Название | Madame Roland, Makers of History |
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Автор произведения | Abbott John Stevens Cabot |
Жанр | Историческая литература |
Серия | |
Издательство | Историческая литература |
Год выпуска | 0 |
isbn | http://www.gutenberg.org/ebooks/28445 |
In music and drawing she made great proficiency. She was even more fond of all that is beautiful and graceful in the accomplishments of a highly-cultivated mind, than in those more solid studies which she nevertheless pursued with so much energy and interest.
The scenes which she witnessed in the convent were peculiarly calculated to produce an indelible impression upon a mind so imaginative. The chapel for prayer, with its somber twilight and its dimly-burning tapers; the dirges which the organ breathed upon the trembling ear; the imposing pageant of prayer and praise, with the blended costumes of monks and hooded nuns; the knell which tolled the requiem of a departed sister, as, in the gloom of night and by the light of torches, she was conveyed to her burial – all these concomitants of that system of pageantry, arranged so skillfully to impress the senses of the young and the imaginative, fanned to the highest elevation the flames of that poetic temperament she so eminently possessed.
God thus became in Jane's mind a vision of poetic beauty. Religion was the inspiration of enthusiasm and of sentiment. The worship of the Deity was blended with all that was ennobling and beautiful. Moved by these glowing fancies, her susceptible spirit, in these tender years, turned away from atheism, from infidelity, from irreligion, as from that which was unrefined, revolting, vulgar. The consciousness of the presence of God, the adoration of his being, became a passion of her soul. This state of mind was poetry, not religion. It involved no sense of the spirituality of the Divine Law, no consciousness of unworthiness, no need of a Savior. It was an emotion sublime and beautiful, yet merely such an emotion as any one of susceptible temperament might feel when standing in the Vale of Chamouni at midnight, or when listening to the crash of thunder as the tempest wrecks the sky, or when one gazes entranced upon the fair face of nature in a mild and lovely morning of June, when no cloud appears in the blue canopy above us, and no breeze ruffles the leaves of the grove or the glassy surface of the lake, and the songs of birds and the perfume of flowers fill the air. Many mistake the highly poetic enthusiasm which such scenes excite for the spirit of piety.
While Jane was an inmate of the convent, a very interesting young lady, from some disappointment weary of the world, took the veil. When one enters a convent with the intention of becoming a nun, she first takes the white veil, which is an expression of her intention, and thus enters the grade of a novice. During the period of her novitiate, which continues for several months, she is exposed to the severest discipline of vigils, and fastings, and solitude, and prayer, that she may distinctly understand the life of weariness and self-denial upon which she has entered. If, unintimidated by these hardships, she still persists in her determination, she then takes the black veil, and utters her solemn and irrevocable vows to bury herself in the gloom of the cloister, never again to emerge. From this step there is no return. The throbbing heart, which neither cowls nor veils can still, finds in the taper-lighted cell its living tomb, till it sleeps in death. No one with even an ordinary share of sensibility can witness a ceremony involving such consequences without the deepest emotion. The scene produced an effect upon the spirit of Jane which was never effaced. The wreath of flowers which crowned the beautiful victim; the veil enveloping her person; the solemn and dirge-like chant, the requiem of her burial to all the pleasures of sense and time; the pall which overspread her, emblematic of her consignment to a living tomb, all so deeply affected the impassioned child, that, burying her face in her hands, she wept with uncontrollable emotion.
The thought of the magnitude of the sacrifice which the young novice was making appealed irresistibly to her admiration of the morally sublime. There was in that relinquishment of all the joys of earth a self-surrender to a passionless life of mortification, and penance, and prayer, an apparent heroism, which reminded Jane of her much-admired Roman maidens and matrons. She aspired with most romantic ardor to do, herself, something great and noble. While her sound judgment could not but condemn this abandonment of life, she was inspired with the loftiest enthusiasm to enter, in some worthy way, upon a life of endurance, of sacrifice, and of martyrdom. She felt that she was born for the performance of some great deeds, and she looked down with contempt upon all the ordinary vocations of every-day life. These were the dreams of a romantic girl. They were not, however, the fleeting visions of a sickly and sentimental mind, but the deep, soul-moving aspirations of one of the strongest intellects over which imagination has ever swayed its scepter. One is reminded by these early developments of character of the remark of Napoleon, when some one said, in his presence, "It is nothing but imagination." "Nothing but imagination!" replied this sagacious observer; "imagination rules the world!"
These dim visions of greatness, these lofty aspirations, not for renown, but for the inward consciousness of intellectual elevation, of moral sublimity, of heroism, had no influence, as is ordinarily the case with day-dreams, to give Jane a distaste for life's energetic duties. They did not enervate her character, or convert her into a mere visionary; on the contrary, they but roused and invigorated her to alacrity in the discharge of every duty. They led her to despise ease and luxury, to rejoice in self-denial, and to cultivate, to the highest possible degree, all her faculties of body and of mind, that she might be prepared for any possible destiny. Wild as, at times, her imaginings might have been, her most vivid fancy never could have pictured a career so extraordinary as that to which reality introduced her; and in all the annals of ancient story, she could find no record of sufferings and privations more severe than those which she was called upon to endure. And neither heroine nor hero of any age has shed greater luster upon human nature by the cheerful fortitude with which adversity has been braved.
Chapter II
Youth
The influence of those intense emotions which were excited in the bosom of Jane by the scenes which she witnessed in her childhood in the nunnery were never effaced from her imaginative mind. Nothing can be conceived more strongly calculated to impress the feelings of a romantic girl, than the poetic attractions which are thrown around the Roman Catholic religion by nuns, and cloisters, and dimly-lighted chapels, and faintly-burning tapers, and matins, and vespers, and midnight dirges. Jane had just the spirit to be most deeply captivated by such enchantments. She reveled in those imaginings which clustered in the dim shades of the cloister, in an ecstasy of luxurious enjoyment. The ordinary motives which influence young girls of her age seem to have had no control over her. Her joys were most highly intellectual and spiritual, and her aspirations were far above the usual conceptions of childhood. She, for a time, became entirely fascinated by the novel scenes around her, and surrendered her whole soul to the dominion of the associations with which she was engrossed. In subsequent years, by the energies of a vigorous philosophy, she disenfranchised her intellect from these illusions, and, proceeding to another extreme, wandered in the midst of the cheerless mazes of unbelief; but her fancy retained the traces of these early impressions until the hour of her death. Christianity, even when most heavily encumbered with earthly corruption, is infinitely preferable to no religion at all. Even papacy has never swayed so bloody a scepter as infidelity.
Jane remained in the convent one year, and then, with deep regret, left the nuns, to whom she had become extremely attached. With one of the sisters, who was allied to the nobility, she formed a strong friendship, which continued through life. For many years she kept up a constant correspondence with this friend, and to this correspondence she attributes, in a great degree, that facility in writing which contributed so much to her subsequent celebrity. This letter-writing is one of the best schools of composition, and the parent who is emulous of the improvement of his children in that respect, will do all in his power to encourage