Название | Black Forest Village Stories |
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Автор произведения | Auerbach Berthold |
Жанр | Зарубежная классика |
Серия | |
Издательство | Зарубежная классика |
Год выпуска | 0 |
isbn | http://www.gutenberg.org/ebooks/32517 |
THE GAWK
I see you now, my fine fellow, as large as life, with your yellow hair cropped very short, except in the neck, where a long tail remains as if you had cut yourself after the pattern of a plough-horse. You are staring straight at me with your broad visage, your great blue goggle eyes, and your mouth which is never shut. Do you remember the morning we met in the hollow where the new houses stand now, when you cut me a willow-twig to make a whistle of? We little thought then that I should come to pipe the world a song about you when we should be thousands of miles apart. I remember your costume perfectly, which is not very surprising, as there is nothing to keep in mind but a shirt, red suspenders, and a pair of linen pantaloons dyed black to guard against all contingencies. On Sunday you were more stylish: then you wore a fur cap with a gold tassel, a blue roundabout with broad buttons, a scarlet waistcoat, yellow shorts, white stockings, and buckled shoes, like any other villager; and, besides, you very frequently had a fresh pink behind your ear. But you were never at ease in all this glory; and I like you rather better in your plainer garb, myself.
But now, friend gawk, go about your business; there's a good fellow. It makes me nervous to tell your story to your face. You need not be alarmed: I shall say nothing ill of you, though I do speak in the third person.
The gawk not only had a real name, but a whole pedigree of them; in the village he ought to have been called Bart's Bast's1 boy, and he had been christened Aloys. To please him, we shall stick to this last designation. He will be glad of it, because, except his mother Maria and a few of us children, hardly any one used it; all had the impudence to say "Gawk." On this account he always preferred our society, even after he was seventeen years old. In out-of-the-way places he would play leap-frog with us, or let us chase him over the fields; and when the gawk-I should say, when Aloys-was with us, we were secure against the attacks of the children at the lime-pit; for the rising generation of the village was torn by incessant feuds between two hostile parties.
Yet the boys of Aloys' own age were already beginning to feel their social position. They congregated every evening, like the grown men, and marched through the village whistling and singing, or stood at the tavern-door of the Eagle, by the great wood-yard, and passed jokes with the girls who went by. But the surest test of a big boy was the tobacco-pipe. There they would stand with their speckled bone-pipe bowls, of Ulm manufacture, tipped with silver, and hung with little silver chains. They generally had them in their mouths unlit; but occasionally one or the other would beg a live coal from the baker's maid, and then they smoked with the most joyful faces they knew how to put on, while their stomachs moaned within them.
Aloys had begun the practice too, but only in secret. One evening he mustered up courage to mingle with his fellows, with the point of his pipe peeping forth from his breast-pocket. One of the boys pulled the pipe out of his pocket with a yell; Aloys tried to seize it, but it passed from hand to hand with shouts of laughter, and the more impatiently he demanded it the less it was forthcoming, until it disappeared altogether, and every one professed to know nothing of what had become of it. Aloys began to whimper, which made them laugh still more; so at last he snatched the cap of the first robber from his head, and ran with it into the house of Jacob the blacksmith. Then the capless one brought the pipe, which had been hidden in the wood-yard.
