The Brass Bottle. Anstey F.

that he'd consent to anything. Ah, that's his step outside … he's letting himself in. Now mind you don't forget to tell him about that bottle."

      The Professor did not seem in the sweetest of humours as he entered the drawing-room. "Sorry I was obliged to be from home, and there was nobody but my wife and daughter here to entertain you. But I am glad you stayed – yes, I'm rather glad you stayed."

      "So am I, sir," said Horace, and proceeded to give his account of the sale, which did not serve to improve the Professor's temper. He thrust out his under lip at certain items in the catalogue. "I wish I'd gone myself," he said; "that bowl, a really fine example of sixteenth-century Persian work, going for only five guineas! I'd willingly have given ten for it. There, there, I thought I could have depended on you to use your judgment better than that!"

      "If you remember, sir, you strictly limited me to the sums you marked."

      "Nothing of the sort," said the Professor, testily; "my marginal notes were merely intended as indications, no more. You might have known that if you had secured one of the things at any price I should have approved."

      Horace had no grounds for knowing anything of the kind, and much reason for believing the contrary, but he saw no use in arguing the matter further, and merely said he was sorry to have misunderstood.

      "No doubt the fault was mine," said the Professor, in a tone that implied the opposite. "Still, making every allowance for inexperience in these matters, I should have thought it impossible for any one to spend a whole day bidding at a place like Hammond's without even securing a single article."

      "But, dad," put in Sylvia, "Mr. Ventimore did get one thing – on his own account. It's a brass bottle, not down in the catalogue, but he thinks it may be worth something perhaps. And he'd very much like to have your opinion."

      "Tchah!" said the Professor. "Some modern bazaar work, most probably. He'd better have kept his money. What was this bottle of yours like, now, eh?"

      Horace described it.

      "H'm. Seems to be what the Arabs call a 'kum-kum,' probably used as a sprinkler, or to hold rose-water. Hundreds of 'em about," commented the Professor, crustily.

      "It had a lid, riveted or soldered on," said Horace; "the general shape was something like this …" And he made a rapid sketch from memory, which the Professor took reluctantly, and then adjusted his glasses with some increase of interest.

      "Ha – the form is antique, certainly. And the top hermetically fastened, eh? That looks as if it might contain something."

      "You don't think it has a genie inside, like the sealed jar the fisherman found in the 'Arabian Nights'?" cried Sylvia. "What fun if it had!"

      "By genie, I presume you mean a Jinnee, which is the more correct and scholarly term," said the Professor. "Female, Jinneeyeh, and plural Jinn. No, I do not contemplate that as a probable contingency. But it is not quite impossible that a vessel closed as Mr. Ventimore describes may have been designed as a receptacle for papyri or other records of archæological interest, which may be still in preservation. I should recommend you, sir, to use the greatest precaution in removing the lid – don't expose the documents, if any, too suddenly to the outer air, and it would be better if you did not handle them yourself. I shall be rather curious to hear whether it really does contain anything, and if so, what."

      "I will open it as carefully as possible," said Horace, "and whatever it may contain, you may rely upon my letting you know at once."

      He left shortly afterwards, encouraged by the radiant trust in Sylvia's eyes, and thrilled by the secret pressure of her hand at parting.

      He had been amply repaid for all the hours he had spent in the close sale-room. His luck had turned at last: he was going to succeed; he felt it in the air, as if he were already fanned by Fortune's pinions.

      Still thinking of Sylvia, he let himself into the semi-detached, old-fashioned house on the north side of Vincent Square, where he had lodged for some years. It was nearly twelve o'clock, and his landlady, Mrs. Rapkin, and her husband had already gone to bed.

      Ventimore went up to his sitting-room, a comfortable apartment with two long windows opening on to a trellised verandah and balcony – a room which, as he had furnished and decorated it himself to suit his own tastes, had none of the depressing ugliness of typical lodgings.

      It was quite dark, for the season was too mild for a fire, and he had to grope for the matches before he could light his lamp. After he had done so and turned up the wicks, the first object he saw was the bulbous, long-necked jar which he had bought that afternoon, and which now stood on the stained boards near the mantelpiece. It had been delivered with unusual promptitude!

      Somehow he felt a sort of repulsion at the sight of it. "It's a beastlier-looking object than I thought," he said to himself disgustedly. "A chimney-pot would be about as decorative and appropriate in my room. What a thundering ass I was to waste a guinea on it! I wonder if there really is anything inside it. It is so infernally ugly that it ought to be useful. The Professor seemed to fancy it might hold documents, and he ought to know. Anyway, I'll find out before I turn in."

      He grasped it by its long, thick neck, and tried to twist the cap off; but it remained firm, which was not surprising, seeing that it was thickly coated with a lava-like crust.

      "I must get some of that off first, and then try again," he decided; and after foraging downstairs, he returned with a hammer and chisel, with which he chipped away the crust till the line of the cap was revealed, and an uncouth metal knob that seemed to be a catch.

      This he tapped sharply for some time, and again attempted to wrench off the lid. Then he gripped the vessel between his knees and put forth all his strength, while the bottle seemed to rock and heave under him in sympathy. The cap was beginning to give way, very slightly; one last wrench – and it came off in his hand with such suddenness that he was flung violently backwards, and hit the back of his head smartly against an angle of the wainscot.

      He had a vague impression of the bottle lying on its side, with dense volumes of hissing, black smoke pouring out of its mouth and towering up in a gigantic column to the ceiling; he was conscious, too, of a pungent and peculiarly overpowering perfume. "I've got hold of some sort of infernal machine," he thought, "and I shall be all over the square in less than a second!" And, just as he arrived at this cheerful conclusion, he lost consciousness altogether.

      He could not have been unconscious for more than a few seconds, for when he opened his eyes the room was still thick with smoke, through which he dimly discerned the figure of a stranger, who seemed of abnormal and almost colossal height. But this must have been an optical illusion caused by the magnifying effects of the smoke; for, as it cleared, his visitor proved to be of no more than ordinary stature. He was elderly, and, indeed, venerable of appearance, and wore an Eastern robe and head-dress of a dark-green hue. He stood there with uplifted hands, uttering something in a loud tone and a language unknown to Horace.

      Ventimore, being still somewhat dazed, felt no surprise at seeing him. Mrs. Rapkin must have let her second floor at last – to some Oriental. He would have preferred an Englishman as a fellow-lodger, but this foreigner must have noticed the smoke and rushed in to offer assistance, which was both neighbourly and plucky of him.

      "Awfully good of you to come in, sir," he said, as he scrambled to his feet. "I don't know what's happened exactly, but there's no harm done. I'm only a trifle shaken, that's all. By the way, I suppose you can speak English?"

      "Assuredly I can speak so as to be understood by all whom I address," answered the stranger.

      "Dost thou not understand my speech?"

      "Perfectly, now," said Horace. "But you made a remark just now which I didn't follow – would you mind repeating it?"

      "I said: 'Repentance, O Prophet of God! I will not return to the like conduct ever.'"

      "Ah," said Horace. "I dare say you were rather startled. So was I when I opened that bottle."

      "Tell me – was it indeed thy hand that removed the seal, O young man of kindness and good works?"

      "I certainly did open it," said Ventimore,