The home: its work and influence. Gilman Charlotte Perkins

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Название The home: its work and influence
Автор произведения Gilman Charlotte Perkins
Жанр Зарубежная классика
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Издательство Зарубежная классика
Год выпуска 0
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the day forced upon the growing racial mind a sense of darkness and mystery, a system of "tabu" – of "that which is forbidden." In China still, as term of high respect, the imperial seat of government is called "the Forbidden City." To the dim thick early mind, reverence was confounded with mystery and restriction.

      Today, in ever-growing light, with microscope and telescope and Röntgen ray, we are learning the true reverence that follows knowledge, and outgrowing that which rests on ignorance.

      The savage reveres a thing because he cannot understand it – we revere because we can understand.

      The ancient sacred must be covered up; to honour king or god you must shut your eyes, hide your face, fall prostrate.

      The modern sacred must be shown and known of all, and honoured by understanding and observance.

      Let not our sense of sanctity shrink so sensitively from the searcher; if the home is really sacred, it can bear the light. So now for these "sacred processes of reproduction." (Protest. "We did not say 'reproduction,' we said 'maternity!'") And what is maternity but one of nature's processes of reproduction? Maternity and paternity and the sweet conscious duties and pleasures of human child-rearing are only more sacred than reproduction by fission, by parthenogenesis, by any other primitive device, because they are later in the course of evolution, so higher in the true measure of growth; and for that very reason education, the social function of child-rearing, is higher than maternity; later, more developed, more valuable, and so more sacred. Maternity is common to all animals – but we do not hold it sacred, in them. We have stultified motherhood most brutally in two of our main food products – milk and eggs – exploiting this function remorselessly to our own appetites.

      In humanity, in some places and classes we do hold it sacred, however. Why? "Because it is the highest, sweetest, best thing we know!" will be eagerly answered. Is it – really? Is it better than Liberty, better than Justice, better than Art, Government, Science, Industry, Religion? How can that function which is common to savage, barbarian, peasant, to all kinds and classes, low and high, be nobler, sweeter, better, than those late-come, hard-won, slowly developed processes which make men greater, wiser, kinder, stronger from age to age?

      The "sacred duties of maternity" reproduce the race, but they do nothing to improve it.

      Is it not more sacred to teach right conduct for instance, as a true preacher does, than to feed one's own child as does the squaw? Grant that both are sacred – that all right processes are sacred – is not the relative sanctity up and out along the line of man's improvement?

      Do we hold a wigwam more sacred than a beast's lair and less sacred than a modern home? If so, why? Do we hold an intelligent, capable mother more sacred than an ignorant, feeble one? Where are the limits and tendencies of these emotions?

      The main basis of this home-sanctity idea is simply the historic record of our ancient religion of ancestor-worship. The home was once used as a church, as it yet is in China; and the odour of sanctity hangs round it still. The other basis is the equally old custom of sex-seclusion – the harem idea. This gives the feeling of mystery and "tabu," of "the forbidden" – a place shut and darkened – wholly private. A good, clean, healthy, modern home, with free people living and loving in it, is no more sacred than a schoolhouse. The schoolhouse represents a larger love, a higher function, a farther development for humanity. Let us revere, let us worship, but erect and open-eyed, the highest, not the lowest; the future, not the past!

      Closely allied to our sense of home-sanctity and sprung from the same root, is our veneration for the old; either people or things; the "home of our ancestors" being if anything more sacred than our own, and the pot or plate or fiddle-back chair acquiring imputed sanctity by the simple flux of time. What time has to do with sanctity is not at first clear. Perhaps it is our natural respect for endurance. This thing has lasted, therefore it must be good; the longer it lasts the better it must be, let us revere it!

      If this is a legitimate principle, let us hold pilgrimages to the primordial rocks, they have lasted longer than anything else, except sea water. Let us frankly worship the sun – or the still remoter dog-star. Let us revere the gar-fish above the shad – the hedgehog more than the cow – the tapir beyond the horse – they are all earlier types and yet endure!

      Still more practically let us turn our veneration to the tools, vehicles, and implements which preceded ours – the arrow-head above the bullet, the bone-needle above the sewing machine, the hour-glass above the clock!

      There is no genuine reason for this attitude. It is merely a race habit, handed down to us from very remote times and founded on the misconceptions of the ignorant early mind. The scientific attitude of mind is veneration of all the laws of nature, or works of God, as you choose to call them. If we must choose and distinguish, respecting this more than that, let us at least distinguish on right lines. The claim of any material object upon our respect is the degree of its use and beauty. A weak, clumsy, crooked tool acquires no sanctity from the handling of a dozen grandfathers; a good, strong, accurate one is as worthy of respect if made to-day. It is quite possible to the mind of man to worship idols, but it is not good for him.

      A great English artist is said to have scorned visiting the United States of America as "a country where there were no castles." We might have showed him the work of the mound-builders, or the bones of the Triceratops, they are older yet. It will be a great thing for the human soul when it finally stops worshipping backwards. We are pushed forward by the social forces, reluctant and stumbling, our faces over our shoulders, clutching at every relic of the past as we are forced along; still adoring whatever is behind us. We insist upon worshipping "the God of our fathers." Why not the God of our children? Does eternity only stretch one way?

      Another devoutly believed domestic myth is that of the "economy" of the home.

      The man is to earn, and the woman to save, to expend judiciously, to administer the products of labour to the best advantage. We honestly suppose that our method of providing for human wants by our system of domestic economy is the cheapest possible; that it would cost more to live in any other way. The economic dependence of women upon men, with all its deadly consequences, is defended because of our conviction that her labour in the home is as productive as his out of it; that the marriage is a partnership in which, if she does not contribute in cash, she does in labour, care, and saving.

      It is with a real sense of pain that one remorselessly punctures this beautiful bubble. When plain financial facts appear, when economic laws are explained, then it is shown that our "domestic economy" is the most wasteful department of life. The subject is taken up in detail in the chapter on home industries; here the mere statement is made, that the domestic system of feeding, clothing, and cleaning humanity costs more time, more strength, and more money than it could cost in any other way except absolute individual isolation. The most effort and the least result are found where each individual does all things for himself. The least effort and the most result are found in the largest specialisation and exchange.

      The little industrial group of the home – from two to five or ten – is very near the bottom of the line of economic progress. It costs men more money, women more work, both more time and strength than need be by more than half. A method of living that wastes half the time and strength of the world is not economical.

      Somewhat along this line of popular belief comes that pretty fiction about "the traces of a woman's hand." It is a minor myth, but very dear to us. We imagine that a woman – any woman – just because she is a woman, has an artistic touch, an æsthetic sense, by means of which she can cure ugliness as kings were supposed to cure scrofula, by the laying on of hands. We find this feelingly alluded to in fiction where some lonely miner, coming to his uncared-for cabin, discovers a flower pot, a birdcage and a tidy, and delightedly proclaims – "A woman has been here." He thinks it is beautiful because it is feminine – a sexuo-æsthetic confusion common to all animals.

      The beauty-sense, as appealed to by sex-distinctions, is a strange field of study. The varied forms of crests, combs, wattles, callosities of blue and crimson, and the like, with which one sex attracts the other, are interesting to follow; but they do not appeal to the cultivated sense of beauty. Beauty – beauty of sky and sea, of flower and shell, of all true works of art – has nothing to do with sex.

      When