Jacob Bomiller the blacksmith's house was what is called Aloys' "go-out." He was always there when not at home, and never at home after his work was done. Aunt Applon, (Apollonia,) Jacob's wife, was his cousin; and; besides his own mother and us children, she and her eldest daughter Mary Ann always called him by his right name. In the morning he would get up early, and, after having fed and watered his two cows and his heifer, he always went to Jacob's house and knocked at the door until Mary Ann opened it. With a simple "Good-morning," he passed through the stable into the barn. The cattle knew his step, and always welcomed him with a complacent growl and a turn of the head: he never stopped to return the compliment, but went into the barn and filled the cribs of the two oxen and the two cows. He was on particularly good terms with the roan cow. He had raised her from a calf; and, when he stood by her and watched her at her morning meal, she often licked his hands, to the improvement of his toilet. Then he would open the door of the stable and restore its neatness and good order, often chatting cosily to the dumb beasts as he made them turn to the right or left. Not a dunghill in the village was so broad and smooth and with such clean edges as the one which Aloys built before the house of Jacob the blacksmith; for a fine dunghill is the greatest ornament to a villager's door-front in the Black Forest. The next thing he did was to wash and curry the oxen and cows until you might have seen your face in their sleek hides. This done, he ran to the pump before the house and filled the trough with water: the cattle, unchained, ran out to drink; while he spread fresh straw in their stalls. Thus, by the time that Mary Ann came to the stable to milk the cows, she found every thing neat and clean. Often, when a cow was "skittish," and kicked, Aloys stood by her and laid his hand on her back while Mary Ann milked; but generally he found something else to do. And when Mary Ann said, "Aloys, you are a good boy," he never looked up at her, but plied the stable-broom so vehemently that it threatened to sweep the boulder-stones out of the floor. In the barn he cut the feed needed for the day; and, after all the work required in the lower story of the building-which, in the Black Forest, as is well known, contains what in America is consigned to the barn and outhouses-was finished, he mounted up-stairs into the kitchen, carried water, split the kindling-wood, and at last found his way into the room. Mary Ann brought the soup-bowl, set it on the table, folded her hands, and, everybody having done the same, spoke a prayer. All now seated themselves with a "God's blessing." The bowl was the only dish upon the table, into which every one dipped his spoon, Aloys often stealing a mouthful from the place where Mary Ann's spoon usually entered. The deep silence of a solemn rite prevailed at the table: very rarely was a word spoken. After the meal and another prayer, Aloys trudged home.
Thus things went on till Aloys reached his nineteenth year, when, on New-Year's day, Mary Ann made him a present of a shirt, the hemp of which she had broken herself, and had spun, bleached, and sewed it. He was overjoyed, and only regretted that it would not do to walk the street in shirt-sleeves: though it was bitter cold, he would not have cared for that in the least; but people would have laughed at him, and Aloys was daily getting more and more sensitive to people's laughter.
The main cause of this was the old squire's2 new hand who had come into the village last harvest. He was a tall, handsome fellow, with a bold, dare-devil face appropriately set off with a reddish mustache. George (for such was his name) was a cavalry soldier, and almost always wore the cap belonging to his uniform. When he walked up the village of a Sunday, straight as an arrow, turning out his toes and rattling his spurs, every thing about him said, as plainly as words could speak, "I know all the girls are in love with me;" and when he rode his horses down to Jacob's pump to water them, poor Aloys' heart was ready to burst as he saw Mary Ann look out of the window. He wished that there were no such things as milk and butter in the world, so that he too might be a horse-farmer.
Inexperienced as Aloys was, he knew all about the three classes or "standings" into which the peasants of the Black Forest are divided. The cow-farmers are the lowest in the scale: their draught-cattle, in addition to their labor, must yield them milk and calves. Then come the ox-farmers, whose beasts, after having served their time, may be fattened and killed. The horse-farmers are still more fortunate: their beasts of draught yield neither milk nor meat, and yet eat the best food and bring the highest prices.
Whether Aloys took the trouble to compare this arrangement with the four castes of Egypt, or the three estates of feudalism, is doubtful.
On this New-Year's day, George derived a great advantage from his horses. After morning service, he took the squire's daughter and her playmate Mary Ann sleighing to Impfingen; and, though the heart of poor Aloys trembled within him, he could not refuse George's request to help him hitch the horses and try them in the sleigh. He drove about the village, quite forgetting the poor figure he cut beside the showy soldier. When the girls were seated, Aloys led the horses a little way, running beside them until they were fairly started, and then let them go. George drove down the street, cracking his whip; the horses jingled their bells; half the commune looked out of their windows; and poor Aloys stared
1
Bartholomew's Sebastian's.
2
Not a lord of the manor, according to the English acceptation of the term, but a sort of village mayor, elected by the farmers out of their own number. Very little of the feudal tenure remains in the Black Forest, the peasants being almost everywhere lords of the soil.