Social England under the Regency, Vol. 1 (of 2). Ashton John

interior sides of these grand walks were lined with festoons of flowers, yielding the most odoriferous perfumes, and relieved by the verdant and softer beauties that more towering plants and shrubs could bestow. The arched roofs were ornamented in the liveliest manner, and, from them, were suspended thousands of lights, in all the different forms and fashions by which illumination can be produced. The coup d'œil of the whole, especially from the central south entrance to the gardens, was inexpressibly delightful, and even magically impressive. The entrance was under an illuminated arch, and the southern end of the walk was filled by an immense mirror, and ornamented at the top and sides with a superb drapery, and with artificial flowers and costly candelabra: particularly the long range of supper rooms on the grand level, at the head of which the Regent sat, at the west end of the Conservatory, inspired the highest ideas of real magnificence.

      "This range, beginning from the east end, comprises the new Gothic rooms, not yet entirely finished, but temporarily hung with crimson, and the Library, beautifully ornamented with marbles. In these apartments there were two rows of tables, elegantly adorned. The centre room was left open. To the west, the eating room, &c., and the Conservatory had one long table running through both. The appearance of the Conservatory was truly striking and brilliant. The architecture of it is of the most delicate Gothic. The upper end was a kind of circular buffet surmounted by a Medallion, with the initials G. P. R. lined by festoons and antique draperies of pink and silver, and partly filled by mirrors, before which, on ornamented shelves, stood a variety of vases, candlesticks, &c., of the most gorgeous gold plate. Supplied, as indeed all the tables were, with every attainable delicacy and luxury which wealth and rank could command, or ingenuity suggest, and embellished by all the art and skill of the confectioner, with emblematical devices of every conceivable appropriate description, this table displayed a still more splendid exuberance.

      "In the front of the Regent's seat there was a circular basin of water, with an enriched Temple in the centre of it, from whence there was a meandering stream to the bottom of the table, bordered with green banks. Three or four fantastic bridges were thrown over it, one of them with a small tower upon it, which gave the little stream a picturesque appearance. It contained also a number of gold and silver fish. The excellence of design, and exquisiteness of workmanship could not be exceeded; it exhibited a grandeur beyond description; while the many and various purposes for which gold and silver materials were used were equally beautiful and superb in all their minute details.4

      "The Company, who continued to arrive from nine till half-past twelve, were ushered into the state rooms, and soon filled the house. The hall was crowded with Peers and Peeresses, and was made the same use of, as the apartments of State. Under the grand arched doorway between the halls, was a most elegant scarlet and gold drapery, after the antique.

      "The male part of the nobility and gentry, were habited in court suits, many richly embroidered, or in naval and military uniforms. The waving plumes, the elegant, variegated dresses, the sparkling diamonds, and, still more, the native beauty and grace of the ladies, gave a sort of enchanting perfection to the whole of this brilliant courtly exhibition. The Vieille Cour de Versailles, with all its proud pretensions, could never have more attractively set forth the elegant fascinations of fashionable life, and exalted rank.

      "The upper servants of his Royal Highness' household wore a rich costume of dark blue, trimmed with very broad gold lace; the others wore their state liveries. A considerable number of the Yeomen of the Guard attended in different parts. The assistants, out of livery, were dressed uniformly, in black suits with white vests. Two of the bands of the Guards, in state uniforms, played various airs throughout the night. Parties of the Foot-guards protected all the immediate avenues, and the Horse-guards were stationed in Pall Mall, St. James's Street, St. James's Square, Piccadilly, &c. Everything was managed, with the assistance of the Police, with unexampled care and convenience."

      CHAPTER IV

Ladies' dresses at the Fête – The banquet – Carlton House thrown open to the public – The crush – Sir F. Burdett's action against the Speaker – Relief of British Prisoners in France – Scarcity of guineas – Lord King and his tenants – Stories respecting the Currency

      The ladies had been requested to dress themselves in the productions of British industry, and some of their costumes were truly magnificent. They are so uniformly beautiful, that in the examples I give, I take them as they follow, and make the extracts for the sake of their brevity.

