Название | Lest We Forget: Chicago's Awful Theater Horror |
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Автор произведения | Everett Marshall |
Жанр | Зарубежная классика |
Серия | |
Издательство | Зарубежная классика |
Год выпуска | 0 |
isbn |
Outside a big crowd surged and struggled with the police. Not till 10 o'clock were the doors opened. Then Coroner Traeger arrived, and in groups of twelve or fifteen the crowd was permitted to pass through the doors.
There was a pathetic scene at Rolston's morgue when the body of John Van Ingen, 18 years old, of Kenosha, Wis., was identified. Friends of the Van Ingen family had spent the entire evening searching at the request of Mr. and Mrs. Van Ingen, who were injured. At midnight four of the Van Ingen children, who were believed to have perished in the fire, had not been accounted for. They were: Grace, 2 years old; Dottie, 5 years old; Mary, 13 years old; and Edward, 20 years old.
In the undertaking rooms of J. C. Gavin, 226 North Clark street, and Carroll Bros., 203 Wells street, forty-five bodies swathed in blankets were awaiting identification at midnight. Of the fifty-four brought to these places only nine had been identified by the hundreds of relatives and friends who filed through the rooms, and in several cases the recognition was doubtful.
An atmosphere of awe appeared to pervade the places, and no hysterical scenes followed the pointing out of the bodies. The morbid crowds usually attendant on a smaller calamity were absent, and few except those seeking missing relatives sought admission. Only one of the men, James D. Maloney, wept as he stood over the body of his dead wife.
"I can't go any further," he said. "Her sister, Tennie Peterson, who lived in Fargo, N. D., was with her, and her body probably is there," motioning to the row of blanket-covered forms, "but I can't look. I must go back to the little ones at home, now motherless."
In Inspector Campbell's office at the Chicago avenue station Sergeant Finn monotonously repeated the descriptions, as the scores of frantic seekers filled and refilled the little office. Several times he was interrupted by hysterical shrieks of women or the broken voices of men.
"Read it again, please," would be the call, and, as the description again was read off, the number of the body was taken and the relatives hurried to the undertaking rooms. The bodies of Walter B. Zeisler, 12 years old, Lee Haviland and Walter A. Austrian were partly identified from the police descriptions.
The list of hospital patients also was posted in the station and aided friends in the search for injured.
Sheldon's undertaking rooms at 230 West Madison street were the scene of pathetic incidents. Forty-seven bodies, some of them with the clothing entirely burned away, and with few exceptions with features charred beyond recognition, had been taken there. Late in the night only four had been identified. The first body recognized was that of Mrs. Brindsley, of 909 Jackson boulevard, who had attended the matinee with Miss Edna Torney, daughter of Mr. and Mrs. P. Torney, 1292 Adams street. Mr. Torney could find no trace of the young woman.
Of the forty-seven bodies thirty-six were of matured women and five of men. There were bodies of six children, three boys and three girls.
Dr. J. H. Bates, of 3256 South Park avenue, was searching for the bodies of Myrtle Shabad and Ruth Elken, numbered among the missing.
There were similar scenes at all of the undertaking rooms to which bodies were taken.
"When the fire broke out I was taking tickets at the door," said E. Lovett, one of the ushers. "The crowd began to move toward the exits on the ground floor, and I rushed to the big entrance doors and threw three of them open. From there I hurried to the cigar store and called up the police and fire departments.
"When I returned I tried to get more of the doors open, but was shoved aside and told that I was crazy. The crowd acted in a most frenzied manner and no one could have held them in check. Conditions on the balconies must have been appalling. They were well filled, but the exits, had they been opened, would have proved ample for all."
Michael Ohle, who was ushering on the first balcony, noticed the fire shortly after it started. He hurried to the entrances and cleared the way for the people to get out. Then, he says, he started downstairs to find out how serious the fire was. Before he could return the panic was on and he fled to the street for safety.
"Mrs. Phillipson, Phillipson – is Mrs. Phillipson here?"
That cry sounded in drug stores, cigar stores, and hotels until three little girls, Adeline, Frances, and Teresa, had found their mother, from whom they were separated in the panic. At last at the Continental hotel the call was weakly answered by a woman who lay upon a couch, more frightened than hurt. In another moment three little girls were sobbing in their mother's lap.
Friends sought for information of friends; husbands asked for word of wives; fathers and mothers sought news of sons and daughters; men and women begged to be told if there was any knowledge of their sweethearts; parents asked for children; and children fearfully told the names of missing playmates.
The early hours of the evening were marked by many sad scenes. Men would rush to the desk where the names of the missing were being compiled and asked if anything had been heard of some member of their families, then turn away and hurry out, barely waiting to be told that there would be no definite news until nearly midnight.
"Just think!" said one gray headed man, leaning on the arm of a younger man who was leading him down the stairs, "I bought the matinee tickets for the children as a treat, and insisted that they take their little cousin with them."
"Have you heard anything of my daughter?" asked a woman.
"What was her name?"
"Lily. She had seats in the first balcony with some girl friends. You would know her by her brown hair. She wore a white silk shirt waist and a diamond ring I gave her for Christmas. I went to the theater, but I couldn't get near it, and they said they were still carrying out bodies."
"And her name? Who was she?"
"She was my daughter – my only one!"
The woman walked away, weeping, without giving the name, and the only response she would make to questions from those who followed her was:
"My daughter!"
Two men, with two little boys, came in. "Our wives," they said, "came to the matinee with some neighbors. They have not yet come home."
Before they could give their names a third man ran up and cried:
"I just got word the folks have been taken home in ambulances. They are alive."
The men gave a shout and were gone in an instant.
Men with children in their arms came to ask for others of the family who had become separated from them in the panic at the theater. Women, tears dampening their cheeks, hushed the chatter of their little ones while they gave the names of husbands and brothers, or told of other children who had been lost.
One man yielded to his fears at the last minute and went away without asking for information or giving any name. He said:
"I went to the theater with my wife. We have only been married a year. When the rush came I was torn away from her, and the last thing I remember is of hearing her call my name. Then I was lifted off my feet and can recall nothing more except that I found myself in the street. I have been to all the hospitals and morgues, and now I am going back to the theater again."
So it went until the last dreaded news began coming in. Identifications were being made and hearts were being broken. After that time the inquiries were not for information; they were pleas to be told that a mistake had been made or that one was possible.
CHAPTER IV.
SCENE OF HORROR AS VIEWED FROM THE STAGE
All but one of the 348 members of the "Bluebeard" company escaped, although many had close calls for their lives. Some of the chorus girls displayed great coolness in the face of grave peril. Eddie Foy, who had a thrilling experience, said:
"I was up in my dressing room preparing to come on for my turn in the middle of the second act when I heard an unusual commotion on the stage that I knew could not be caused by anything that was a part of the show. I hurried out of my dressing room,