On the Heights: A Novel. Auerbach Berthold

years ago. On my mother's side I can trace my descent from the family of Burgomaster Maier, by whose orders the picture was originally painted."

      Irma was delighted with all that she heard and saw, and especially with Madame Gunther's reminiscences. While speaking of her own efforts in the way of art, she looked at the doctor's wife earnestly, and only wished she were able to model a portrait, in which case Madame Gunther would have to sit to her. She could not help thinking, at the same time, that there was a culture which had been handed down from earliest times: a culture whose history, running through all ages, is entirely different from that of the nobility, and that the best results of human effort had been brought about, not by the nobles, but by civic liberty.

      Madame Gunther asked Irma whether she had a picture of her mother.

      Irma replied that her father had had a portrait taken of her mother when in the fullness of her beauty. The picture had been a failure, and almost seemed as if intended for some one else, and so her father had ordered it to be destroyed. He would rather have no picture than a false one.

      "That, of itself, is enough to make one honor him for his love of truth," said Madame Gunther. "Most people are satisfied with what is false, and keep on saying: 'you can recognize this or that feature,' until they, at last, persuade themselves that it must once have been a true likeness."

      The conversation now turned upon the fact that Irma had never known her mother, and Irma's glance often dwelt upon the two daughters sitting beside their mother.

      Madame Gunther said:

      "I trust that I've not awakened painful memories, but I regard it as a duty that we should often think of our beloved dead; calmly and peacefully, of course. I've always felt thus with regard to my departed mother, and I hope that, when the time comes, my children may have the same feelings toward me."

      Irma pressed Madame Gunther's hand. All that she said was so full of truth, so satisfying.

      Madame Gunther told her that it was long before she had acquired a taste for plastic art. Appreciation had, however, gradually dawned upon her; but it was for what related to the human figure, rather than for landscapes. The conversation continued in an easy and cheerful vein. The carriage had long ago been announced; the half-hour which Irma had meant to stay with Madame Gunther had been prolonged to more than an hour. At last, she took her leave with sincere requests to repeat her visit.

      CHAPTER VIII

      When Irma returned to the palace, she felt as if coming from another world-from a life far removed from her own.

      Gunther was a deep student of the human heart.

      In one respect, Irma's visit had had the result foreseen by him; but there was some unknown influence at work, and, perhaps, affecting previously existing conditions. Nothing unless it be the drop that falls from the cloud, is free from foreign admixture, and it is from pure thought alone that one can draw definite conclusions. The water in the spring, and the living human heart, both contain foreign elements within themselves, and no one can foretell how a new ingredient may affect the invisible atoms thus held in solution.

      Irma's soul was deeply agitated. Her great power had been exercised and had sought some act in which to spend itself. She had felt happy in the possession of the king's friendship and in the thought that she could furnish so great a mind as his with the congenial companionship he would otherwise be obliged to forego; but the daily bouquet, trivial attention as it was, had aroused and offended her. "He isn't my ideal," said she to herself, and her heart felt lonely again, as it had been ever since she was old enough to think.

      Although she had been lonely while at the cloister, she had there found a friend who, if she had little to impart, gratefully accepted all that Irma could give her. At the court, she felt lonely in spite of her wanton humors. She was always obliged to be doing something, be it playing, singing, painting or modeling; anything but this deathlike solitude. She was suffering the homesickness of the soul.

      "Are not all in this world homeless?" she asked herself, and, while searching her mind for an answer, Gunther had introduced her to his household.

      There, all seemed beautiful and complete. There was a home, and a mother who showed that she understood a young and ardent life; the daughters would never suffer as she did. The mother's glance fell upon her and seemed to say: "I shall understand you and will soothe all sorrows you may tell me of." But Irma could not complain, nor exclaim: "Help me!" – and where nothing was required of her, least of all. She could and must help herself.

      Madame Gunther had touched her most tender chord: the memory of her mother, and, although Irma gently avoided the subject, her pain was so much the greater.

      She wept, but did not know it until a tear dropped on her bosom.

      There is so much comfort, so much of real and beautiful seclusion, in a world which is content with itself, and which, in its work and education, requires no favors from those above. How happy the lot of a daughter in such a home, until she, in turn, becomes the head of another household.

      Irma felt humbled. All her pride had left her. Her thoughts were still in the garden, where the people moved about in careless unconstraint and where the men, returning from their professional labors, and the maidens, from their domestic duties, were enjoying themselves in common.

      "One thing yet remains mine and it is the best," exclaimed Irma, suddenly rising: "solitude is mine. I can yet be lonely, strong, self-contained."

      Her waiting-maid entered and announced a lackey sent by the queen.

      "Does the queen want to see me at once?"

      "Yes, gracious Countess."

      "Very well, I'll be there directly."

      "Walpurga was right, after all," said she to herself; "I, too, serve."

      She felt vexed while she stood before the mirror to have her dress adjusted. She assumed a cheerful expression with which to appear before the queen. She was obliged to do so.

      She hastened to obey the queen's orders. When she got near the door, she drew herself up and again fixed her features in the cheerful, smiling expression that she wished them to have, and then entered the room, which, as usual, was dimly lighted.

      The queen was sitting in a large arm-chair. She was clad in a dress of snowy white, and a lace handkerchief had been twined about her golden hair.

      "Come nearer, dear Countess," said the queen. "I am delighted to see you again. When I see my dear friends, it seems as if I'd been spending the last few weeks in another world. Unfortunately, I am somewhat indisposed again. I owe you special thanks, for I understand that you've kindly interested yourself in the nurse; by keeping her cheerful, you do the prince a service. The king quite agrees with me that you're a real treasure to us. I shall write as much to your father and tell him how happy we are to have you with us. That will surely put him in a better humor with you."

      Irma was glad that the queen had so much to say, for she was thus enabled to recover her composure.

      "Pray give me the letter that lies on the table," said the queen.

      Irma brought it and the queen added:

      "Just read these lines of the king's."

      Irma read: "Pray tell Countess Irma to keep me constantly informed as to the condition of our son. Remember me to the dear fourth petal of our clover-leaf."

      Irma returned the letter with thanks. She felt deeply humiliated to think that the king was trying to force her to write, and at the method he had chosen. Walpurga was right when she spoke of love-glances at the cradle.

      Irma almost fainted with grief and shame.

      "Won't you do us the favor to write, dear Countess?"

      Irma bowed deeply, and the queen continued:

      "Of course there will be very little to write about. Man is the highest object in creation and, for that very reason, develops far more slowly than all other creatures."

      Irma was about to suggest that, at that rate, a prince would develop still more slowly, but she merely nodded and smiled assent.

      She