The Wanderer; or, Female Difficulties (Volume 1 of 5). Burney Fanny

superiority to the epic poem? Its historic truth? No; the three poems, which, during so many centuries, and till Milton arose, stood unrivalled in celebrity, are, with respect to fact, of constantly disputed, or, rather, disproved authenticity. Nor is it even the sweet witchery of sound; the ode, the lyric, the elegiac, and other species of poetry, have risen to equal metrical beauty: —

      'Tis the grandeur, yet singleness of the plan; the never broken, yet never obvious adherence to its execution; the delineation and support of character; the invention of incident; the contrast of situation; the grace of diction, and the beauty of imagery; joined to a judicious choice of combinations, and a living interest in every partial detail, that give to that sovereign species of the works of fiction, its glorious pre-eminence.

      Will my dear Father smile at this seeming approximation of the compositions which stand foremost, with those which are sunk lowest in literary estimation? No; he will feel that it is not the futile presumption of a comparison that would be preposterous; but a fond desire to separate, – with a high hand! – falsehood, that would deceive to evil, from fiction, that would attract another way; – and to rescue from ill opinion the sort of production, call it by what name we may, that his daughter ventures to lay at his feet, through the alluring, but awful tribunal of the public.

      He will recollect, also, how often their so mutually honoured Dr Johnson has said to her, 'Always aim at the eagle! – even though you expect but to reach a sparrow!'

      The power of prejudice annexed to nomenclature is universal: the same being who, unnamed, passes unnoticed, if preceded by the title of a hero, or a potentate, catches every eye, and is pursued with clamorous praise, or, – its common reverberator! – abuse: but in nothing is the force of denomination more striking than in the term Novel; a species of writing which, though never mentioned, even by its supporter, but with a look that fears contempt, is not more rigidly excommunicated, from its appellation, in theory, than sought and fostered, from its attractions, in practice.

      So early was I impressed myself with ideas that fastened degradation to this class of composition, that at the age of adolescence, I struggled against the propensity which, even in childhood, even from the moment I could hold a pen, had impelled me into its toils; and on my fifteenth birth-day, I made so resolute a conquest over an inclination at which I blushed, and that I had always kept secret, that I committed to the flames whatever, up to that moment, I had committed to paper. And so enormous was the pile, that I thought it prudent to consume it in the garden.

      You, dear Sir, knew nothing of its extinction, for you had never known of its existence. Our darling Susanna, to whom alone I had ever ventured to read its contents, alone witnessed the conflagration; and – well I remember! – and wept, with tender partiality, over the imaginary ashes of Caroline Evelyn, the mother of Evelina.

      The passion, however, though resisted, was not annihilated: my bureau was cleared; but my head was not emptied; and, in defiance of every self-effort, Evelina struggled herself into life.

      If then, even in the season of youth, I felt ashamed of appearing to be a votary to a species of writing that by you, Sir, liberal as I knew you to be, I thought condemned; since your large library, of which I was then the principal librarian, contained only one work of that class;6 how much deeper must now be my blush, – now, when that spring of existence has so long taken its flight, – transferring, I must hope, its genial vigour upon your grandson!7– if the work which I here present to you, may not shew, in the observations which it contains upon various characters, ways, or excentricities of human life, that an exterior the most frivolous may enwrap illustrations of conduct, that the most rigid preceptor need not deem dangerous to entrust to his pupils; for, if what is inculcated is right, it will not, I trust, be cast aside, merely because so conveyed as not to be received as a task. On the contrary, to make pleasant the path of propriety, is snatching from evil its most alluring mode of ascendency. And your fortunate daughter, though past the period of chusing to write, or desiring to read, a merely romantic love-tale, or a story of improbable wonders, may still hope to retain, – if she has ever possessed it, – the power of interesting the affections, while still awake to them herself, through the many much loved agents of sensibility, that still hold in their pristine energy her conjugal, maternal, fraternal, friendly, and, – dearest Sir! – her filial feelings.

      Fiction, when animating the design of recommending right, has always been permitted and cultivated, not alone by the moral, but by the pious instructor; not alone to embellish what is prophane, but to promulgate even what is sacred, from the first æra of tuition, to the present passing moment. Yet I am aware that all which, incidentally, is treated of in these volumes upon the most momentous of subjects, may HERE, in this favoured island, be deemed not merely superfluous, but, if indulgence be not shewn to its intention, impertinent; and HERE, had I always remained, the most solemn chapter of the work, – I will not anticipate its number, – might never have been traced; for, since my return to this country, I have been forcibly struck in remarking, that all sacred themes, far from being either neglected, or derided, are become almost common topics of common discourse; and rather, perhaps, from varying sects, and diversified opinions, too familiarly discussed, than defyingly set aside.

      But what I observed in my long residence abroad, presented another picture; and its colours, not, indeed, with cementing harmony, but to produce a striking contrast, have forcibly, though not, I hope, glaringly tinted my pen.

      Nevertheless, truth, and my own satisfaction, call upon me to mention, that, in the circle to which, in Paris, I had the honour, habitually, to belong, piety, generally, in practice as well as in theory, held its just pre-eminence; though almost every other society, however cultured, brilliant, and unaffectedly good, of which occasionally I heard, or in which, incidentally, I mixed, commonly considered belief and bigotry as synonymous terms.

      They, however, amongst my adopted friends, for whose esteem I am most solicitous, will suffer my design to plead, I trust, in my favour; even where my essays, whether for their projection, or their execution, may most sarcastically be criticised.

      Strange, indeed, must be my ingratitude, could I voluntarily give offence where, during ten unbroken years, I should, personally, have known nothing but felicity, had I quitted a country, or friends, I, could have forgotten. For me, however, as for all mankind, concomitant circumstances took their usual charge of impeding any exception to the general laws of life.

      And now, dear Sir, in leaving you to the perusal of these volumes, how many apprehensions would be hushed, might I hope that they would revive in your feelings the partial pleasure with which you cherished their predecessors!

      Will the public be offended, if here, as in private, I conclude my letter with a prayer for my dearest Father's benediction and preservation? No! the public voice, and the voice of his family is one, in reverencing his virtues, admiring his attainments, and ardently desiring that health, peace of mind, and fulness of merited honours, may crown his length of days, and prolong them to the utmost verge of enjoyable mortality!

      F. B. d'Arblay.

      March 14. 1814

      CHAPTER I

      During the dire reign of the terrific Robespierre, and in the dead of night, braving the cold, the darkness and the damps of December, some English passengers, in a small vessel, were preparing to glide silently from the coast of France, when a voice of keen distress resounded from the shore, imploring, in the French language, pity and admission.

      The pilot quickened his arrangements for sailing; the passengers sought deeper concealment; but no answer was returned.

      'O hear me!' cried the same voice, 'for the love of Heaven, hear me!'

      The pilot gruffly swore, and, repressing a young man who was rising, peremptorily ordered every one to keep still, at the hazard of discovery and destruction.

      'Oh listen to my prayers!' was called out by the same voice, with increased and even frightful energy; 'Oh leave me not to be massacred!'

      'Who's to pay for your safety?' muttered the pilot.

      'I will!' cried the person whom he had already rebuffed, 'I pledge

6

Fielding's Amelia.

7

Alexander Charles Lewis d'Arblay.