Wake-Robin. John Burroughs

by daylight. After observing them a moment I take a single step toward them, when, quick as thought, their eyes fly wide open, their attitude is changed, they bend, some this way, some that, and, instinct with life and motion, stare wildly around them. Another step, and they all take flight but one, which stoops low on the branch, and with the look of a frightened cat regards me for a few seconds over its shoulder. They fly swiftly and softly, and disperse through the trees. I shoot one, which is of a tawny red tint, like that figured by Wilson, who mistook a young bird for an old one. The old birds are a beautiful ashen-gray mottled with black. In the present instance, they were sitting on the branch with the young.

      Coming to a drier and less mossy place in the woods, I am amused with the golden-crowned thrush, – which, however, is no thrush at all, but a warbler, the Sciurus aurocapillus. He walks on the ground ahead of me with such an easy gliding motion, and with such an unconscious, preoccupied air, jerking his head like a hen or a partridge, now hurrying, now slackening his pace, that I pause to observe him. If I sit down, he pauses to observe me, and extends his pretty rumblings on all sides, apparently very much engrossed with his own affairs, but never losing sight of me. But few of the birds are walkers, most being hoppers, like the robin.

      Satisfied that I have no hostile intentions, the pretty pedestrian mounts a limb a few feet from the ground, and gives me the benefit of one of his musical performances, a sort of accelerating chant. Commencing in a very low key, which makes him seem at a very uncertain distance, he grows louder and louder, till his body quakes and his chant runs into a shriek, ringing in my ear with a peculiar sharpness. This lay may be represented thus: “Teacher teacher, TEACHER, TEACHER, TEACHER!” – the accent on the first syllable and each word uttered with increased force and shrillness. No writer with whom I am acquainted gives him credit for more musical ability than is displayed in this strain. Yet in this the half is not told. He has a far rarer song, which he reserves for some nymph whom he meets in the air. Mounting by easy flights to the top of the tallest tree, he launches into the air with a sort of suspended, hovering flight, like certain of the finches, and bursts into a perfect ecstasy of song, – clear, ringing, copious, rivaling the goldfinch’s in vivacity, and the linnet’s in melody. This strain is one of the rarest bits of bird-melody to be heard, and is oftenest indulged in late in the afternoon or after sundown. Over the woods, hid from view, the ecstatic singer warbles his finest strain. In this song you instantly detect his relationship to the water-wagtail (Sciurus noveboracensis) – erroneously called water-thrush, – whose song is likewise a sudden burst, full and ringing, and with a tone of youthful joyousness in it, as if the bird had just had some unexpected good fortune. For nearly two years this strain of the pretty walker was little more than a disembodied voice to me, and I was puzzled by it as Thoreau by his mysterious night-warbler, which, by the way, I suspect was no new bird at all, but one he was otherwise familiar with. The little bird himself seems disposed to keep the matter a secret, and improves every opportunity to repeat before you his shrill, accelerating lay, as if this were quite enough and all he laid claim to. Still, I trust I am betraying no confidence in making the matter public here. I think this is preëminently his love-song, as I hear it oftenest about the mating season. I have caught half-suppressed bursts of it from two males chasing each other with fearful speed through the forest.

      1

      For December, 1858.