddies setting in toward the supper-room.

      Suddenly, as the Harlequin bent forward to plunge into the crush, the very centre of the whirlpool parted, and out of it floated a fluttering, jingling, dazzling figure all gold – slender, bare-armed and bare of throat and shoulders, auriferous, scintillating from crown to ankle – for her sleeveless tabard was cloth-of-gold, and her mask was gold; so were her jewelled shoes and the gemmed fillet that bound her locks; and her thick hair clustering against her cheeks had the lustre of precious metal.

      Jingling, fluttering, gems clashing musically, the Byzantine dancer, besieged by adorers, deftly evaded their pressing gallantries – evaded the Harlequin, too, with laughing mockery, skilfully disengaging herself from the throng of suitors stumbling around her, crowded and buffeted on every side.

      After her like a flash sped Harlequin: for an instant, just ahead of him, she appeared in plain sight, glimmering brightly against the green and swaying tapestry of living leaves and flowers, then even as her pursuers looked at her, she vanished before their very eyes.

      They ran about distractedly hunting for her, Turk, Drum Major, Indian Chief, and Charles the First, then reluctantly gave up the quest and drifted off to seek for another ideal. All women are ideal under the piquant promise of the mask.

      A pretty shepherdess, lingering near, whispered close to Quarren's shoulder behind her fan:

      "Check to you, Harlequin! That golden dancer was the only girl in town who hasn't taken any pains to meet you!"

      He turned his head, warily, divining Molly Wycherly under the disguise, realising, too, that she recognised him.

      "You'll never find her now," laughed the shepherdess. "Besides she does not care a rap about meeting a mere Harlequin. It's refreshing to see you so thoroughly snubbed once in a while." And she danced gaily away, arms akimbo, her garlanded crook over her shoulder; and her taunting laughter floated back to him where he stood irresolute, wondering how the golden dancer could have so completely vanished.

      Suddenly he recollected going over the house before its completion with Jim Wycherly, who had been his own architect, and the memory of a certain peculiarity in the construction of the ball-room flashed into his mind. The only possible explanation for her disappearance was that somebody had pointed out to her the low door behind the third pillar, and she was now in the gilded swallow's-nest aloft.

      It was a whim of Wycherly – this concealed stair – he recalled it perfectly now – and, parting the living tapestry of blossoms, he laid his hand on the ivory and gilded paneling, pressing the heart of one carved rose after another, until with a click! a tiny door swung inward, revealing a narrow spiral of stairs, lighted rosily by electricity.

      He stepped inside, closed the door, and listened, then mounted noiselessly. Half way up he caught the aroma of a cigarette; and, a second later he stepped out onto a tiny latticed balcony, completely screened.

      The golden dancer, who evidently had been gazing down on the carnival scene below from behind the lattice, whirled around to confront him in a little flurry of cigarette smoke.

      For a moment they faced each other, then:

      "How did you know where to find me, Harlequin?"

      "I'd have died if I hadn't found you, fairest, loveliest – "

      "That is no answer! Answer me!"

      "Why did you flee?" he asked. "Answer that, first."

      She glanced at her cigarette and shrugged her shoulders:

      "You see why I fled, don't you? Now answer me."

      The Harlequin presented the hilt of his sword which was set with a tiny mirror.

      "You see why I fled after you," he said, "don't you?"

      "All the same," she insisted, smilingly, "I have been informed on excellent authority that I am the only one, except the family, who knows of this balcony. And here comes a Harlequin blundering in! You are not Mr. Wycherly; and you're certainly not Molly."

      "Alas! My ultimate ends are not as shapely."

      "Then who are you?" She added, laughing: "They're shapely enough, too."

      "I am only a poor wandering, love-smitten Harlequin – " he said, "scorned, despised, and mocked by beauty – "

      "Love-smitten?" she repeated.

      "Can you doubt it, now?"

      She laughed gaily and leaned back against the balcony's velvet rail:

      "You lose no time in declaring yourself, do you, Harlequin? – that is, if you are hinting that I have smitten you with the pretty passion."

      "Through and through, beautiful dancer – "

      "How do you know that I am beautiful under this mask?"

      "I know many things. That's my compensation for being only a poor mountebank of a Harlequin – magic penetration – the clairvoyance of radium."

      "Did you expect to find me at the top of those cork-screw stairs?"

      "I did."

      "Why?"

      "Inference. Every toad hides a jewel in its head. So I argued that somewhere in the ugliness of darkest Philistia a gem must be hidden; and I've searched for years – up and down throughout the haunts of men from Gath to Ascalon. And – behold! My quest is ended at your pretty feet! – Rose-Diamond of the World!"

      He sank lithely on one knee; she laughed deliciously, looking down at his masked face.

      "Who are you, Harlequin? – whose wits and legs seem to be equally supple and symmetrical?"

      "Tell it not in Gath; Publish it not in the streets of Ascalon; I am that man for whom you were destined before either you or I were born. Are you frightened?"

      The