Safar Nameh, Persian Pictures. Bell Gertrude Lowthian

performing some savage dance as they came onwards, a compact mass of bobbing heads and naked shoulders – a dance in which they themselves took no kind of interest, but in which they recognised that it was the duty of a Persian boy to take his part. They were followed by men bearing the standards of the village – long poles surmounted by trophies of beads and coloured silks, streamers and curious ornaments; and in the rear came another reciter and another body of men, beating their breasts, from which the garments were torn back, striking their foreheads and repeating the name of the Imam in a monotonous chorus, interspersed with cries and groans.

      But it was in the evening that the real ceremony took place. The bazaar in the centre of the village was roofed over with canvas and draped with cheap carpets and gaudy cotton hangings; a low platform was erected at one end, and the little shops were converted into what looked very like the boxes of a theatre. They were hung with bright-coloured stuffs and furnished with chairs, on which the notabilities sat and witnessed the performance, drinking sherbet and smoking kalyans the while. We arrived at about nine o’clock and found the proceedings in full swing. The tent was crowded with peasants, some standing, some sitting on the raised edge of a fountain in the centre. Round this fountain grew a mass of oleander-trees, their delicate leaves and exquisite pink flowers standing out against the coarse blue cotton of the men’s clothing, and clustering round the wrinkled, toil-worn peasant faces. On the platform was a mollah, long-robed and white-turbaned, who was reading exhortations and descriptions of the martyrdom with a drawling, chanting intonation. At his feet the ground was covered with women, their black cloaks tucked neatly round them, sitting with shrouded heads and with the long strip of white linen veil hanging over their faces and down into their laps. They looked for all the world like shapeless black and white parcels set in rows across the floor. The mollah read on, detailing the sufferings of the Imam: ‘He thirsted, he was an hungered!’ the women rocked themselves to and fro in an agony of grief, the men beat their bare breasts, tears streamed over their cheeks, and from time to time they took up the mollah’s words in weary, mournful chorus, or broke into his story with a murmured wail, which gathered strength and volume until it had reached the furthest corners of the tent: ‘Hussein! Hussein! Hussein!’

      It was intensely hot. Cheap European lamps flared and smoked against the canvas walls, casting an uncertain light upon the pink oleander flowers, the black-robed women, and the upturned faces of the men, streaming with sweat and tears, and all stricken and furrowed with cruel poverty and hunger – their sufferings would have made a longer catalogue than those of the Imam. The mollah tore his turban from his head and cast it upon the ground, and still he chanted on, and the people took up the throbbing cry: ‘Hussein! Hussein! Hussein!’

      Presently a dervish shouldered his way through the throng. A scanty garment was knotted round his loins, his ragged hair hung over his shoulders, and about his head was bound a brilliant scarf, whose stripes of scarlet and yellow fell down his naked back. He had come from far; he held a long staff in his hands, and the dust of the wilderness was on the shoes which he laid by the edge of the platform. He stood there, reciting, praying, exhorting – a wild figure, with eyes in which flashed the madness of religious fanaticism, straining forward with passionate gestures through the smoky light which shone on his brilliant headgear and on his glistening face, distorted by suffering and excitement. When he had finished speaking he stepped off the platform, picked up his shoes and staff, and hurried out into the night to bear his eloquence to other villages…

