Last of the Incas: A Romance of the Pampas. Gustave Aimard

bad counsellor."

      "I will drink no more," the gaucho answered.

      Don Torribio smiled.

      "Drink, but without destroying reason. In drunkenness people utter words, as you did just now, which cannot be recalled, and are more deadly than a dagger. It is not your master who is now speaking, but the friend. Can I count on both of you?"

      "Yes," the gaucho said.

      "I am going away; but you must not leave the colony, but be ready for anything. Before all, carefully watch the house of Don Valentine Cardoso, both inside and out. If anything extraordinary happens to him or his daughter Doña Concha, you will immediately light two fires, one on the cliff of the Urubús, the other on that of San Xavier, and within a few hours you will hear from me. Do you promise to execute promptly and devotedly any order of mine, however extraordinary it may appear to you?"

      "We swear it."

      "That is well. One word in conclusion. Connect yourselves with as many gauchos as you can; try, without exciting suspicion, which always sleeps with one eye open, to collect a band of determined fellows. By the by, distrust Patito: he is a traitor."

      "Must he be killed?" Corrocho asked.

      "Perhaps it would be prudent, but you would have to get rid of him cleverly."

      The two gauchos exchanged a side glance, but Don Torribio pretended not to see it.

      "Do you want money?"

      "No, master."

      "No matter; take this."

      He threw to Corrocho a long silk purse, through the meshes of which a great number of gold ounces glittered.

      "My horse, Panchito."

      The gaucho entered the wood, and almost immediately re-appeared, holding the bridle of a magnificent charger, upon whose back Don Torribio leaped.

      "Farewell," he said to them; "prudence and fidelity; any indiscretion would cost your life."

      And, after giving the gauchos a friendly nod, he dug his spurs into the horse's sides, and went off in the direction of Carmen, while Corrocho and Panchito went back toward Población del Sur. As soon as they had gone some distance, the bushes in a corner of the brake were shaken, and a face pale with fear peeped out. This head belonged to Patito, who, with a pistol in one hand, and a knife in the other, drew himself up, and looked around with great agitation, while muttering in a low voice —

      "¡Canario! kill me cleverly. We shall see, we shall see. ¡Santa Virgen del Pilar! What demons! Well, listening is a good thing."

      "It is the only way to hear," someone replied a mocking voice.

      "Who's there?" Patito shouted, as he leaped on one side.

      "A friend!" Blas Salazar answered, as he came from behind the maple and joined the gaucho, whose hand he shook.

      "Ah, ah, capataz, you are welcome. You were listening too, then?"

      "I should think so. I took advantage of the opportunity to instruct myself about Don Torribio."

      "Well?"

      "This caballero appears to me a precious scoundrel, but, with the aid of Heaven, we will ruin his dark schemes."

      "So be it!"

      "And, in the first place, what do you intend to do?"

      "On my word I do not know. There's a buzzing in my ears, 'kill me cleverly.' Corrocho and Panchito are certainly the most hideous villains of the Pampa."

      "¡Caramba! I have known them a long time, and at present they alarm me but slightly."

      "But me?"

      "Nonsense; you are not dead yet."

      "I am not much better."

      "What, are you afraid? You, the boldest panther hunter of my acquaintance?"

      "A panther is, after all, only a panther, and you can get the better of it with a bullet; but the two fellows Don Torribio has let loose on me are demons."

      "That is true; so let us proceed to the most important point. Don Valentine Cardoso, whose capataz I am, is my foster brother, that is to say, I am devoted to him body and soul. Don Torribio is forming some infernal plot against my master's family, which I wish to foil. Are you decided to lend me a hand? Two men who have only one will between them can do a great deal."

      "Frankness for frankness, Don Blas," Patito answered, after a moment's reflection. "This morning I should have refused, this evening I accept, because I no longer run a risk of betraying the gauchos, my comrades. The position is changed. Kill me cleverly! By Heaven I will avenge myself. I belong to you, capataz, as my knife blade does to its hilt – yours, body and soul, on the word of a gaucho."

      "Excellent," said Don Blas, "we shall be able to understand each other. Get on your horse and go and wait for me at the estancia. I shall return there after sunset, and we will draw up the plan of the countermine."

      "Agreed. Where are you going?"

      "To Don Valentine Cardoso."

      "This evening, then?"

      "This evening."

      They then separated. Patito, whose horse was hidden a short distance off, galloped toward the Estancia of San Julian, of which Don Blas was the capataz, while the latter proceeded in great haste toward the Población.

      Don Valentine Cardoso was one of the richest landed proprietors in Carmen, where his family had been established since the foundation of the colony. He was a man of about five and forty. As his family originally came from old Castile, he had retained the handsome type of that race, a type which was recognized in his face by the vigorously marked lines, with which was combined a certain air of proud majesty, to which the rather sad eyes imparted an expression of gentleness and kindness.

      Left a widower after two too short years of marriage, Don Valentine had kept the memory of his wife locked up in his heart like a sacred relic, and he believed that it was still loving her to devote himself entirely to the education of their daughter Concepción, called more familiarly Concha or Conchita.

      Don Valentine lived in the Población of old Carmen, near the fort, in one of the handsomest and largest houses of the colony.

      A few hours after the events we have recorded, two persons were seated near a brasero in a drawing room of this mansion.

      In this drawing room, elegantly furnished in the French style, a stranger on opening the door might have believed himself transported to the Faubourg St. Germain; there was the same luxury in the paper hangings, the same taste in the choice and arrangement of the furniture. Nothing was wanting; not even an Erard pianoforte, covered with the scores of operas sung at Paris, and, as if better to prove that glory travels a great distance, that genius has wings, the fashionable romance writers and poets filled a buhl cheffonier. Here everything recalled France and Paris, excepting the silver brasero in which the smouldering olive stones indicated Spain. Chandeliers holding pink wax candles lit up this magnificent withdrawing room.

      Don Valentine Cardoso and his daughter Conchita were seated near the brasero.

      Doña Concha, who was scarcely fifteen years of age, was exquisitely beautiful. The raven arch of eyebrows, traced as with a pencil, heightened the grace of her rather low and pale forehead; her large blue and thoughtful eyes, fringed with long brown lashes, contrasted harmoniously with her ebony black hair which curled round her delicate neck, and in which odoriferous jessamine flowers were expiring in delight. Short, like all true-blooded Spanish women, her waist was exquisitely small. Never had smaller feet trodden in the dance the Castilian grass plots, and never had a more dainty hand nestled in that of a lover. Her movements, careless as those of all the creoles, were undulating and full of salero as the Spaniards say.

      Her dress, which was charmingly simple, consisted of a dressing gown of white cashmere, embroidered with large silk flowers in bright colours, and fastened round the hips by a cord and tassels. A Mechlin lace veil was carelessly thrown over her shoulders, while her feet were thrust into pink slippers, lined with swan's-down.

      Doña Conchita was smoking