The Gay Rebellion. Chambers Robert William

trees of the ancient wood; bosky depths cast velvety shadows – "

      "What is a bosky depth? What is boskiness? By heaven, I've waited years to ask; and now's my chance? You tell me what 'bosky' is, or – "

      "Do you want to hear about that girl?"

      "Yes, but – "

      "Then you fill your face full of flapjack and shut up."

      Langdon bit rabidly at a flapjack and beat the earth with his heels.

      "The stream," continued Sayre, "purled." He coldly watched the literary effect upon Langdon, then went on:

      "Now, there's enough descriptive colour to give you a proper mental picture. If you had left me alone I'd have finished it ten minutes ago. The rest moves with accelerated rhythm. It begins with the cracking of a stick in the forest. Hark! A sharp crack is – "

      "Every bum novel begins that way."

      "Well, the real thing did, too! And it startled me. How did I know what it might have been? It might have been a bear – "

      "Or a cow."

      "You talk," said Sayre angrily, "like William Dean Howells! Haven't you any romance in you?"

      "Not what you call romance. Pass the flapjacks."

      Sayre passed them.

      "My attention," he said, "instantly became riveted upon the bushes. I strove to pierce them with a piercing glance. Suddenly – "

      "Sure! 'Suddenly' always comes next."

      "Suddenly the thicket stirred; the leaves were stealthily parted; and – "

      "A naked savage in full war paint – "

      "Naked nothing! A young girl in full war paint and a perfectly fitting gown stepped noiselessly out."

      "Out of what? you gink!"

      "The bushes, dammit! She held in her hand a curious contrivance which I could not absolutely identify. It might have been a hammock; it might have been a fish-net."

      "Perhaps it was a combination," suggested Langdon cheerfully. "Good idea; she to help you catch a trout; you to help her sit in the hammock; afterward – "

      Sayre, absorbed in retrospection, squatted beside the fire, a burnt flapjack suspended below his lips, which were slightly touched with a tenderly reminiscent smile.

      "What are you smirking about now?" demanded Langdon.

      "She was such a pretty girl," mused Sayre, dreamily.

      "Did you sit in the hammock with her?"

      "No, I didn't. I'm not sure it was a hammock. I don't know what it was. She remained in sight only a moment."

      "Didn't you speak to her?"

      "No… We just looked. She looked at me; I gazed at her. She was so unusually pretty, Curtis; and her grave, grey eyes seemed to meet mine and melt deep into me. Somehow – "

      "In plainer terms," suggested Langdon, "she gave you the eye. What?"

      "That's a peculiarly coarse observation."

      "Then tell it your own way."

      "I will. The sunlight fell softly upon the trees of the ancient wood – "

      "Woodn't that bark you!" shouted Langdon, furious. "Go on with the dolly dialogue or I'll punch your head, you third-rate best seller!"

      "But there was no dialogue, Curt. It began and ended in a duet of silence," he added sentimentally.

      "Didn't you say anything? Didn't you try to make a date? Aren't you going to see her again?"

      "I don't know. I am not sure what sweet occult telepathy might have passed between us, Curtis… Somehow I believe that all is not yet ended… Pass the pork!.. I like to think that somehow, some day, somewhere – "

      "Stop that! You're ending it the way women end short stories in the thirty-five-centers. What I want to know is, why you think that your encounter with this girl has anything to do with our finding Reginald Willett."

      There was a basin of warm water simmering on the ashes; Sayre used it as a finger-bowl, dried his hands on his shirt, lighted his pipe, and then slowly drew from his hip pocket a flat leather pocket-book. "Curt," he said, "I'm not selfish. I'm perfectly willing to share glory with you. You know that, don't you?"

      "Sure," muttered Langdon. "You're a bum cook, but otherwise moral enough."

      Sayre opened the pocket-book and produced a photograph.

      "Everybody who is searching for Willett," he said, "examined the few clues he left. Like hundreds of others, you and I, when we first entered these woods, went to his camp on Gilded Dome, prowled all over it, and examined the camera which had been picked up in the trail, didn't we?"

      "We did. It was a sad scene – his distracted old father – "

      "H'm! Did you see his distracted old father, Curt?"

      "I? No, of course not. Like everybody else, I respected the grief of that aged and stricken gentleman – "

      "I didn't."

      "Hey? Why, you yellow dingo – "

      "Curt, as I was snooping about the Italian Garden I happened to glance up at the mansion – I mean the camp – and I saw by the window a rather jolly old buck with a waxed moustache and a monocle, smoking a good cigar and perusing his after-breakfast newspaper. A gardener told me that this tranquil old bird was Willett Senior, who had arrived the evening before from Europe via New York. So I went straight into that house and I disregarded the butler, second man, valet, and seven assorted servants; and Mr. Willett Senior heard the noise and came to the dining-room door. 'Well, what the devil's the matter?' he said. I said: 'I only want to ask you one question, sir. Why are you not in a state of terrible mental agitation over the tragic disappearance of your son?'

      "'Because,' he replied, coolly, 'I know my son, Reginald. If the newspapers and the public will let him alone he'll come back when he gets ready.'

      "'Are you not alarmed?'

      "'Not in the least.'

      "'Then why did you return from Europe and hasten up here?'

      "'Too many newspaper men hanging around.' He glanced insultingly at the silver.

      "I let that go. 'Mr. Willett,' I said, 'they found your son's camera on the trail. Your butler exhibits it to the police and reporters and tells them a glib story. He told it to me, also. But what I want to know is, why nobody has thought of developing the films.'

      "'My butler,' said Mr. Willett, eyeing me, 'did develop the films.'

      "'Was there anything on them?'

      "'Some trees.'

      "'May I see them?'

      "He scrutinised me.

      "'After you've seen them will you take your friend and go away and remain?' he asked wearily.

      "'Yes,' I said.

      "He walked into the breakfast room, opened a silver box, and returned with half a dozen photographs. The first five presented as many views of foliage; I used a jeweller's glass on them, but discovered nothing else."

      "Was there anything to jar you on the sixth photograph?" inquired Langdon, interested.

      Sayre made an impressive gesture; he was a trifle inclined toward the picturesque and histrionic.

      "Curt, on the ground under a tree in the sixth photograph lay something which, until last evening, did not seem to me important." He paused dramatically.

      "Well, what was it? A bandersnatch?" asked Langdon irritably.

      "Examine it!"

      Langdon took the photograph. "It looks like a – a hammock."

      "What that girl held in her hand last night resembled a hammock."

      "Hey?"

      Sayre leaned over his shoulder and laid the stem of his pipe on the extreme