      There is nothing more difficult to measure than the value of visible emotion. To the Englishman tears are a serious matter; they denote only the deepest and the most ungovernable feelings, they are reserved for great occasions. Commonplace sensations are, in his opinion, scarcely worth bringing on to the surface. The facile expression of emotion in a foreigner is surprising to him – he can scarcely understand the gestures of a nation so little removed from him as the French, and he is apt to be led astray by what seems to him the visible sign of great excitement, but which to them is only a natural emphasis of speech. In the East these difficulties are ten times greater. The gesture itself has often a totally different significance; the Turk nods his head when he says ‘No,’ and shakes it when he wishes to imply assent; and even when this is not the case, the feeling which underlies it is probably quite incomprehensible – quite apart from the range of Western emotion – and its depth and duration are ruled by laws of which we have no knowledge. The first thing which strikes us in the Oriental is his dignified and impassive tranquillity. When we suddenly come upon the other side of him, and find him giving way, for no apparent reason, to uncontrolled excitement, we are ready to believe that only the most violent feelings could have moved him so far from his habitual calm. So it was that evening. At first it seemed to us that we were looking upon people plunged into the blackest depths of grief, but presently it dawned upon us that we were grossly exaggerating the value of their tears and groans. The Oriental spectators in the boxes were scarcely moved by an emotion which they were supposed to be sharing; they sat listening with calm faces, partook of a regular meal of sweetmeats, ices, and sherbets, and handed round kalyans with polite phrases and affable smiles. Our Persian servants were equally unmoved; they conformed so far to the general attitude as to tap their well-clad chests with inattentive fingers, but they kept the corners of their eyes fixed upon us, and no religious frenzy prevented them from supplying our every want. And on the edges of the crowd below us the people were paying no heed to what was going forward; we watched men whose faces were all wet with tears, whose breasts were red and sore with blows, stepping aside and entering into brisk conversation with their neighbours, sharing an amicable cup of tea, or bargaining for a handful of salted nuts, as though the very name of Hussein were unknown to them. Seeing this, we were tempted to swing back to the opposite extreme, and to conclude that this show of grief was a mere formality, signifying nothing – a view which was probably as erroneous as the other.

      But whatever it meant, it meant something which we could not understand, and the whole ceremony excited in our minds feelings not far removed from disgust and weariness. It was forced, it was sordid, and it was ugly. The hangings of the tent looked suspiciously as though they had come from a Manchester loom, and if they had, they did not redound to the credit of Manchester taste; the lamps smelt abominably of oil, the stifling air was loaded with dust, and the grating chant of the mollahs was as tedious as the noise of machinery. How long it all lasted I do not know; we were glad enough to escape from it after about an hour, and as we walked home through the cool village street, we shook a sense of chaotic confusion from our minds, and heard with satisfaction the hoarse sounds fading gradually away into the night air…

      After such fashion the Shiahs mourn the death of the Imam Hussein, the Rose in the Garden of Glory; and whether he and his descendants are indeed the only rightful successors of the Prophet is a question which will never be definitely settled until the coming of the twelfth and last Imam, who, they say, has already lived on earth, and who will come again and resume the authority which his deputy, the Shah, holds in his name. ‘When you see black ensigns’ – so tradition reports Mohammed’s words – ‘black ensigns coming out of Khorasan, then go forth and join them, for the Imam of God will be with those standards, whose name is El Mahdi. He will fill the world with equity and justice.’

      THE SHADOW OF DEATH

      Slowly, slowly through the early summer the cholera crept nearer. Out of the far East came rumours of death … the cholera was raging In Samarkand … it had crossed the Persian frontier … it is in Meshed! said the telegrams. A perfunctory quarantine was established between Tehran and the infected district, and the streams of pilgrims that flock ceaselessly to Meshed were forbidden to enter the holy city. Then came the daily bulletins of death, the number of the victims increasing with terrible rapidity. Meshed was almost deserted, for all whom the plague had spared had fled to the mountains, and when a week or two later its violence began to abate, flashed the ominous news: ‘It is spreading among the villages to the westward.’ From day to day it drew ever closer, leaping the quarantine bulwark, hurrying over a strip of desert, showing its sudden face in a distant village, sweeping northwards, and causing sanguine men to shake their heads and murmur: ‘Tehran will be spared; it never comes to Tehran’ – in a moment seizing upon the road to the Caspian, and ringing the city round like a cunning strategist. Then men held their breath and waited, and almost wished that the suspense were over and the ineluctable day were come. Yet with the cholera knocking