The Expositor's Bible: The First Book of Kings. Farrar Frederic William

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Название The Expositor's Bible: The First Book of Kings
Автор произведения Farrar Frederic William
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a long period of human history? It is with the life of nations as with the life of men. With nations, too, there is "a perpetual fading of all beauty into darkness, and of all strength into dust." Humanity advances, but it advances over the ruins of peoples and the wrecks of institutions. Truth forces its way into acceptance, but its progress is "from scaffold to scaffold, and from stake to stake." All who have generalised on the course of history have been forced to recognise its agonies and disappointments. There, says Byron,

      "There is the moral of all human tales;

      'Tis but the same rehearsal of the past;

      First Freedom, and then Glory – when that fails,

      Wealth, Vice, Corruption – Barbarism at last.

      And History, with all her volumes vast,

      Hath but one page: 'tis better written here

      Where gorgeous tyranny hath thus amassed

      All treasures, all delights that eye or ear,

      Heart, soul could seek, tongue ask."

      Mr. J. R. Lowell, looking at the question from another side, sings: —

      "Careless seems the Great Avenger; History's pages but record

      One death-grapple in the darkness 'twixt all systems and the Word;

      Truth for ever on the scaffold, Wrong for ever on the throne —

      Yet that scaffold sways the Future, and behind the dim unknown

      Standeth God within the shadow, keeping watch above His own."

      Mr. W. H. Lecky, again, considering the facts of national story from the point of view of heredity, and the permanent consequences of wrong-doing, sings: —

      "The voice of the afflicted is rising to the sun,

      The thousands who have perished for the selfishness of one;

      The judgment-seat polluted, the altar overthrown,

      The sighing of the exile, the tortured captive's groan,

      The many crushed and plundered to gratify the few,

      The hounds of hate pursuing the noble and the true."

      Or, if we desire a prose authority, can we deny this painful estimate of Mr. Ruskin? – "Truly it seems to me as I gather in my mind the evidence of insane religion, degraded art, merciless war, sullen toil, detestable pleasure, and vain or vile hope in which the nations of the world have lived since first they could bear record of themselves, it seems to me, I say, as if the race itself were still half serpent, not extricated yet from its clay; a lacertine brood of bitterness, the glory of it emaciate with cruel hunger and blotted with venomous stain, and the track of it on the leaf a glittering slime, and in the sand a useless furrow."45

      Dark as is the story which the author of the Book of Kings has to record, and hopeless as might seem to be the conclusion of the tragedy, he is responsible for neither. He can but tell the things that were, and tell them as they were; the picture is, after all, far less gloomy than that presented in many a great historic record. Consider the features of such an age as that recorded by Tacitus, with the "Iliad of woes" of which he was the annalist.46 Does Jewish history offer us nothing but this horrible monotony of delations and suicides? Consider the long ages of darkness and retrogression in the fifth and following centuries; or the unutterable miseries inflicted on the seaboard of Europe by the invasions of the Norsemen – the mere thought of which drove Charlemagne to tears; or the long complicated agony produced by hundreds of petty feudal wars, and the cruel tyranny of marauding barons; or the condition of England in the middle of the fourteenth century when the Black Death swept away half of her population; or the extreme misery of the masses after the Thirty Years' War; or the desolating horror of the wars of Napoleon which filled Germany with homeless and starving orphans. The annals of the Hebrew monarchy are less grim than these; yet the House of Israel might also seem to have been chosen out for a pre-eminence of sorrow which ended in making Jerusalem "a rendezvous for the extermination of the race." When once the Jewish wars began —

      "Vengeance! thy fiery wing their race pursued,

      Thy thirsty poniard blushed with infant blood!

      Roused at thy call and panting still for game

      The bird of war, the Latin eagle came.

      Then Judah raged, by ruffian discord led,

      Drunk with the steamy carnage of the dead;

      He saw his sons by dubious slaughter fall,

      And war without, and death within the wall."

      Probably no calamity since time began exceeded in horror and anguish the carnage and cannibalism and demoniac outbreak of every vile and furious passion which marked the siege of Jerusalem; and, in the dreary ages which followed, the world has heard rising from the Jewish people the groan of myriads of broken hearts.

      "The fruits of the earth have lost their savour," wrote one poor Rabbi, the son of Gamaliel, "and no dew falls."

      In the crowded Ghettos of mediæval cities, during the foul tyranny of the Inquisition in Spain, and many a time throughout Europe, amid the iron oppression of ignorant and armed brutality, the hapless Jews have been forced to cry aloud to the God of their fathers: "Thou feedest Thy people with the bread of tears, and givest them plenteousness of tears to drink!" "Thou sellest Thy people for nought, and givest no money for them."

      When the eccentric Frederic William I. of Prussia ordered his Court chaplain to give him in one sentence a proof of Christianity, the chaplain answered without a moment's hesitation: "The Jews, your Majesty." Truly it might seem that the fortunes of that strange people had been designed for a special lesson, not to them only, but to the whole human race; and the general outlines of that lesson have never been more clearly and forcibly indicated than in the Book of Kings.

      CHAPTER V.

       HISTORY WITH A PURPOSE

      "History, as distinguished from chronicles or annals, must always contain a theory whether confessed by the writer or not. A sound theory is simply a general conception which co-ordinates a multitude of facts. Without this, facts cease to have interest except to the antiquarian." – Laurie.

      The prejudice against history written with a purpose is a groundless prejudice. Herodotus, Thucydides, Livy, Sallust, had each his guiding principle, no less than Ammianus Marcellinus, St. Augustine, Orosius, Bossuet, Montesquieu, Voltaire, Kant, Turgot, Condorcet, Hegel, Fichte, and every modern historian worthy the name. They have all, as Mr. Morley says, felt the intellectual necessity for showing "those secret dispositions of events which prepared the way for great changes, as well as the momentous conjunctures which more immediately brought them to pass." Orosius, founding his epitome on the hint given by St. Augustine in his De Civitate Dei, begins with the famous words, "Divina providentia agitur mundus et homo." Other serious writers may vary the formula, but in all their annals the lesson is essentially the same. "The foundation upon which, at all periods, Israel's sense of its national unity rested was religious in its character." "The history of Israel," says Stade, "is essentially a history of religious ideas."47

      Of course the history is rendered valueless if, in pursuing his purpose, the writer either falsifies events or intentionally manipulates them in such a way that they lead to false issues. But the man who is not inspired by his subject, the man to whom the history which he is narrating has no particular significance, must be a man of dull imagination or cold affections. No such man can write a true history at all. For history is the record of what has happened to men in nations, and its events are swayed by human passions, and palpitate with human emotions. There is no great historian who may not be charged with having been in some respects a partisan. The ebb and flow of his narrative, the "to-and-fro-conflicting waves" of the struggles which he records, must be to him as idle as a dance of puppets if he feels no special interest in the chief actors, and has not formed a distinct judgment of



<p>45</p>

Queen of the Air, p. 87.

<p>46</p>

Tac., Hist., 1, 2: "Opus aggredior opimum casibus, atrox prœliis, discors seditionibus, ipsa etiam pace sævum."

<p>47</p>

Wellhausen, History of Israel, p. 432; Stade, Gesch. des Volkes Israel, i., p. 12; Robinson, Ancient History of Israel, p. 15.