Maria Antoinette. Abbott John Stevens Cabot

was left entirely uninformed. The activity and energy of her mind only led her the more poignantly to feel the mortification to which this ignorance often exposed her. When surrounded by the splendors of royalty, she frequently retired to weep over deficiencies which it was too late to repair. The wits of Paris seized upon these occasional developments of the want of mental culture as the indication of a weak mind, and the daughter of Maria Theresa, the descendant of the Cæsars, was the butt, in saloon and café, of merriment and song. Maria was beautiful and graceful, and winning in all her ways. But this imperfect education, exposing her to contempt and ridicule in the society of intellectual men and women, was not among the unimportant elements which conducted to her own ruin, to the overthrow of the French throne, and to that deluge of blood which for many years rolled its billows incarnadine over Europe.

The French teachersTheir characterThe Abbé de VermondHe shamefully abuses his trust

      Maria Theresa had sent to Paris for two teachers of French to instruct her daughter in the literature of that country over which she was destined to reign. From that pleasure-loving metropolis two play actors were sent to take charge of her education, one of whom was a man of notoriously dissolute character. As the connection between Maria Antoinette and Louis, the heir apparent to the throne of France, was already contemplated, some solicitude was felt by members of the court of Versailles in reference to the impropriety of this selection, and the French embassador at Vienna was requested to urge the empress to dismiss the obnoxious teachers, and make a different choice. She immediately complied with the request, and sent to the Duke de Choiseul, the minister of state of Louis XV., to send a preceptor such as would be acceptable to the court of Versailles. After no little difficulty in finding one in whom all parties could unite, the Abbé de Vermond was selected, a vain, ambitious, weak-minded man, who, by the most studied artifice, insinuated himself into the good graces of Maria Theresa, and gained a great but pernicious influence over the mind of his youthful pupil. The cabinets of France and Austria having decided the question that Maria Antoinette was to be the bride of Louis, who was soon to ascend the throne of France, the Abbé de Vermond, proud of his position as the intellectual and moral guide of the destined Queen of France, shamefully abused his trust, and sought only to obtain an abiding influence, which he might use for the promotion of his own ambition. He carefully kept her in ignorance, to render himself more necessary to her; and he was never unwilling to involve her in difficulties, that she might be under the necessity of appealing to him for extrication.

Etiquette of the French courtEtiquette of the Austrian court

      Instead of endeavoring to prepare her for the situation she was destined to fill, it seemed to be his aim to train her to such habits of thought and feeling as would totally incapacitate her to be happy, or to acquire an influence over the gay but ceremony-loving assemblages of the Tuileries, Versailles, and St. Cloud. At this time, the fashion of the French court led to extreme attention to all the punctilios of etiquette. Every word, every gesture, was regulated by inflexible rule. Every garment worn, and every act of life, was regulated by the requisitions of the code ceremonial. Virtue was concealed and vice garnished by the inflexible observance of stately forms. An infringement of the laws of etiquette was deemed a far greater crime than the most serious violation of the laws of morality. In the court of Vienna, on the other hand, fashion ran to just the other extreme. It was fashionable to despise fashion. It was etiquette to pay no regard to etiquette. The haughty Austrian noble prided himself in dressing as he pleased, and looked with contempt upon the studied attitudes and foppish attire of the French. The Parisian courtier, on the other hand, rejoicing in his ruffles, and ribbons, and practiced movements, despised the boorish manners, as he deemed them, of the Austrian.

