The Invisible Man. Герберт Уэллс

a moment, and then abruptly everything was still.

      Mrs. Hall was left almost in a fainting condition in Mr. Hall's arms on the landing. It was with the greatest difficulty that Mr. Hall and Millie, who had been roused by her scream of alarm, succeeded in getting her downstairs, and applying the restoratives customary in such cases.

      "'Tas sperits," said Mrs. Hall. "I know 'tas sperits. I've read in papers of en. Tables and chairs leaping and dancing…"

      "Take a drop more, Janny," said Hall. "'Twill steady ye."

      "Lock him out," said Mrs. Hall. "Don't let him come in again. I half guessed – I might ha' known. With them goggling eyes and bandaged head, and never going to church of a Sunday. And all they bottles – more'n it's right for any one to have. He's put the sperits into the furniture…. My good old furniture! 'Twas in that very chair my poor dear mother used to sit when I was a little girl. To think it should rise up against me now!"

      "Just a drop more, Janny," said Hall. "Your nerves is all upset."

      They sent Millie across the street through the golden five o'clock sunshine to rouse up Mr. Sandy Wadgers, the blacksmith. Mr. Hall's compliments and the furniture upstairs was behaving most extraordinary. Would Mr. Wadgers come round? He was a knowing man, was Mr. Wadgers, and very resourceful. He took quite a grave view of the case. "Arm darmed if thet ent witchcraft," was the view of Mr. Sandy Wadgers. "You warnt horseshoes for such gentry as he."

      He came round greatly concerned. They wanted him to lead the way upstairs to the room, but he didn't seem to be in any hurry. He preferred to talk in the passage. Over the way Huxter's apprentice came out and began taking down the shutters of the tobacco window. He was called over to join the discussion. Mr. Huxter naturally followed over in the course of a few minutes. The Anglo-Saxon genius for parliamentary government asserted itself; there was a great deal of talk and no decisive action. "Let's have the facts first," insisted Mr. Sandy Wadgers. "Let's be sure we'd be acting perfectly right in bustin' that there door open. A door onbust is always open to bustin', but ye can't onbust a door once you've busted en."

      And suddenly and most wonderfully the door of the room upstairs opened of its own accord, and as they looked up in amazement, they saw descending the stairs the muffled figure of the stranger staring more blackly and blankly than ever with those unreasonably large blue glass eyes of his. He came down stiffly and slowly, staring all the time; he walked across the passage staring, then stopped.

      "Look there!" he said, and their eyes followed the direction of his gloved finger and saw a bottle of sarsaparilla hard by the cellar door. Then he entered the parlour, and suddenly, swiftly, viciously, slammed the door in their faces.

      Not a word was spoken until the last echoes of the slam had died away. They stared at one another. "Well, if that don't lick everything!" said Mr. Wadgers, and left the alternative unsaid.

      "I'd go in and ask'n 'bout it," said Wadgers, to Mr. Hall. "I'd d'mand an explanation."

      It took some time to bring the landlady's husband up to that pitch. At last he rapped, opened the door, and got as far as, "Excuse me—"

      "Go to the devil!" said the stranger in a tremendous voice, and "Shut that door after you." So that brief interview terminated.

      CHAPTER VII

      THE UNVEILING OF THE STRANGER

      The stranger went into the little parlour of the "Coach and Horses" about half-past five in the morning, and there he remained until near midday, the blinds down, the door shut, and none, after Hall's repulse, venturing near him.

      All that time he must have fasted. Thrice he rang his bell, the third time furiously and continuously, but no one answered him. "Him and his 'go to the devil' indeed!" said Mrs. Hall. Presently came an imperfect rumour of the burglary at the vicarage, and two and two were put together. Hall, assisted by Wadgers, went off to find Mr. Shuckleforth, the magistrate, and take his advice. No one ventured upstairs. How the stranger occupied himself is unknown. Now and then he would stride violently up and down, and twice came an outburst of curses, a tearing of paper, and a violent smashing of bottles.

      The little group of scared but curious people increased. Mrs. Huxter came over; some gay young fellows resplendent in black ready-made jackets and piqué paper ties – for it was Whit Monday – joined the group with confused interrogations. Young Archie Harker distinguished himself by going up the yard and trying to peep under the window-blinds. He could see nothing, but gave reason for supposing that he did, and others of the Iping youth presently joined him.

      It was the finest of all possible Whit Mondays, and down the village street stood a row of nearly a dozen booths, a shooting gallery, and on the grass by the forge were three yellow and chocolate waggons and some picturesque strangers of both sexes putting up a cocoanut shy. The gentlemen wore blue jerseys, the ladies white aprons and quite fashionable hats with heavy plumes. Wodger, of the "Purple Fawn," and Mr. Jaggers, the cobbler, who also sold old second-hand ordinary bicycles, were stretching a string of union-jacks and royal ensigns (which had originally celebrated the first Victorian Jubilee) across the road.

      And inside, in the artificial darkness of the parlour, into which only one thin jet of sunlight penetrated, the stranger, hungry we must suppose, and fearful, hidden in his uncomfortable hot wrappings, pored through his dark glasses upon his paper or chinked his dirty little bottles, and occasionally swore savagely at the boys, audible if invisible, outside the windows. In the corner by the fireplace lay the fragments of half a dozen smashed bottles, and a pungent twang of chlorine tainted the air. So much we know from what was heard at the time and from what was subsequently seen in the room.

      About noon he suddenly opened his parlour door and stood glaring fixedly at the three or four people in the bar. "Mrs. Hall," he said. Somebody went sheepishly and called for Mrs. Hall.

      Mrs. Hall appeared after an interval, a little short of breath, but all the fiercer for that. Hall was still out. She had deliberated over this scene, and she came holding a little tray with an unsettled bill upon it. "Is it your bill you're wanting, sir?" she said.

      "Why wasn't my breakfast laid? Why haven't you prepared my meals and answered my bell? Do you think I live without eating?"

      "Why isn't my bill paid?" said Mrs. Hall. "That's what I want to know."

      "I told you three days ago I was awaiting a remittance—"

      "I told you two days ago I wasn't going to await no remittances. You can't grumble if your breakfast waits a bit, if my bill's been waiting these five days, can you?"

      The stranger swore briefly but vividly.

      "Nar, nar!" from the bar.

      "And I'd thank you kindly, sir, if you'd keep your swearing to yourself, sir," said Mrs. Hall.

      The stranger stood looking more like an angry diving-helmet than ever. It was universally felt in the bar that Mrs. Hall had the better of him. His next words showed as much.

      "Look here, my good woman—" he began.

      "Don't 'good woman' me," said Mrs. Hall.

      "I've told you my remittance hasn't come."

      "Remittance indeed!" said Mrs. Hall.

      "Still, I daresay in my pocket—"

      "You told me three days ago that you hadn't anything but a sovereign's worth of silver upon you."

      "Well, I've found some more—"

      "'Ul-lo!" from the bar.

      "I wonder where you found it," said Mrs. Hall.

      That seemed to annoy the stranger very much. He stamped his foot. "What do you mean?" he said.

      "That I wonder where you found it," said Mrs. Hall. "And before I take any bills or get any breakfasts, or do any such things whatsoever, you got to tell me one or two things I don't understand, and what nobody don't understand, and what everybody is very anxious to understand. I want to know what you been doing t'my chair upstairs, and I want to know how 'tis your room was empty, and how you got in again. Them as stops in this house comes in by the doors – that's the rule of the house, and that you didn't do, and what I want to know