The Golden Butterfly. Walter Besant

Jagenal's house; she had been introduced to two gentlemen, one of whom was said to have a child-like nature all aglow with the flame of genius, while the other was described as a great, a noble fellow, to know whom was a Privilege and to converse with whom was an Education.

      She laughed when she thought of the pair. Like Nebuchadnezzar, she had forgotten her dream. Unlike that king, she did not care to recall it.

      The past was gone. A new life was about to begin. And the April sun was shining full upon her window-blinds.

      Phillis sprang from her bed and tore open the curtains with eager hand. Perhaps facing her might be the Tower of London. Perhaps the Thames, the silver Thames, with London Bridge. Perhaps St. Paul's Cathedral, "which Christopher Wren built in place of the old one destroyed by the Great Fire." Phillis's facts in history were short and decisive like the above.

      No Tower of London at all. No St. Paul's Cathedral. No silver Thames. Only a great square with houses all round. Carnarvon Square at dawn. Not, perhaps, a fairy piece, but wonderful in its novelty to this newly emancipated cloistered nun, with whom a vivid sense of the beautiful had grown up by degrees in her mind, fed only in the pictures supplied by the imagination. She knew the trees that grew in Lord Manfield's park, beyond the paddock; she could catch in fine days a glimpse of the vast city that stretches itself out from the feet of breezy Highgate; she knew the flowers of her own garden; and for the rest – she imagined it. River, lake, mountain, forest, and field, she knew them only by talk with her guardian. And the mighty ocean she knew because her French maid had crossed it when she quitted fair Normandy, and told her again and again of the horrors encountered by those who go down to the sea in ships.

      So that a second garden was a new revelation. Besides it was bright and pretty. There were the first flowers of spring, gay tulips and pretty things, whose name she did not know or could not make out from the window. The shrubs and trees were green with the first sweet chlorine foliage of April, clear and fresh from the broken buds which lay thick upon the ground, the tender leaflets as yet all unsullied by the London smoke.

      The pavement was deserted, because it was as yet too early for any one, even a milk-boy, to be out. The only living person to be seen was a gardener, already at work among the plants.

      A great yearning came over her to be out in the open air and among the flowers. At Highgate she rose at all hours; worked in the garden; saddled and rode her pony in the field; and amused herself in a thousand ways before the household rose, subject to no restraint or law but one – that she was not to open the front-door, or venture herself in the outer world.

      "Mr. Jagenal said I was to do as I liked," she said, hesitating. "It cannot be wrong to go out of the front-door now. Besides," reasoning here like a casuist, "perhaps it is the back-door which leads to that garden."

      In a quarter of an hour she was ready. She was not one of those young ladies who, because no one is looking at them, neglect their personal appearance. On the contrary, she always dressed for herself; therefore, she always dressed well.

      This morning she wore a morning costume, all one colour, and I think it was gray, but am not quite certain. It was in the graceful fashion of last year, lying in long curved lines, and fitting closely to her slender and tall figure. A black ribbon was tied round her neck, and in her hat – the hats of last year did not suit every kind of face, but they suited the face of Phillis Fleming – she wore one of those bright little birds whose destruction for the purposes of fashion we all deplore. In her hand she carried, as if she were still at Highgate and going to saddle her pony, a small riding-whip. And thus she opened the door, and slid down the stairs of the great silent house as stealthily and almost as fearfully as the Lady Godiva on a certain memorable day. It was a ghostly feeling which came over her when she ran across the broad hall, and listened to the pattering of her own feet upon the oilcloth. The broad daylight streamed through the réverbère; but yet the place seemed only half lit up. The closed doors on either hand looked as if dreadful things lurked behind them. With something like a shudder she let down the door-chain, unbarred the bolts, and opened the door. As she passed through she was aware of a great rush across the hall behind her. It was Cæsar, the mastiff. Awakened by a noise as of one burgling, he crept swiftly and silently up the kitchen-stairs, with intent to do a desperate deed of valour, and found to his rapturous joy that it was only the young lady, she who came the night before, and that she was going out for an early morning walk – a thing he, for his part, had not been permitted to do for many, many moons, not since he had been brought – a puppy yet, and innocent – to the heart of London.

      No one out at all except themselves. What joy! Phillis shut the door very carefully behind her, looked up and down the street, and then running down the steps, seized the happy Cæsar by the paws and danced round and round with him upon the pavement. Then they both ran a race. She ran like Atalanta, but Cæsar led till the finish, when out of a courtesy more than Castilian, he allowed himself to be beaten, and Phillis won by a neck. This result pleased them both, and Phillis discovered that her race had brought her quite to the end of one side of the square. And then, looking about her, she perceived that a gate of the garden was open, and went in, followed by Cæsar, now in the seventh heaven. This was better, better, than leading a pair of twins who sometimes tied knots with their legs. The gate was left open by the under-gardener, who had arisen thus early in the morning with a view to carrying off some of the finer tulips for himself. They raced and chased each other up and down the gravel walks between the lilacs and laburnums bursting into blossom. Presently they came to the under-gardener himself, who was busy potting a selection of the tulips. He stared as if at a ghost. Half-past five in the morning, and a young lady, with a dog, looking at him!

      He stiffened his upper lip, and put the spade before the flower-pots.

      "Beg pardon, miss. No dogs allowed. On the rules, miss."

      "William," she replied – for she was experienced in undergardeners, knew that they always answer to the name of William, also that they are exposed to peculiar temptations in the way of bulb – "William, for whom you are potting those tulips?"

      Then, because the poor youth's face was suffused and his countenance was "unto himself for a betrayal," she whistled – actually whistled – to Cæsar, and ran on laughing.

      "Here's a rum start," said William. "A young lady as knows my name, what I'm up to and all, coming here at five o clock in the blessed morning when all young ladies as I ever heard of has got their noses in their pillowses – else 'tain't no good being a young lady. Ketches me a disposin' of the toolups. With a dawg, and whistles like a young nobleman."

      He began putting back the flowers.

      "No knowin' who she mayn't tell, nor what she mayn't say. It's dangerous, William."

      By different roads, Montaigne wrote, we arrive at the same end. William's choice of the path of virtue was in this case due to Phillis's early visit.

      CHAPTER V

      "Te duce Cæsar."

      Tired of running, the girl began to walk. It was an April morning, when the east wind for once had forgotten to blow. Walking, she whistled one of the ditties that she knew. She had a very superior mode of performing on that natural piccolo-flute, the human mouth; it was a way of her own, not at all like the full round whistle of the street-boy, with as much volume as in a bottle of '51 port, as full of unmeaning sound as a later poem of Robert Browning's, and as unmelodious as the instrument on which that poet has always played. Quite the contrary. Phillis's whistle was of a curious delicacy and of a bullfinch-like note, only more flexible. She trilled out an old English ditty, "When Love was young," first simply, and then with variations. Presently, forgetting that she was not in the old paddock, she began to sing it in her fresh young voice, William the under-gardener and Cæsar the dog her only audience. They were differently affected. William grew sad, thinking of his sins. The dog wagged his tail and rushed round and round the singer by way of appreciation. Music saddens the guilty, but maketh glad those who are clear of conscience.

      It was half past six when she became aware that she was getting hungry. In the old times it was easy to descend to the kitchen and make what Indian people call a chota hazri, a little breakfast for herself. Now she was not certain whether, supposing the servants were about, her visit would be