Precepts of the teacherCharacter of Maria AntoinetteMaria a noble girlHer virtues and her faults

      The Abbé de Vermond, to ingratiate himself with the Austrian court, did all in his power to inspire Maria Antoinette with contempt of Parisian manners. He zealously conformed to the customs prevailing in Vienna, and, like all new converts, to prove the sincerity of his conversion, went far in advance of his sect in intemperate zeal. Maria Antoinette was but a child, mirthful, beautiful, open hearted, and, like all other children, loving freedom from restraint. Her preceptor ridiculed incessantly, mercilessly, the manners of the French court, where she was soon to reign as queen, and influenced her to despise that salutary regard to appearances so essential in all refined life. Under this tutelage, Maria became as natural, unguarded, and free as a mountain maid. She smiled or wept, as the mood was upon her. She was cordial toward those she loved, and distant and reserved toward those she despised. She cared not to repress her emotions of sadness or mirthfulness as occasions arose to excite them. She was conscientious, and unwilling to do that which she thought to be wrong, and still she was imprudent, and troubled not herself with the interpretation which others might put upon her conduct. She prided herself a little upon her independence and recklessness of the opinions of others, and thus she was ever incurring undeserved censure, and becoming involved in unmerited difficulties. She was, in heart, truly a noble girl. Her faults were the excesses of a generous and magnanimous spirit. Though she inherited much of the imperial energy of her mother, it was tempered and adorned with the mildness and affectionateness of her father. Her education had necessarily tended to induce her to look down with aristocratic pride upon those beneath her in rank in life, and to dream that the world and all it inherits was intended for the exclusive benefit of kings and queens. Still, the natural goodness of her heart ever led her to acts of kindness and generosity. She thus won the love, almost without seeking it, of all who knew her well. Her faults were the unavoidable effect of her birth, her education, and all those nameless but untoward influences which surrounded her from the cradle to the grave. Her virtues were all her own, the instinctive emotions of a frank, confiding, and magnanimous spirit.

Palace of SchoenbrunThe scenes of Maria's childhood

      The childhood of Maria Antoinette was probably, on the whole, as happy as often falls to the lot of humanity. As she had never known a mother's love, she never felt its loss. There are few more enchanting abodes upon the surface of the globe than the pleasure palaces of the Austrian kings. Forest and grove, garden and wild, rivulet and lake, combine all their charms to lend fascination to those haunts of regal festivity. In the palace of Schoenbrun, and in the imbowered gardens which surround that world-renowned habitation of princely grandeur, Maria passed many of the years of her childhood. Now she trod the graveled walk, pursuing the butterfly, and gathering the flowers, with brothers and sisters joining in the recreation. Now the feet of her pony scattered the pebbles of the path, as the little troop of equestrians cantered beneath the shade of majestic elms. Now the prancing steeds draw them in the chariot, through the infinitely diversified drives, and the golden leaves of autumn float gracefully through the still air upon their heads. The boat, with damask cushions and silken awning, invites them upon the lake. The strong arms of the rowers bear them with fairy motion to sandy beach and jutting headland, to island, and rivulet, and bay, while swans and water-fowl, of every variety of plumage, sport before them and around them. Such were the scenes in which Maria Antoinette passed the first fourteen years of her life. Every want which wealth could supply was gratified. "What a destiny!" exclaimed a Frenchman, as he looked upon one similarly situated, "what a destiny! young, rich, beautiful, and an archduchess! Ma foi! quel destiné!"

Personal appearance of MariaDescription of Lamartine

      The personal appearance of Maria Antoinette, as she bloomed into womanhood, is thus described by Lamartine. "Her beauty dazzled the whole kingdom. She was of a tall, graceful figure, a true daughter of the Tyrol. The natural majesty of her carriage destroyed none of the graces of her movements; her neck, rising elegantly and distinctly from her shoulders, gave expression to every attitude. The woman was perceptible beneath the queen, the tenderness of heart was not lost in the elevation of her destiny. Her light brown hair was long and silky; her forehead, high and rather projecting, was united to her temples by those fine curves which give so much delicacy and expression to that seat of thought, or the soul in woman; her eyes, of that clear blue which recall the skies of the north or the waters of the Danube; an aquiline nose, the nostrils open and slightly projecting, where emotions palpitate and courage is evidenced; a large mouth, Austrian lips, that is, projecting and well defined; an oval countenance, animated, varying, impassioned, and the ensemble of these features, replete with