Poetical Works of William Cullen Bryant. Bryant William Cullen

disorderly followers. It is instructive to trace their careers, which are usually short ones; but the contemplation of the calm, well-regulated, self-respecting lives of the elder and wiser masters is much more satisfactory. We pity the Maginns, and Mangans, and Poes, whom we have always with us; but we admire and reverence such writers as Wordsworth, and Thackeray, and Bryant, who dignify their high calling. The last thirty years of the life of Mr. Bryant were devoid of incidents, though one of them (1866) was not without the supreme sorrow – death. He devoted himself to journalism as conscientiously as if he still had his spurs to win, discussing all public questions with independence and fearlessness; and from time to time, as the spirit moved him, he added to our treasures of song, contributing to the popular magazines of the period, and occasionally issuing these contributions in separate volumes. He published "The Fountain and Other Poems" in 1842; "The White-Footed Deer and Other Poems" in 1844; a collected edition of his poems, with illustrations by Leutze, in 1846; an edition in two volumes in 1855; "Thirty Poems" in 1866; and in 1876 a complete illustrated edition of his poetical writings. To the honors which these volumes brought him he added fresh laurels in 1870 and 1871 by the publication of his translation of the "Iliad" and the "Odyssey" – a translation which was highly praised both at home and abroad, and which, if not the best that the English language is capable of, is, in many respects, the best which any English-writing poet has yet produced.

      There comes a day in the intellectual lives of most poets when their powers cease to be progressive and productive, or are productive only in the forms to which they have accustomed themselves, and which have become mannerisms. It was not so with Mr. Bryant. He enjoyed the dangerous distinction of proving himself a great poet at an early age; he preserved this distinction to the last, for the sixty-four years which elapsed between the writing of "Thanatopsis" and the writing of "The Flood of Years" witnessed no decay of his poetic capacities, but rather the growth and development of trains of thought and forms of verse of which there was no evidence in his early writings. His sympathies were enlarged as the years went on, and the crystal clearness of his mind was colored with human emotions.

      To Bryant, beyond all other modern poets, the earth was a theatre upon which the great drama of life was everlastingly played. The remembrance of this fact is his inspiration in "The Fountain," "An Evening Revery," "The Antiquity of Freedom," "The Crowded Street," "The Planting of the Apple-Tree," "The Night Journey of a River," "The Sower," and "The Flood of Years." The most poetical of Mr. Bryant's poems are, perhaps, "The Land of Dreams," "The Burial of Love," "The May Sun sheds an Amber Light," and "The Voice of Autumn;" and they were written in a succession of happy hours, and in the order named. Next to these pieces, as examples of pure poetry, should be placed "Sella" and "The Little People of the Snow," which are exquisite fairy fantasies. The qualities by which Mr. Bryant's poetry are chiefly distinguished are serenity and gravity of thought; an intense though repressed recognition of the mortality of mankind; an ardent love for human freedom; and unrivaled skill in painting the scenery of his native land. He had no superior in this walk of poetic art – it might almost be said no equal, for his descriptions of nature are never inaccurate or redundant. "The Excursion" is a tiresome poem, which contains several exquisite episodes. Mr. Bryant knew how to write exquisite episodes, and to omit the platitudes through which we reach them in other poets.

      It is not given to many poets to possess as many residences as Mr. Bryant, for he had three – a town-house in New York, a country-house, called "Cedarmere," at Roslyn, Long Island, and the old homestead of the Bryant family at Cummington. He passed the winter months in New York, and the summer and early autumn months at his country-houses. No distinguished man in America was better known by sight than he.

      "O good gray head that all men knew"

      rose unbidden to one's lips as he passed his fellow-pedestrians in the streets of the great city, active, alert, with a springing step and a buoyant gait. He was seen in all weathers, walking down to his office in the morning, and back to his house in the afternoon – an observant antiquity, with a majestic white beard, a pair of sharp eyes, and a face which, noticed closely, recalled the line of the poet:

      "A million wrinkles carved his skin."

      Mr. Bryant had a peculiar talent, in which the French excel – the talent of delivering discourses upon the lives and writings of eminent men; and he was always in request after the death of his contemporaries.

      Beginning with a eulogy on his friend Cole, the painter, who died in 1848, he paid his well-considered tributes to the memory of Cooper and Irving, and assisted at the dedication in the Central Park of the Morse, Shakespeare, Scott, and Halleck monuments. His addresses on those occasions, and others that might be named, were models of justice of appreciation and felicity of expression. His last public appearance was at the Central Park, on the afternoon of May 29, 1878, at the unveiling of a statue to Mazzini. It was an unusually hot day, and after delivering his address, which was remarkable for its eloquence, he accompanied General James Grant Wilson, an acquaintance of some years' standing, to his residence in East Seventy-fourth street. General Wilson reached his door with Mr. Bryant leaning on his arm; he took a step in advance to open the inner door, and while his back was turned the poet fell, striking his head on the stone platform of the front steps. It was his death-blow; for, though he recovered his consciousness sufficiently to converse a little, and was able to ride to his own house with General Wilson, his fate was sealed. He lingered until the morning of the 12th of June, when his capacious spirit passed out into the Unknown. Two days later all that was mortal of him was buried beside the grave of his wife at Roslyn.

      Such was the life and such the life-work of William Cullen Bryant.

R. H. STODDARD.

      TO THE READER

      The poems in this volume follow each other in the order in which they were written, it being believed that this arrangement would be as satisfactory to the reader as any classification founded on the nature of the subjects or their mode of treatment.

      POEMS

      THE AGES1

I

      When to the common rest that crowns our days,

      Called in the noon of life, the good man goes,

      Or full of years, and ripe in wisdom, lays

      His silver temples in their last repose;

      When, o'er the buds of youth, the death-wind blows

      And blights the fairest; when our bitter tears

      Stream, as the eyes of those that love us close,

      We think on what they were, with many fears

      Lest goodness die with them, and leave the coming years.

II

      And therefore, to our hearts, the days gone by,

      When lived the honored sage whose death we wept,

      And the soft virtues beamed from many an eye,

      And beat in many a heart that long has slept —

      Like spots of earth where angel-feet have stepped,

      Are holy; and high-dreaming bards have told

      Of times when worth was crowned, and faith was kept,

      Ere friendship grew a snare, or love waxed cold —

      Those pure and happy times – the golden days of old.

III

      Peace to the just man's memory; let it grow

      Greener with years, and blossom through the flight

      Of ages; let the mimic canvas show

      His calm benevolent features; let the light

      Stream on his deeds of love, that shunned the sight

      Of all but heaven, and in the book of fame

      The glorious record of his virtues write

      And hold it up to men, and bid them claim

      A palm like his, and catch from him the hallowed flame.

IV

      But

1

In this poem, written and first printed in the year 1821, the author has endeavored, from a survey of the past ages of the world, and of the successive advances of mankind in knowledge, virtue, and happiness, to justify and confirm the hopes of the philanthropist for the future destinies of the human race.