London. Walter Besant

him die; we saw him buried. Lo! he rises and comes forth from the grave. To the people it is as if the Lord Jesus himself stood before them; they have seen Him with their own eyes; henceforth the name of the Lord recalls a familiar form; experienced persons of dull imagination say that this is not Jesus at all, but Stephen the Deacon – he with the heavenly voice and the golden locks. No, no; it is not Stephen they have seen, but Another. So, also, some will have it that the man who died and was buried, and rose again, and stood before them all in white cerements, was John of Hoggesdon, Chantry Priest. Not so; it was Lazarus – none other. Lazarus, now no doubt a blessed saint, with his two sisters, Martha and Mary. Why! it must have been Lazarus, because, after the miracle, he called upon the people to mark the wondrous works of the Lord, and sang the Magnificat so that the psalm echoed in the roof and rolled above the pillars. He sang that psalm out of pure gratitude; you could see the tears rolling down his cheeks; and in worship and adoration, Lazarus himself, he who had been dead and had come to life again.

      The Mystery is over; the people have all gone away; the stage is removed, and the church is empty again. Two priests are left, and their talk is like a jarring note after sweet music. "Brother," says one, "were it not for such shows as these, if we did not present to the people the things which belong to religion in such a way that the dullest can understand, the Church would be in a parlous way. All folk cry out upon the profligacy of the monks, and their luxury, and the greed of the priests. What sayeth Walter Map, that good archdeacon?

      "'Omnis a clericis fluit enormitas,

      Cum Deo debeant mentes sollicitas,

      Tractant negotia mercesque vetitas

      Et rerum turpium vices indebitas.'"

      "I hear," said the other, "that two Cistercians have lately become apostate to the Jews."

      "Rather," replied the first, "they should have become Christians, so to separate themselves the better from that accursed body."

      These are the distant rumblings of the gathering storm. But the Church will become much richer, much more powerful, the monks will become much more profligate, the priests will become far more greedy before things grow to be intolerable.

      It is an evening in May. What means this procession? Here comes a sturdy rogue marching along valiantly, blowing pipe and beating tabor. After him, a rabble rout of lads and young men, wearing flowers in their caps, and bearing branches and singing lustily. This is what they sing, not quite in these words, but very nearly:

      Sumer is icumen in,

      Lhude sing cuccu!

      Groweth sed and bloweth med,

      And springth the wde nu.

      Sing cuccu.

      Awe bleteth after lamb,

      Llouth after calve cu,

      Bulluc sterteth, buck verteth,

      Murie sing cuccu!

      Cuccu, cuccu, well singeth thu cuccu,

      Ne swik thu navu nu;

      Sing cuccu, cuccu, nu sing cuccu,

      Sing cuccu, sing cuccu, nu!

      The workman jumps up and shouts as they go past; the priest and the friar laugh and shout; the girls, gathering together as is the maidens' way, laugh and clap their hands. The young men sing as they go and dance as they sing. Spring has come back again – sing cuckoo; the days of light and warmth – sing cuckoo; the time of feasting and of love – sing cuckoo. The proud abbot, with his following, draws rein to let them pass, and laughs to see them; he is, you see, a man first and a monk afterwards. In the gateway of his great house stands the Norman earl with his livery. He waits to let the London youth go by. The earl scorns the English youth no longer; he knows their lustihood. He can even understand their speech. He sends out largesse to the lads to be spent in the good wines of Gascony and of Spain; he joins in the singing; he waves his hand, a brotherly hand, as the floral greenery passes along; he sings with them at the top of his voice:

      Sing cuccu – cuccu – nu sing cuccu;

      Sing cuccu; sing cuccu, nu.

      Presently the evening falls. It is light till past eight; the days are long. At nightfall, in summer, the people go to bed. In the great houses they assemble in the hall; in winter they would listen to music and the telling of stories, even the legends of King Arthur. Walter Map7 will collect them and arrange them, and the French romances, such as "Amis et Amils," "Aucassin et Nicolette," though these have not yet been written down. In summer they have music before they go to bed. We are in a city that has always been fond of music. The noise of crowd and pipe, tabor and cithern, is now silent in the streets. Rich men kept their own musicians. What said Bishop Grossetête?

      Next hys chamber, besyde hys study,

      Hys harper's chamber was fast ther by,

      Many tymes, by nightes and dayes,

      He hade solace of notes and layes.

      One asked him the resun why

      He hadde delyte in minstrelsy?

      He answered hym on thys manere

      Why he helde the harpe so dere:

      The virtu of the harpe thurh skill and right

      Wyll destrye the fendys myght,

      And to the cros by gode skeyl

      Ys the harpe lykened weyl.

      He who looks and listens for the voice of the people in these ancient times hears no more than a confused murmur: one sees a swarm working like ants; a bell rings: they knock off work; another bell: they run together; they shout; they wave their hats; the listener, however, hears no words. It is difficult in any age – even in the present day – to learn or understand what the bas peuple think and what they desire. They want few things indeed in every generation; only, as I said above, the three elements of freedom, health, and just pay. Give them these three and they will grumble no longer. When a poet puts one of them on his stage and makes him act and makes him speak, we learn the multitude from the type. Later on, after Chaucer and Piers Ploughman have spoken, we know the people better; as yet we guess at them, we do not even know them in part. Observe, however, one thing about London – a thing of great significance. When there is a Jacquerie, when the people, who have hitherto been as silent as the patient ox, rise with a wild roar of rage, it is not in London. Here men have learned – however imperfectly – the lesson that only by combination of all for the general welfare is the common weal advanced. I think, also, that London men, even those on the lowest levels, have always known very well that their humility of place is due to their own lack of purpose and self-restraint. The air of London has always been charged with the traditions and histories of those who have raised themselves; there never has been a city more generous to her children, more ready to hold out a helping hand; this we shall see illustrated later on; at present all is beginning. The elementary three conditions are felt, but not yet put into words.

      We are at present in the boyhood of a city which after a thousand years is still in its strong and vigorous manhood, showing no sign, not the least sign, of senility or decay. Rather does it appear like a city in its first spring of eager youth. But the real work for Saxon and Norman London lies before. It is to come. It is a work which is to be the making of Great Britain and of America, Australia, and the Isles. It is the work of building up, defending, and consolidating the liberties of the Anglo-Saxon race.

      They were not wretched at all, these early London citizens; but, on the contrary, joyous and happy and hopeful. And not only for the reasons already stated, but for the great fact – the greatest fact of the time – of their blind and unreasoning faith. It is impossible to exaggerate the importance of unreasoning faith as a factor in human happiness. The life of the meanest man was full of dignity and of splendor, because of the great inheritance assured to him by the Church. We must never leave out the Church in speaking of the past. We must never forget that all people, save here and there a doubting Rufus or a questioning Prince of Anjou, believed without the shadow of any doubt. Knowledge

7

Morley's English Writers, vol. i., p. 760.