The Pearl of India. Ballou Maturin Murray

substantial dwellings, palaces, and sacred temples. The latter, with their gorgeous gilded domes, were dedicated to various pagan gods. Other spacious buildings and open areas were devoted to pleasure entertainments for the masses of the people, not unlike the modern idea of public gardens and outdoor theatres.

      Here and there labyrinths of unexplored ruins are entirely hidden by lofty, broad-limbed trees and a tangle of low, dense shrub, as though the big city had been originally built in a forest. We pause, and gaze thoughtfully at the desolation which speaks so emphatically in its dumb way. It is the language in which the decline and fall of great empires is written, – monuments of mutability.

      "Tully was not so eloquent as thee,

      Thou nameless column with the buried base."

      It is not to be wondered at that learned European antiquarians make pilgrimages hither to see with their own eyes what others have graphically described, and to translate for themselves these black-letter records of by-gone ages. We met at Pollonarua one enthusiastic traveler who had neither eyes nor ears for anything else but that which related to the almost forgotten past. The mouldering ruins of Ceylon were food and drink to him, with which he gorged himself to repletion. Each new student of antiquity who comes hither, being informed of the progress of those who preceded him, takes up the thread of discovery where they left it, and adds something to illumine the darkness which enshrouds these sombre ruins.

      It could not always have been peaceful in these populous cities of the past, where strange gods and strange customs prevailed. The imagination easily depicts dire tragedies and bloody conflicts which must have drenched their broad avenues with blood. Such has been the history of the world since the beginning of time.

      The best-preserved construction amid all the ruins is a Buddhist rock-temple, which, having been hewn out of the native stone, is still intact, though supposed to date back three hundred years before our era. It is only a small chamber about twenty feet square, containing an altar and three stone figures of Buddha in different positions, sitting, reclining, and standing. The entrance to the chamber is an archway; on either side, inscriptions are engraven in the Pali language, but these, we were informed, had never been translated. The native rock, from which the small temple is cut, rises abruptly from the level plain.

      Anuradhapura, as wonderful in its way as Pompeii or Herculaneum, is known as the ancient capital of Ceylon, and Pollonarua as the mediæval, but even the former is antedated by other half-buried cities in the island, that of Bintenne, for instance, which exhibits ruins of great interest and of admitted antiquity. There is a dagoba here which is spoken of by the former Dutch occupants of the island, in A. D. 1602, as being still in good preservation, surmounted by a gilded dome, while its smooth, white exterior was quite unblemished. The wear and tear of the centuries has not yet obliterated this monument.

      These dagobas, shaped like half an eggshell, are very similar to the topes of India proper. The interior consists of earth and sun-dried clay, built about and rendered substantial with burned bricks and tiles, the whole being coated on the exterior with a stone-like mortar or chunam. The burned bricks which are found in the débris of the "buried cities" have their form quite perfect, and were so well fired when made that they still retain their sharpness and consistency. The best examples of brick-work are to be found among the ruins of Pollonarua, where the mortar that was originally used shows the remains of the burned pearl-oyster shells from which it was made. The principle of the true arch secured by its keystone does not seem to have been understood by the people of that period in this island, though what is called the false arch, produced by projecting one layer of bricks beyond another, is clearly shown. The carving in stone was carried to a high degree of excellence, and is still in good preservation, as shown upon slabs, risers to steps, and on octangular columns of graceful proportions. The entrance to some of the cave-temples also exhibits ability in the carving of stone which is of no mean quality, depicting innumerable single figures and many groups. None of the Indian topes are more than half as large as these Ceylon dagobas. The latter were solid, hemispherical masses, standing upon a raised square platform of granite six or eight feet high, and approached by broad stone steps. The incrustation of the dome-like edifice was after the fashion of our modern stucco process, except that it was very much more thickly laid on. The preparation consisted of lime, cocoanut water, and the glutinous juice of a fruit which grows upon the paragaha-tree. This compound was pure white when dried and hardened, receiving a polish like glass, and was remarkable for durability.

      We were told of, but did not see, carved stone capitals and elaborately draped monoliths, found among the ruins of Bintenne, which represented early perfection in architecture as displayed in a region now indeed barbaric, but where a civilization flourished in the far past in all the pride and pomp of oriental grandeur. To-day, the jackal and the panther, unmolested by man, prowl about the spot in search of prey.

      When the hosts who formed the population of these long-buried cities disappeared we may not know, nor what fate befell them. There are many intelligent theories about the matter, but very little positive evidence. The most plausible supposition would seem to be that a devastating famine must have been the fatal agent. Most of the works which these people left behind them, except the bell-shaped and nearly indestructible dagobas, are now covered with rank vegetation. The first structure of this character erected at Anuradhapura is still extant, and is believed by some writers to be one of the oldest architectural monuments in India. With this conclusion we certainly cannot agree, as the chronicles tell us it was raised by King Tissa, at the close of the third century before Christ, over the collar-bone of Buddha. The author has seen at Benares many sacred structures, some in ruins, which are much more ancient. After all, these milestones of the centuries afford us little data by which to unravel the mysteries of the past in Ceylon. They are only isolated mementos, forming disjointed links in the chain connecting us with by-gone ages, mute but eloquent witnesses of a former and high degree of civilization. The most erudite antiquarian finds no coherent or reliable history in such crumbling monuments; generalities only can be deduced from them, however suggestive and interesting they may prove.

      Neither the ancient nor the modern Singhalese seem to have had any distinctive order of architecture, though the variety which they adopted was infinite. Here, among these half-defaced ruins, one detects Egyptian, Greek, Roman, and Moorish inspirations, calculated to puzzle the scientist as to their probable origin. The singular conglomerates of our own day are not more confusing than some of the best-preserved specimens to be found in these ruined cities of ancient Ceylon.

      Another notable object of antiquarian interest in the island is recalled in this connection. It is that of a colossal, upright figure of Buddha, a figure hewn out of the solid rock, to which it is still attached, though it is statuesque and not in bas-relief, the original material only furnishing its support at the back. This rude piece of sculpture is fifty feet in height and otherwise duly proportioned, vividly recalling the mammoth bronze statue of Dai-Butsu at Kamakura, in Japan, which is nearly sixty feet in height, though it is represented in a sitting position. Within this statue fifty people can stand together, the interior being fitted like a chapel. As regards antiquity, the Japanese figure is supposed to be but six centuries in age, while that of Ceylon is surely three times as old, and probably four. The great Singhalese statue is now in the jungle, which has grown up about it during centuries of neglect, near to the great Tank of Kalawera. The surrounding rocks were in ancient days turned into a cave-temple with infinite labor, by hewing and excavating them into chambers of suitable dimensions. Without excellent tools of steel and iron, very nearly approaching in efficiency those of our own time, this could not possibly have been accomplished.

      The carved pillars, fluted, beveled, and spiral columns, mounds of ruined masonry, crumbling flights of stone steps, ornamental fragments of temples, and granite statues skillfully wrought which are scattered in all directions throughout the jungle, in some instances overgrown by tall trees, attest both departed greatness and far-reaching antiquity. Broken bricks, tiles, and sculpture are so knit together by snakelike tree-roots, while shaded by their lofty branches, as to form one solid mass for hundreds of rods together, dotted here and there by simple wild flowers which modestly rear their delicate petals and perfume the air. One represents the tomb of decayed magnificence and oriental luxury, the other is the sweet and simple emblem of Nature undefiled. Thus she covers up the wrinkles of age with blooming vegetation, screening the