      The Marchioness of Downshire wore a petticoat of white satin, trimmed at the bottom with a Spanish net of embossed silver, over which was a tunic of the most beautiful silver stuff, of Irish manufacture, on which was delicately woven the shamrock: over the shoulders were superb epaulettes of embossed Spanish silver. The tunic was laced with diamond chains, and fastened in front with large diamond brooches. Her ladyship's ear-rings were the largest diamonds at the fête, to which there was a corresponding necklace, and a profusion of diamond ornaments.

      The Marchioness of Sligo. A dress of white satin, with a superb border of brilliant embroidery round the train; a robe richly embroidered in silver shamrock, round which was an elegant, and brilliant border, to correspond with the dress; diamond stomacher, armlets, necklace, and brooches. Head-dress, diamonds and ostrich feathers.

      The Marchioness of Tavistock. Splendid dress, embroidered in white and gold.

      The Marchioness of Hertford. White satin dress, embroidered in white and gold.

      The Marchioness of Stafford. Violet satin dress, richly embroidered in gold.

      The Marchioness of Exeter. White satin, embroidered in gold.

      The Marchioness Cornwallis. White satin dress, richly embroidered with amethysts.

      The Marchioness Waterford. White satin dress, richly embroidered with silver.

      The Countess of Cavan. A dress of white and silver tissue, with a superb border of prominent silver jonquils; body and sleeves splendidly ornamented with diamonds. Head-dress, diamonds and ostrich feathers.

      Needless to say, this grand fête was made fun of – and so we see in "Gudgeon fishing à la Conservatory," the meandering stream down the centre of the Regent's table is caricatured, and the fair ladies are provided with rods and lines. The artist has taken liberties with his subject – the Prince, for instance, sat on a plain mahogany chair, and the "stream" was banked up with moss and flowers. The Earl of Moira, and Sheridan, are taking wine together, and on the right of the Regent sits the Duchesse d'Angoulême. A person in plain evening dress is in the extreme right, and points to a paper on the ground, "Admission to John Bull to look at the Gold."

      This was the subject of another caricature, called "The Regency Fête, or John Bull in the Conservatory." This shows John Bull, his wife, three men and one woman looking at the royal table loaded with gold plate and wine, a beef-eater and a butler guarding the plate on the table and on the buffet behind the royal chair. Says John Bull (scratching his head) to his wife: "Why, odd Zookers! this is marvellous fine indeed. Oh, Nan! how we should enjoy a rasher on one of they monstracious beautiful plates. Why, now I think I shan't grumble to pay three or four Bank Tokens towards this grand treat; methinks I should just like a nippikin or two." Mrs. Bull: "Oh, John! one of our milk-white chickens roasted by myself by our wood fire would be lusciosious indeed." The speeches of the others are not worth reprinting.

      Needless to say the privilege of visiting the scene of festivity was eagerly embraced by the public, and they came in such shoals, that the Horse Guards had to keep order, and it was feared some accident would occur. And sure enough, on the last day, the 26th of June, there was a pretty scrimmage. This is The Times report: —

      "Yesterday being the last day that the public were permitted to view the interior of Carlton House, the crowd, from an early hour in the morning, was immense; and, as the day advanced, the scene excited additional interest. Every precaution had been adopted to facilitate the entrance of the visitors. The Horse-guards paraded in front of the House, and were stationed at both ends of Pall Mall, and the various streets leading from it. The pressure to gain admittance was so great, that early in the day several females fainted away; many lost their shoes, and endeavoured to extricate themselves from

4

Nearly a waggon load of the family plate of the late Sir William Pulteney decorated the Tables at Carlton House. It is said that the weight of the whole of the gold and silver plate used on this occasion, was Six Tons.