The First Men in the Moon. Герберт Уэллс

I enjoy the sunlight – the atmosphere – I go along this path, through that gate" – he jerked his head over his shoulder—"and round—"

      "You don't. You never have been. It's all nonsense. There isn't a way. To-night for instance—"

      "Oh! to-night! Let me see. Ah! I just glanced at my watch, saw that I had already been out just three minutes over the precise half-hour, decided there was not time to go round, turned—"

      "You always do."

      He looked at me – reflected. "Perhaps I do, now I come to think of it. But what was it you wanted to speak to me about?"

      "Why, this!"

      "This?"

      "Yes. Why do you do it? Every night you come making a noise—"

      "Making a noise?"

      "Like this." I imitated his buzzing noise. He looked at me, and it was evident the buzzing awakened distaste.

      "Do I do that?" he asked.

      "Every blessed evening."

      "I had no idea."

      He stopped dead. He regarded me gravely. "Can it be," he said, "that I have formed a Habit?"

      "Well, it looks like it. Doesn't it?"

      He pulled down his lower lip between finger and thumb. He regarded a puddle at his feet.

      "My mind is much occupied," he said. "And you want to know why! Well, sir, I can assure you that not only do I not know why I do these things, but I did not even know I did them. Come to think, it is just as you say; I never _have_ been beyond that field… And these things annoy you?"

      For some reason I was beginning to relent towards him. "Not annoy," I said. "But – imagine yourself writing a play!"

      "I couldn't."

      "Well, anything that needs concentration."

      "Ah!" he said, "of course," and meditated. His expression became so eloquent of distress, that I relented still more. After all, there is a touch of aggression in demanding of a man you don't know why he hums on a public footpath.

      "You see," he said weakly, "it's a habit."

      "Oh, I recognise that."

      "I must stop it."

      "But not if it puts you out. After all, I had no business – it's something of a liberty."

      "Not at all, sir," he said, "not at all. I am greatly indebted to you. I should guard myself against these things. In future I will. Could I trouble you – once again? That noise?"

      "Something like this," I said. "Zuzzoo, zuzzoo. But really, you know—"

      "I am greatly obliged to you. In fact, I know I am getting absurdly absent-minded. You are quite justified, sir – perfectly justified. Indeed, I am indebted to you. The thing shall end. And now, sir, I have already brought you farther than I should have done."

      "I do hope my impertinence—"

      "Not at all, sir, not at all."

      We regarded each other for a moment. I raised my hat and wished him a good evening. He responded convulsively, and so we went our ways. At the stile I looked back at his receding figure. His bearing had changed remarkably, he seemed limp, shrunken. The contrast with his former gesticulating, zuzzoing self took me in some absurd way as pathetic. I watched him out of sight. Then wishing very heartily I had kept to my own business, I returned to my bungalow and my play.

      The next evening I saw nothing of him, nor the next. But he was very much in my mind, and it had occurred to me that as a sentimental comic character he might serve a useful purpose in the development of my plot. The third day he called upon me.

      For a time I was puzzled to think what had brought him. He made indifferent conversation in the most formal way, then abruptly he came to business. He wanted to buy me out of my bungalow.

      "You see," he said, "I don't blame you in the least, but you've destroyed a habit, and it disorganises my day. I've walked past here for years – years. No doubt I've hummed…. You've made all that impossible!"

      I suggested he might try some other direction.

      "No. There is no other direction. This is the only one. I've inquired. And now – every afternoon at four – I come to a dead wall."

      "But, my dear sir, if the thing is so important to you—"

      "It's vital. You see, I'm – I'm an investigator – I am engaged in a scientific research. I live—" he paused and seemed to think.

      "Just over there," he said, and pointed suddenly dangerously near my eye. "The house with white chimneys you see just over the trees. And my circumstances are abnormal – abnormal. I am on the point of completing one of the most important – demonstrations – I can assure you one of the most important demonstrations that have ever been made. It requires constant thought, constant mental ease and activity. And the afternoon was my brightest time! – effervescing with new ideas – new points of view."

      "But why not come by still?"

      "It would be all different. I should be self-conscious. I should think of you at your play – watching me irritated – instead of thinking of my work. No! I must have the bungalow."

      I meditated. Naturally, I wanted to think the matter over thoroughly before anything decisive was said. I was generally ready enough for business in those days, and selling always attracted me; but in the first place it was not my bungalow, and even if I sold it to him at a good price I might get inconvenienced in the delivery of goods if the current owner got wind of the transaction, and in the second I was, well – undischarged. It was clearly a business that required delicate handling.

      Moreover, the possibility of his being in pursuit of some valuable invention also interested me. It occurred to me that I would like to know more of this research, not with any dishonest intention, but simply with an idea that to know what it was would be a relief from play-writing. I threw out feelers.

      He was quite willing to supply information. Indeed, once he was fairly under way the conversation became a monologue. He talked like a man long pent up, who has had it over with himself again and again. He talked for nearly an hour, and I must confess I found it a pretty stiff bit of listening. But through it all there was the undertone of satisfaction one feels when one is neglecting work one has set oneself. During that first interview I gathered very little of the drift of his work.

      Half his words were technicalities entirely strange to me, and he illustrated one or two points with what he was pleased to call elementary mathematics, computing on an envelope with a copying-ink pencil, in a manner that made it hard even to seem to understand. "Yes," I said, "yes. Go on!" Nevertheless I made out enough to convince me that he was no mere crank playing at discoveries. In spite of his crank-like appearance there was a force about him that made that impossible. Whatever it was, it was a thing with mechanical possibilities. He told me of a work-shed he had, and of three assistants – originally jobbing carpenters – whom he had trained. Now, from the work-shed to the patent office is clearly only one step. He invited me to see those things. I accepted readily, and took care, by a remark or so, to underline that. The proposed transfer of the bungalow remained very conveniently in suspense.

      At last he rose to depart, with an apology for the length of his call. Talking over his work was, he said, a pleasure enjoyed only too rarely. It was not often he found such an intelligent listener as myself, he mingled very little with professional scientific men.

      "So much pettiness," he explained; "so much intrigue! And really, when one has an idea – a novel, fertilising idea – I don't want to be uncharitable, but—"

      I am a man who believes in impulses. I made what was perhaps a rash proposition. But you must remember, that I had been alone, play-writing in Lympne, for fourteen days, and my compunction for his ruined walk still hung about me. "Why not," said I, "make this your new habit? In the place of the one I spoilt? At least, until we can settle about the bungalow. What you want is to turn over your work in your mind. That you have always done during your afternoon walk. Unfortunately